Rod B. is undoubtedly one of the new rising stars in the electronic music world with a highlight on the international market. 

Brazilian-born American, Rod B. became involved in the Miami scene, and in 2007, in search of more knowledge and new horizons, graduated in Audio Technology (Recording Arts) as a producer and audio engineer for the largest and most reputable audio universities in the world, SAE Miami, affiliated with the Recording Academy Grammy/USA. 

 

He has scored most of his releases in the top of the sales chart of the most important digital music store in the world, Beatport, drawing the attention of the major magazine E-Music Planet.

 

Rod B. was also was featured as one of the hottest names in dance music on DJ Mag UK's February 2011 issue, and in the same year had his music chosen by Carl Cox to be featured in his compilation GU-38, released by the iconic label Global Underground.

 

You can catch him in various parties and clubs around the world, Miami, Ibiza, South Beach, New York, Puerto Rico, Rio de Janeiro, Mexico, Amsterdam, São Paulo...catch him if u can!

 

Rod B. was featured in the line up of relevant festivals as Cream, Ultra Music Festival,Resistance , XXXperience, Green Valley and many more

 

@rodbmusic @miamisessions

 

 

Currently, Rod is undoubtedly one of the new rising stars in electronic music with a highlight on the international market.

Brazilian-born American, Rod B. became involved in the Miami scene, and in 2007 in search of more knowledge and new horizons, graduated in Audio Technology (Recording Arts) as a producer and audio engineer for the largest and most reputable audio universities in the world, SAE Miami, affiliated with the Recording Academy Grammy / USA.

Rod has scored most of his releases in the top of the sales chart beatport and it caught the attention of major magazine, E-Music Planet. In this British DJ Mag, he was featured as the hottest names in dance music in the Feb 2011 issue, and in the same year, he was sighted on one of the biggest compilations, Global Underground sign by Carl Cox - GU 38.

You can catch Rod B. in various parties and clubs around the world, Miami, Ibiza, South Beach, New York, Puerto Rico, Rio de Janeiro, Mexico, Amsterdam, São Paulo...catch him if u can!

Named at major festivals as Creamfields, Chemical Festival, Ultra Music Festival Miami and Brazil, Rio Music Conference, XXXperience, Winter Music Festival at Green Valley and more, Rod recently became a resident of Euphoria Festival, one the biggest festivals in Brazil

Rod also owns the Miami Underground Movement, renowned North American website E-Music, with the biggest names in the scene as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others.

More info:

www.soundcloud.com/rodb

www.facebook.com/RodB.MusicFanPage

 

 

 Rod B. bring you the Miami Sessions since 2008 - Miami Underground Movement.

 

Gorkiz is the author of Hit Dont Be Jealous with the duo Chemical Surf. He has performed in major clubs such as Green Valley, Villa 13, Park Art, Bali Hai, Cave. He has signed labels such as Lapsus Music, Toolroom, Kittball, Hotfingers, Bunny Tiger, among others. He has received great names like: Kolombo, Dashdot, Betoko, Vanilla Ace, Demarzo, Sharam Jey, Franz Costa among others. He is currently on the KDB Records label in Berlin and High Pressure Music in Italy.

 

www.facebook.com/gorkizofficial

https://soundcloud.com/gorkizmusic

 

Rod B. bring you the Miami Sessions - Miami Underground Movement.

 Rod B. bring you the Miami Sessions - Miami Underground Movement.

Dave Wincent  was born in Miskolc, Hungary and have been dealing with music since the age of 12. First started to learn solfege and drums and then tarted play the saxophone.Began taking all this seriously and making it as a dj when was about 14. Playing at small parties and on the local radios.He started make music at age of 16 and It became to take very serius . First  with the computer but later he bought analog and digital synths and gradually more and more expensive and better gear.

 In those days he used vinyls later CDs. Trying very hard to form his own style, he started to perform more shows in Miskolc and in the capital, Budapest. 

First release was in 2010 a EP, since that time his have been released by major labels all over the globe…Dave Wicent definitely is a rising star on the Techno scene from Hungry to the world.

More info:

https://www.facebook.com/davewincentmusic

https://soundcloud.com/dave-wincent

 

Rod B. bring you the Miami Sessions - Miami Underground Movement.

 

Cristhian Balcazar, Dj and Ecuadorian producer began his career from very young like Dj to the 14 years and producer to the 16 years 17 years began to play in Lost Beach Club where also there was an opportunity to share booth with great Djs around the world also A Group formed in big festivals of his country like the nature beats, a year of its 18 years in its first international date in Cali - Colombia, Eliptica Club. For now Cristhian seeks to create a solid and authentic sound in his productions and lately taking out an Ep in Happy Collective, Spain, Savia Park Ecuador and 56 Dance Therapy Mexico, a done hot ups and shared cabin with many important djs like Denney, Mr C, Magda, Pillowtalk, Robosonic, Joycd Muniz, Julia Govor, Richy Ahmed, Audiofly and many more...

 

 

https://www.facebook.com/CristhianBalcazar123

https://soundcloud.com/cjbr

 

Currently, Rod is undoubtedly one of the new rising stars in electronic music with a highlight on the international market.

Brazilian-born American, Rod B. became involved in the Miami scene, and in 2007 in search of more knowledge and new horizons, graduated in Audio Technology (Recording Arts) as a producer and audio engineer for the largest and most reputable audio universities in the world, SAE Miami, affiliated with the Recording Academy Grammy / USA.

Rod B. bring you the Miami Sessions @ Miami Underground Movement.

 

Rod has scored most of his releases in the top of the sales chart beatport and it caught the attention of major magazine, E-Music Planet. In this British DJ Mag, he was featured as the hottest names in dance music in the Feb 2011 issue, and in the same year, he was sighted on one of the biggest compilations, Global Underground sign by Carl Cox - GU 38.

You can catch Rod B. in various parties and clubs around the world, Miami, Ibiza, South Beach, New York, Puerto Rico, Rio de Janeiro, Mexico, Amsterdam, São Paulo...catch him if u can!

Named at major festivals as Creamfields, Chemical Festival, Ultra Music Festival Miami and Brazil, Rio Music Conference, XXXperience, Winter Music Festival at Green Valley and more, Rod recently became a resident of Euphoria Festival, one the biggest festivals in Brazil

Rod also owns the Miami Underground Movement, renowned North American website E-Music, with the biggest names in the scene as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others.

More info:

www.soundcloud.com/rodb

www.facebook.com/RodB.MusicFanPage

 

 

 

Currently, Rod is undoubtedly one of the new rising stars in electronic music with a highlight on the international market.

Brazilian-born American, Rod B. became involved in the Miami scene, and in 2007 in search of more knowledge and new horizons, graduated in Audio Technology (Recording Arts) as a producer and audio engineer for the largest and most reputable audio universities in the world, SAE Miami, affiliated with the Recording Academy Grammy / USA.

Rod has scored most of his releases in the top of the sales chart beatport and it caught the attention of major magazine, E-Music Planet. In this British DJ Mag, he was featured as the hottest names in dance music in the Feb 2011 issue, and in the same year, he was sighted on one of the biggest compilations, Global Underground sign by Carl Cox - GU 38.

You can catch Rod B. in various parties and clubs around the world, Miami, Ibiza, South Beach, New York, Puerto Rico, Rio de Janeiro, Mexico, Amsterdam, São Paulo...catch him if u can!

Named at major festivals as Creamfields, Chemical Festival, Ultra Music Festival Miami and Brazil, Rio Music Conference, XXXperience, Winter Music Festival at Green Valley and more, Rod recently became a resident of Euphoria Festival, one the biggest festivals in Brazil

Rod also owns the Miami Underground Movement, renowned North American website E-Music, with the biggest names in the scene as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others.

More info:

www.soundcloud.com/rodb

www.facebook.com/RodB.MusicFanPage

Rod B.  bring you the Miami Sessions @ Miami Underground Movement.

 

 

Currently, Rod is undoubtedly one of the new rising stars in electronic music with a highlight on the international market.

Brazilian-born American, Rod B. became involved in the Miami scene, and in 2007 in search of more knowledge and new horizons, graduated in Audio Technology (Recording Arts) as a producer and audio engineer for the largest and most reputable audio universities in the world, SAE Miami, affiliated with the Recording Academy Grammy / USA.

Rod has scored most of his releases in the top of the sales chart beatport and it caught the attention of major magazine, E-Music Planet. In this British DJ Mag, he was featured as the hottest names in dance music in the Feb 2011 issue, and in the same year, he was sighted on one of the biggest compilations, Global Underground sign by Carl Cox - GU 38.

You can catch Rod B. in various parties and clubs around the world, Miami, Ibiza, South Beach, New York, Puerto Rico, Rio de Janeiro, Mexico, Amsterdam, São Paulo...catch him if u can!

Named at major festivals as Creamfields, Chemical Festival, Ultra Music Festival Miami and Brazil, Rio Music Conference, XXXperience, Winter Music Festival at Green Valley and more, Rod recently became a resident of Euphoria Festival, one the biggest festivals in Brazil

Rod also owns the Miami Underground Movement, renowned North American website E-Music, with the biggest names in the scene as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others.

More info:

www.soundcloud.com/rodb

www.facebook.com/RodB.MusicFanPage

 

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.

Luke Hunter is an Audio Engineer/Producer/DJ located in Miami Florida.
For Luke “sanedracHUNTER” each and every venue, show and event is taken as a complete experience into sound that maintains the high standard of production and discerning ear that first lead Luke to his love of music.
Both his solo sets and his duo sets seek to find overwhelming sense of connection with the listeners, a thrill from hearing a track for the first time and allowing yourself to drift into an audible journey that evokes thought, emotion, and understanding.

Also half of production/DJ pair SanedracHunter which features Franccesco Cardenas & Luke Hunter. Years of music flow between these two artists but the real synergy takes place when these great minds come together behind the decks or in the studio. Collaboratively Franccesco Cardenas and Luke Hunter fuse as one under the title SanedracHunter and the two have already made a name in Miami and are now expanded to both coasts with Franccesco Cardenas "Sanedrac" in the West in San Francisco and Luke Hunter "Hunter" in the East holding down Miami.
SanedracHunter have been playing together for nearly a decade and have been honored to perform 5 year consecutively at Ultra Music Festival Miami and thru major venues in San Francisco as Harlot and Public Works and in Miami at Treehouse, Space, Mansion, 90.5FM and Klangbox.FMand TBA Brooklyn, Burningman, and more.

Teaming up in 2014 both members of SanedracHunter and SpinnZinn have launched Typ3 Records a Miami-San Francisco based Electronic label.

Contact Info :

www.facebook.com/LukeHunterMusic

http://www.SanedracHunter.com

luke@sanedrachunter.com

booking@sanedrachunter.com       

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.
 
 

AGA /Hungary/

1605 Music Therapy // Toolroom Records // Night Light Records // Dark Face Recordings

Gábor Szabó aka Gaga is a Dj, Producer and Label Owner, born in Hungary. After years of experience in clubs, he started in 2009 to create his own beats. Nowadays, he is working with the best digital labels, like: 1605 Music Therapy, Night Light Records, Bosphorus Underground Recordings, Stanch Records, Clorophilla, Futureaudio, Flat Belly, FHD, Substudio, Audio Elite, No-Logik and more. His Minimal, Tech House and Techno productions has entered the Beatport Top 100 several times, as for example his original track "Yeah" is Beatport Techno Top 7, "Rock It" is Beatport Tech House Top 39, "Warner Bros" is Beatport Minimal Top 17 and his tracks are charted by great artists, like: Umek, Richie Hawtin, Sinisa Tamamovic, Mario Ochoa, MinicoolBoyz, Mladen Tomic, Ant Brooks, Juan Ddd, etc ...
Now he is working on his own label Define Records, charted by Umek, Joseph Capriati, etc... and working also his own other label, Dark Face Recordings (played by Richie Hawtin, Sven Vath and many more..)

Supporting and playing his music a many great artists, like: Richie Hawtin, Sven Vath, Marco Bailey, Umek, Dubfire, Uto Karem, Luciano, Popof, The Junkies, Markantonio, Da Fresh, D-Formation, Someone Else, Cristian Varela, Wehbba, Spartaque, Da Fresh, Sinisa Tamamovic, Koen Groeneveld, Filterheadz, Alex Kenji, DJ Madskillz, Mladen Tomic, Paco Osuna, 2000 and One, Sasha Carassi, Dj Rush, Axel Karakasis, Vladimir Acic, Sergio Fernandez, Mario Ochoa, Gaetano Parisio, Slam, Ant Brooks, Chris Lake, Funkagenda, Alex Di Stefano, Anderson Noise, Amo & Navas, Raul Mezcolanza, MiniCoolBoyz, Hollen, Tony Dee, Tomy DeClerque, Philipp Straub, Paride Saracen, Justin James, Juan Ddd, Ant Brooks, Vlada Asanin, Lilonee and many more ...

He played together with Elay Lazutkin, Hollen, Sinisa Tamamovic, Ahmet Sendil, Andrea Roma, Veztax, Oscar Mulero, Avrosse, Louie Cut, Mark Dekoda and many more..

dj.beatport.com/gaga
www.facebook.com/gagahungary
www.facebook.com/gagaofficialfanpage
@gagahungary
@xgagax
soundcloud.com/gaga-djsets/
www.myspace.com/deejaygaga
twitter.com/gagahun
www.beatport.com/artist/gaga/106536
 

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.

Rafa Vieira, 51, fashion photographer who always liked electronic music.

He started his career in December 2012, presenting in the Dj Contest Warung Brazil and then in Bali-Hai Dj Contest Brazil.

In April 2013 he created the project called Deep Cocktail, in Curitiba - Brazil.

He already played in major clubs in Curitiba. April 2014 he made a small tourne Europe, performing at Maasmechelen and Mol - Belgium and Bristol -

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.

Dj, Producer, Label Owner. Its been 4 years since Chris started on his never-ending journey throughout melodic Deep Tech house in space, On a very short time-lapse he quickly climbed up and formed part of the top producers of Ecuador performing next to artists like Andre Salmon, Karate Bycicle and Rogg (The Maniac Crew). Born and raised in Los Angeles, California, at the age of 16 he traveled to south America with his family and ended up staying there, it wasn’t long till he started attending local shows of minimal tech which was the electronic scene during that time, after two years of going to festivals and listening to music from top artists like: Art Department, Hanfry Martinez, Anthony Collins, Davi, Patrice Baumel, David August, M.A.M, Nytron, Isaac Silva, Siopis, blakkat, Nuno Du santos, Stefano Ritteri, Silky, Re Dupre, Francesca Lombardo, James Teej, Juliche Hernandez… and the list could just keep on going, he got the necessary experience to begin his musical journey. At the age of 19 he met his next-door neighbor Andre Salmon and quickly started learning how Ableton worked, it didn’t take long before Andre and Chris started making music together, while Chris was in med school. After a while, he ended up quitting the career and just focused on music for the love of live.

Setlist:

- Nick Daring - The Black Gisby (Original Mix) - Javier Carballo, M.A.M. - Complementos (Original Mix) - Shlomi Aber - NY Dreamer (Alix Alvarez Remix) - Chad Andrew- Lost in me (Loquace Remix) - Andre Salmon, Chris C. - Ancient Sands (Original Mix) - Andre Salmon, Chris C. - Shes A bird (Original Mix) - Pavel Petrov – Adapt (Original Mix) - Leman & Dieckmann - That Dream ft Avi (Juliche Hernandez Remix) - Nitin - Carbon Bar (Original Mix) - Einzelkind – Dirt Drive (Original Mix) - Nytron - My impressions of techno (Original Mix) - Going Deeper Feat. Blackfeel wite - Claustrophobia (Vitor Munhoz Remix) - Andre Salmon, Chris C. – Behind Us (Original Mix) - Andre Salmon, Jose Wated, Chris C. - No Words (Original Mix)

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.

DJ Producer who was born and raised in Portugal and has had a busy past few years as he's worked with the likes of label heads Deep Dish, Eddie Amador, Chus & Ceballos, Omid 16B, D Formation, That Kid Chris, Tone Depth or RPO.
His signature already had been supported and smashed by global recognized DJs as Carl Cox or Maya Jane Coles and has even remixed the likes
of the Pet Shop Boys, Celeda, John Creamer & Stephane K, Ananda Project or Made By Monkeys on legendaries NYC labels as Twisted America, King Street Sounds or Kult Records, reaching the top 5 of major sites like Beatport, Traxsource, Juno or Audiojelly.

Citrusonic LA | Yoshitoshi | Twisted | King Street Sounds | Stereo | Alola | Beatfreak | Neptuun City | Tigereye Rec | KAOS Rec

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement.

In late 2007, when Tara Danielle Brooks put her first needle on a record, she had neither idea nor expectation that her passion for music would soon become her life-long career. She learned on vinyl using her natural ear for music. Through this route, she escaped into the sounds that helped her discover a new meaning to life. Experiencing magical nights at parties & festivals in Southern California, Tara discovered the power to be moved & touched by electronic dance music, causing pure enlightenment. She’s a self-taught deejay who found her destiny: To express creativity through music. 

Tara's passion turned into an addiction, landing her gigs from all over So Cal, Las Vegas, Miami, New York, internationally, & more. Opening & closing for many of the biggest djs in the world, including Plastikman, Green Velvet, James Zabiela, Victor Calderone, Eric Prydz, Erick Morillo, Joseph Capriati, The Martinez Brothers, Sander Van Doorn etc. She plays for Insomniac, The Bpm festival, Wmc Space Miami, Drais LV, Marquee Day Club, & played 4 events during her first experience at Burning Man. She says "It was the most magical, phenomenal, twisted experience of my life, & i've never felt an energy so beautiful before." 

Her heart lies in techno, tech house, deep house, & older progressive, open minded & moved by a more underground sound & feeling. Influences include John Digweed, Victor Calderone, Lee Burridge, Joseph Capriati, Richie Hawtin, Art Department, Guy Gerber, Nicole Moudabour, Gaiser, Dixon, Hernan Cattaneo, & Audiofly. Known for powerful drops, driving rolling baselines, beautiful emotional melodies, & techno with a sexy but dark groove, she focuses on sounds that have the ability to touch her crowd.

Dedicated & addicted to production, she hopes to move you with her sounds, taking you on a unique & special journey, touching u so deeply.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Brazilian DJ, Promoter, Producer and DJ Agency Owner, Rod Maya is always innovating where passes by. Since 2005 based on the island of Ibiza, Rod has promoted parties at the most famous clubs as Space and Privilege and has played on the hottest island spots like Pacha, Privilege, Blue Marlin, Es Vive, Es Paradis, The Zoo Project, Pacha Hotel and Sushi Point to list some. In 2009 Rod started his residency at world most famous beach club Bora Bora which still keeps now a days. In 2010 has created a podcast project called Ibiza Undersound which provides ibiza residents djs mixes weekly. Rod also owns a DJ Agency in Brazil named Upper-Agency and recently created a successful label party called “So Fistíque” doing several boat parties on the sea of Rio de Janeiro bringing to Brazil his Ibiza experience of promoting and djing. His music style goes from deep synthetic tones, passing by underground house grooves followed by fat bass lines of low bpm techno vibes.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Bluntspeakers is a talented Rotterdam based dj/producer and one to keep an eye on in the near future. After a very successful year in the Dutch scene he's now on the verge of his international breakthrough.   Not only did he compile and mix music for fashion shows by Marga Weimans and Nata Ryzh during this year's Amsterdam Fashion Week, but he was also spinning at venue's like Vogue fashion night out, ADE (amsterdam dance event), Solar Festival, Lowlands festival and he performed at parties across the globe, ranging from New York to Antwerp and Poland.  Bluntspeakers is working in the studio finishing some releases that coming out in december and in 2014.

https://soundcloud.com/bluntspeakers

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Jphilipps & Joint are João Phelippe (JPhilipps) ,  dj and producer and Pedro Poyart (Joint) , musician , audio engineer and producer , both from Rio de Janeiro. Jphilipps has been a former member of Lindt Link (minimal / techno ptoject) and Mind the Gap (Techno), where he toured all over Brasil on big events such as XXXperience festival , Chemical music festival , Vision Paradise and clubs like The Week , Fosfobox and Dama de ferro. In 2010 he created his solo project JPhilipps and toured Europe playing in Germany , Netherlands , France , Italy , Switzerland and Spain.He joined Amazing Records and  released  several techno tracks which had been played by names such as Richie Hawtin , Pan-Pot , Dubfire and Marco Carola in 2011 / 2012. Later on in 2012 he released the vinyl "Samba do future LP" , reaching top 20 on Juno only vinyls site. Joint is a former SAE Institute student and had recorded , mixed , and mastered 4 albums and other singles   in 2012 / 2013 They now team up to bring you some groovy deep house. On their first EP , "Trapped EP" Released on MUR - Miami Underground Records , they were supported by artist such as Amine Edge , Saccao and Anderson Noise and reached Beatport's top 100 releases on Indie / Nudisco and Deep House. In 2014 they will release a Vinyl on Amazing Records with Click Box and Minicoolboyz and some other tracks .

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Thiago Vieira and Romulo Avila are the names behind the duo leading the project, producing tech-house with excellence. Launched by major labels as Cr2 Records, Stealth Records, Natura Viva, among others, the Duo is gaining tops sales on Beatport and ears of big DJs Mark Knight, Roger Sanchez and PleasureKraft are some who have been playing songs from Luthier often.

With almost two years of design and over 10 years for production, the projet the Lut hier on t in Ocado biggest parties and festivals in Brazil, and also ordered to play in other countries. Today it is considered one of the best tech-house producers of the country.

http://www.luthiermusic.com.br http://www.soundcloud.com/luthiermusic http://www.twitter.com/luthiermusic http://www.youtube.com/luthiermusic http://www.beatport.com/artist/luthier/1...

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Few Djs or producers inspire an entire genre with their style alone. Sabb (Sabri Kastrati), has single handedly done such that. Hailing from the capitol of Kosovo, Prishtina, his Deep-Techy-Tribal-Hypnotic grooves have made him an important player in the electronic music scene over the last two years. You can find many of Sabb's releases on some of the most respected and major underground electronic labels such as Audiomatique Recordings, Noir Music, Great Stuff Recordings, Defected, Toolroom Records, Cr2, Definitive, MBF, Connaisseur, Stealth Rec, Monique Musique, Nervous just to name a few. 

Just within the last few months Sabb has been very busy remixing artists like Pleasurekraft,Wally Lopez,Chris Lake, Carlo Lio, Saeed Younan, Wehbba, Gary Beck, Supernova and Hector Couto among others. Only a year after beginning his production carreer,, Sabb's first record release, "Dead Corps", landed immediately on top 100 beatport charts and was released on his own label, SK Supreme Records. So did his last 2 Original Releases "Nasty Girl" Released on Great Stuff Recordings jumped to #8 on Tech House Charts and his "Cowbell Talk" released on his own imprint SK Supreme Records reached #32 and had several plays by Tanzmann&Squillace,Carola,Luciano,Wally Lopez and many more. He's also peaked twice at #2 on the beatport Deep House Charts with "Sax On Wax" and his Summer of 2010 hit, "Ballkanika". The "Ballkanika" release also featured a remix by Mendo (which peaked at #3 on Beatport Tech House Charts) and has been licensed for Toolroom Knights mixed by Mark Knight. 
Wether in a beach party in the United States or in a nightclub in Europe, Sabb's versatile DJ sets are fueled by the spontaneous and subtle nuances of the venue and crowd.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Gabriel Serrasqueiro has its history intertwined with the history of electronic music in Brazil. Coming from a time when musical genres were juxtaposed in a scene still embryonic, it was part of a movement that made dance music for a whole generation. Were numerous festivals, collaborations and much experimentation. It was no coincidence. In a pre-internet his talent as a DJ and producer has gained notoriety.

Coming from a privileged routine where artists performed live he had marked his name to be touched by people and microclimate important part of the biggest events. The parties Tribe, and XXXperience Universe Paralello received crowds of clubbers who came from various parts of the globe to witness the phenomenon that is manifested by aqui.Na time, your project Wrecked Machines was one of the major powers of creative music of Brazil and promised a feat still inconceivable to most talents that sprouted here: notoriety exterior.Gabriel Serrasqueiro had marked his name among the greatest artists on the planet. Ranked among the Top 100 artists ranking in DJ Mag UK, was recognized as the creative mind in the design Wrecked Machines. Spun Records, Solstice Music Etnicanet and released their work.

Gabe recently had four tracks released on the label Off Records. DJing, he opened for artists such as Tiësto and Sasha. Years of tours, gigs and festivals of titanic proportions. Today Gabriel signs with the name Gabe and delivers a hybrid of techno and house whose root is the same as when it started: delivering an immersive music experience and elegante.Atualmente Gabe works on his project Live, which handles live his small laboratory music in real time in front of the public. In an unprecedented proposal, he delivers some of the hits that brought him here, revisiting classics with new readings and generously revealing his costume criativa.Gabe recently delivered a bootleg of a band LCD Soundsystem. Instant success, she went from one week to the other to be played by none other than Sasha, Solomun, John Digweed and Hosh.

Live your project is already anticipated for some time and enjoy a moment when the dance floor better understand the aspects that make the project a unique opportunity to see the talent shining vivo.Gabe already has your name written in the channels of electronic music. Festivals such as Eclipse and Rainbow Serpent in Australia, and the Fusion Bar 25 in Germany, Ageha in Japan, saw among the headliners. In Brazil it is among the top clubs and festivals. These Dream Valley, XXXperience, Field, Warung, and D.Edge Clash Club.

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Making people dance for more than six years in the Miami club scene, from mainstream big room clubs like Mansion, Karu & Y and Dream to underground club's like The Electric Pickle, Tree House, Villa 221, among others, Club Space monthly resident for more than two years in the Techno Loft, makes Mario a young dj/producer but with a great trajectory already. 
Warming up dance floor's for the best DJ's such as Marco Carola, Mathias Tanzmann, Alexi Delano, Chris Liebing, Martinez, Luca Bacchetti, Livio & Roby, Camea, Mathias Kaden, Carlo Lio, Josh Wink, Nick Curly, Chris Lattner, Onur Ozer, Agoria, Davide Squilacce, Manik, just to name a few!! 
Mario counts with several club's residents in his background (Tantra, Detour, Discotekka, Space, Karu & Y, etc). He has played in Italy at the Doom Club in Florence, Puerto Rico, Peru, Naples, Orlando, Tampa, Fort Myers, etc. Uncountable parties in the WMC throwing showcases in the best clubs and hotels. 
His new single collaboration with Davd Zafra "Sinse" just got signed for Oblack Label [Spain] that counts with artist's like Los Pastores, Andre Butano, Hermanez, Andrew Grant, Tuccillo, Tony Dee, Aldo Cadiz, David Gtronic and many more. 
Also, his new Ep "The Art of Jam" is coming out at the end of this month with the well experienced So Sound Recordings [Miami, USA]. 
At the moment Mario is resident deejay for the UN_MUTE premier underground events, playing in the best clubs all around Miami with a great reputation for his DJ skills and unique personality.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

In late 2007, when Tara Danielle Brooks put her first needle on a record, she had neither idea nor expectation that her passion for music would soon become her life-long career. She learned on vinyl using her natural ear for music. Through this route, she escaped into the sounds that helped her discover a new meaning to life. Experiencing magical nights at parties & festivals in Southern California, Tara discovered the power to be moved & touched by electronic dance music, causing pure enlightenment. She’s a self-taught deejay who found her destiny: To express creativity through music. 

Tara's passion turned into an addiction, landing her gigs from all over So Cal, Las Vegas, Miami, New York, internationally, & more. Opening & closing for many of the biggest djs in the world, including Plastikman, Green Velvet, James Zabiela, Victor Calderone, Eric Prydz, Erick Morillo, Joseph Capriati, The Martinez Brothers, Sander Van Doorn etc. She plays for Insomniac, The Bpm festival, Wmc Space Miami, Drais LV, Marquee Day Club, & played 4 events during her first experience at Burning Man. She says "It was the most magical, phenomenal, twisted experience of my life, & i've never felt an energy so beautiful before." 

Her heart lies in techno, tech house, deep house, & older progressive, open minded & moved by a more underground sound & feeling. Influences include John Digweed, Victor Calderone, Lee Burridge, Joseph Capriati, Richie Hawtin, Art Department, Guy Gerber, Nicole Moudabour, Gaiser, Dixon, Hernan Cattaneo, & Audiofly. Known for powerful drops, driving rolling baselines, beautiful emotional melodies, & techno with a sexy but dark groove, she focuses on sounds that have the ability to touch her crowd.

Dedicated & addicted to production, she hopes to move you with her sounds, taking you on a unique & special journey, touching u so deeply.

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Zeljko Vlajin a.k.a SOSKO is born in Ruma / SERBIA / on July 18. 1986. First intensive contact with house music made 2004. Work as a sound and musical associate producer of the radio stations "Fruska Gora and" and " Heart ".

Shortly thereafter performed in numerous clubs all over Serbia (Baltazar, Club Pazzia (Kikinda), In Contro (resident), Cactus, Latino, Buddha Bar (resident), Studio 54 (Apatin ) Bar Centrale (resident), Club R...oy...al (CG) (resident) ... During the summer and winter season appearances in the club of Montenegro.Works at SMOKE FEST 01,02 and other festivals ...

Sosko involved in production and processing of songs - a lot of great tracks and remxes released for a world famous record label in very short time, sound that is recognizable by the great rhythm and strong bassline quickly found its fan base.

One of the best track made in the corporation with Alen Milivojevic for InterTech Records.
Preferred Tech-house and Techno sound.

Currently resident at Buddha Bar ( Belgrade , Novi Sad )

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

At 52 years old Dave “Big Daddy” Brown has been around since before the birth of dance music. Or for that matter, punk, reggae, new wave, hard rock, hip-hop, rap and metal. In fact, he came rushing headlong into this world in 1961, the same year Patsy Cline was topping the charts with Willie Nelson’s “Crazy”.

He was ten years old when he bought his first ever record, Led Zeppelin’s immortal classic, “Immigrant Song”, which remains one of his favourite songs of all time. The joy was short-lived though, his mum made him take it back to the record store as it wasn’t considered “appropriate”...but it was cheekily swapped for Deep Purple’s “Demon’s Eye” instead.

Variously falling in love with sounds like Led Zep, Deep Purple, Black Sabbath, The Ramones, Motorhead, Pantera and Tool, Big Daddy’s die seem cast in either the thrash of punk or the dark grooves of heavy metal. But dabbling in the early ‘90s rave scene in Sydney Australia he became exposed to early psy-trance and acid house.

But it wasn’t until a monumental set by the legendary Carl Cox at Bondi Beach Sydney on NYE 2000 that the die was cast. Within two days Dave had bought his first decks. Absorbing sounds from iconic techno and house DJs like Carl Cox, John Digweed, Green Velvet and Jeff Mills, he started the long and lonely journey of every true DJ, to find his own sound.


Dave’s live sets invariably involve a variety of styles with techno and tech-house as the basis but a preference for dark techno. Well regarded for his programming and immaculate blend mixing his sets are never planned whether live or recorded, believing in the true essence of a “live” performance.

Having played predominantly in Asia, he was offered residencies at the iconic Bed Supperclub and Glow in Bangkok where he successfully pushed a tech-house sound in an electro-house world many years before it before it became fashionable.

However Big Daddy is the antithesis of most DJs and doesn’t seek fame or fortune in any way, in fact he keeps out of the limelight and finds it completely ironic to even have had bio written for him.

He is legendary for turning down gigs to allow younger DJs to take the opportunities available. It’s through this modesty and generosity that he has cheekily become known as “Big Daddy “. Dave is vehement in his belief that music comes first and its future resides with the young.

Well known in the Brisbane (Australia) underground scene, Dave has played alongside some of the biggest names in international techno although he’d never mention names. He currently only plays certain events by invitation from people who know their music.

Knowing that the music will never die, Dave’s plans are to build his own beach-club in Asia in 2015 where he intends to see out his days sharing the music he loves so much without any distractions.

He truly does hope to leave this life in a DJ booth with his headphones still on!

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Paolo Mojo is firmly established as a leading light on the underground house music scene with a large global following and a consistent production schedule that keeps him in demand all over the world.

A true ‘international’, there are not many countries that haven’t had a touch of the Mojo magic these days. He's earned himself a formidable global fan base thanks to his hectic schedule…Womb in Tokyo, Ministry of Sound in London, Avalon in Los Angeles, Warung Beach in Brazil, Wonderland in Ibiza, Chinese Laundry in Sydney and Zouk in Singapore are just some of the venues he graces consistently.

It’s all built on the back of a consistent, high profile discography.

2011 starts with a bang with the Essential Selection playlisted ‘Mmmm Daaa’ snapped up by legendary house label Strictly Rhythm for a spring release. His much hyped ‘All Night, Alright’ is to be released on hot Italian label 303 Lovers, home of Manuel De La Mare and Alex Kenji, whose remix of the track is under development. Finally his ‘Welcome To the Factory’ sampling track of the same name has been personally approved by Angel Moraes, and is set for a spring release on Dj Chus’ Stereo Music.

2010 saw successful singles released on Noir (Crazy For You) Hysterical (Disco Kiss) and Younan Music (He's The Man). Remixes of Saeed Younan and Rainer Weichold’s for German label Great Stuff followed, as did his well received Foxhunt / Soca! single.

Elsewhere, his track 1983 on Eric Prydz’ Pryda Friends has become a true club classic. He’s also released tracks on Pryda and Mouseville (the only ‘outside’ artist to do so) and a varied and vast list of other labels.. Bedrock, Saved, NRK, Cr2, Toolroom, Renaissance, Great Stuff, Positiva, EQ Recordings, Factomania, Little Mountain, Curfew Nervous, Ego Records.. the list goes on.

At the heart of his work lies his own label Oosh, which over the course of the last three years has landed him two BBC Essential New Tunes and two Beatport overall top ten hits. Pete Tong also named ‘JMJ’ (2007) and ‘Sirena’ (2008) his ‘top tunes of the summer.

The label has expanded to include the cream of house and techno producers such as Wally Lopez, Rene Amesz, DJ Yellow, Noir, Jim Rivers, Juan Sanchez, King Unique, Alan Fitzpatrick and Saeed Younan and the first Paolo Mojo ‘Ten To One’ compilation release will follow in February 2011. His associated podcast Ooshcast has become one of the most popular downloads around since its launch in December 2009.

Its no surprise then, that he was name checked as one of the hottest producers of the year in 2008 by Pete Tong on BBC Radio One, and has scored two well received Essential mixes for Radio One already.

On the compilation front he has been described by IDJ Magazine as ‘the master of the mix cd’ For evidence of this look no further than his award winning Balance 009 for EQ Recordings, now regarded as something of a classic mix compilation, or his Renaissance Digital 001.

With an astonishing work ethic in the studio and his endless special re-edits, he's an innovative DJ whose enviable technical ability and a thriving, huge loyal underground fanbase ensure that he will remain a star of the scene for many years to come.

http://www.facebook.com/paolomojo
http://www.twitter.com/paolomojo

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

At age 17, when most girls her age were preparing for dinner dates and parental escorts, Dani Lehman was busy trading her only prom dress for a pair of headphones and an electronic dream. Captivated by what she saw as a world driven by a beat with dark emotion, Dani Lehman built her name from the bottom of the underground warehouses of Philadelphia as a teen, to the top of the main room Pacha NYC, Cielo, District 36 and Sullivan Room to Ultra Music Festival in Miami and headlining her first international tour as a young adult. Dani has also been sighted playing along side djs such as Sasha, M.A.N.D.Y., Josh Wink, Adultnapper, Sharam, Avicii and many more. With no intention of stopping, Dani quickly moved her way up in the community and now plans to expand her talents in the studio and throughout the dj world as a whole. As her career continues to grow, Dani remains true to the local spots she loves the most, loyal to but standing out among her peers as a DJ with a strong history and an even stronger future.

Known for her dark sexy groovy bass heavy beats, Dani Lehman is a DJ’s DJ who plays straight from the heart, riding with a personal sense of freedom that only compliments her vastly unique and sophisticated sound. The headphones tattooed on her neck say it all: Dani Lehman as a dj is not just a sound or a name… it’s a way of living Life

More Info:

https://facebook.com/djdanilehman

http://soundcloud.com/dani-lehman

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Wehbba is one of Brazil’s main electronic music ambassadors.Born Rodolfo Wehba, in São Paulo, Brazil, this former dentist has been spinning house and techno music records for about a decade, working the crowds worldwide ever since his first international records got released, back in 2006.Wehbba has been an active producer for the past decade, and has developed a very distinct style, marked by stellar production skills. His achievements as a producer can bemeasured by the number of respected artists who he’s worked with over the years, either remixers, remixees or collaborators.

Although notably and actively working with swedish legend Christian Smith, the list can be extended to the likes of Laurent Garnier, Robert Babicz, Bushwacka!, X-Press 2, Carlo Lio, Chris Lake, Samuel L Session, Funk D’Void, 16 Bit Lolitas, Sharam Jey, Valentino Kanzyani, Stephan Bodzin, 2000 And One, Kolombo, Mihalis Safras,Joseph Capriati, Coyu, Julian Sanza, to name only a few. His productions have been featured on labels like Tronic, Bedrock, Toolroom, Soma, Systematic, 100% Pure, Audiomatique, Skint, Trapez, Material, Missile, Suara and many others. ‘Full Circle’, Wehbba’s first studio album, released by Tronic Music in 2010, was thelandmark which set Wehbba’s career off to a whole new level, reaching outstanding media success as well as sales and DJ support. Over the following years, he’ s been granted numerous spots at charts of portals like Beatport or Resident Advisor, the latter featuring Wehbba as the 52nd most charted artist in 2011.

After working on a mixed compilation, released in the end of 2012 on Toolroom Records and called ‘Toolroom Knights Brazil’, together with Mark Knight himself, Wehbba takes on the task of delivering a second studio album on Tronic, ‘Square Two’, scheduled for release in May 2013. This new project is set to raise the bar on Wehbba’s discography, by displaying even more of his versatility and musicality, including an appearance from Jon Dixon and D’Sean Jones, 2/3 of the Detroit group D3, part of the legendary Underground Resistance collective, aside from many dancefloor oriented tracks, that could all make up for singles themselves.

Besides having played most legendary clubs and festivals in his homeland, such as ID&T’s Skol Sensation, Lollapalooza, D-Edge, Pacha, Vibe, Anzu, Deputamadre, Lov.e, Manga Rosa, Skol Beats, Chemical Festival, XXXPerience, Rio Music Conference, Triblatech, Dream Valley and plenty of others, Wehbba has been a regular in some of the hottest clubs and parties around the globe, like Ministry Of Sound/UK, Creamfields/CZ, UMF/USA, Vision/JP, Rex/FR, Fabrik/ES, Florida135/ES, Klubbers Day/ES, Techno Parade/FR, Cat & Dog/IL, Club4/ES, Camera Club/AT, Sonar/ES, Crobar/AR, 360º/UAE, Westerunie/NL, and hundreds more.

Wehba is also a host to 2 monthly radio shows. ‘Sound Perspective’, a personal podcast broadcasted on Digitally Imported (di.fm) and on Amsterdam’s hot club Studio80′s radio station, also distributed via iTunes, and ‘Tronic Radio’, distributed to over 50 radio stations worldwide, in partnership with regular host Christian Smith.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Kirill Kirik was born in the south of Ukraine in 1985. He started listening to an electronic music when he was quite young. Later he did the experiment in creating his music , but it was like a hobby until 2007. And, after a while, he considered that it was time for a serious action.At the beginning of 2008, his passion rapidly became with burning desire to learn how to play and produce his music.
KiRiK is a person with a great passion for a quality sound.His sound is constantly progressing and always strives to satisfy the crowd.This guy ,with his personal style , spacing from deep to tech, with powerful grooves , supported by the most biggest names of European Underground scene.

https://www.facebook.com/KiRiK.MUSIC

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Christian Smith:

● Twitter - http://bit.ly/MIAcDI

● Myspace - http://mysp.ac/MIAdaG
● Facebook - http://on.fb.me/MIAgD
● Soundcloud - http://bit.ly/MIAg6l
● Resident Advisor - http://bit.ly/MIAieF
● Beatport - http://s.beatport.com/MIAlXH
● Youtube - http://bit.ly/MIAkTT
● Reverbnation - http://bit.ly/MIApqr
● Mixcloud - http://bit.ly/MIArP2
● Official FM: http://bit.ly/MIARVP
● Google+ - http://bit.ly/MIAtXo
● Beatport DJs: http://bit.ly/MIAzO

Rod B. & Mareis brings you Miami Sessions @ Miami Underground Movement

As we enter 2013, Anthony Attalla has firmly established himself as a rising star in the electronic music community.  His personal growth in the studio as a producer and on stage as a performer has the industries biggest taste makers proclaiming that Anthony is set to break out in the coming year.  Never resting on his laurels, Anthony has also demonstrated his passion for the business side of the industry by creating a platform to showcase his favorite talent through Incorrect Music, his music production-company, which has proven to be a most successful endeavor. 

As an artist, Anthony has charted over 40 Top 100 tracks on Beatport.com, the widely popular outlet for purchasing EDM (Electronic Dance Music).  With labels such as Great Stuff, Trapez, MBF, Definitive, Tronic, Break New Soil, MBF, and Stereo Recordings seeking his productions, Attalla is a wanted man.  In addition, the demand for his live performance has grown to an all-time high with continuous touring throughout the United States, as well as international bookings in Europe, Ibiza, Mexico & Latin America, Asia, the Middle East and Canada. 

Now surpassing its three-year anniversary, Incorrect Music has experienced success at an alarming pace.  The label’s achievements include having tracks played and charted by some of the industries’ most credible artists, boasting over 50 Top 100 tracks on various Beatport Charts, and spreading wings globally with artists from more than 20 different countries making up its impressive roster.

With Anthony’s multi-faceted approach to an increasingly demanding industry, he illustrates his ability to evolve and achieve as he continues to make his mark on the international dance scene.

Catch Anthony Attalla in Miami Beach this Thursday April 18 @ Kontrol Mansion!

Rod B. & Mareis brings you Miami Sessions @ Miami Underground Movement

The Brazilian American naturalized Rod B. and producer from Sao Paulo Re Dupre. The two are one of the greatest exponents of E-Brazilian Music on the international scene today.

The result of this union produced several productions released in the best labels and compilations, presentations in major
clubs in Brazil and abroad, such as: Warung Beach Club, D-Edge, the Clash are among the best in the world Beatport Party, WMC Miami (USA) Rio Music Conference (Brazil) and festivals such as Ultra Music Festival USA, Brazil, Creamfields and Chemical Fest (Brazil)….

Rod B. always stand out in the Beatport top sales. His productions are in the playlist of the largest global DJs like Carl Cox, Eddie Halliwell and Dubfire. Rod B. recently had one of the tracks included in the compilation of the most respected E-Music, GU - Global Underground 38 mixed by Carl Cox In addition, he heads straight for Miami UMF UMF Ibiza and Brazil, both radio programs of Ultra Music Festival .

Re Dupre, is one of the most respected producers on the national scene, and to earn
notoriety in the international arena. His tracks always stand out in the Beatport sales and has launched products in the larger world of labels and compilations such as Carl Cox Revolution - Space Ibiza and Hotfingers. Besides playing, producing and remixing tracks, he is a profess

Rod B. & Mareis brings you Miami Sessions @ Miami Underground Movement

-

Holosound is a DJ/Producer from NYC that’s been at it since 2004. After going solo in 2008 from a partnership that initially began as a duo, he’s dotted the globe with gigs in over 22 countries, every major city in the US and released records and remixes on labels like Nurvous, HNQO’s Playperview and (a long time ago) Ultra.

This past summer he finished his second tour of EU/Russia that included parties in Helsinki, Berlin, Ibiza and Moscow and enjoyed fall gigs at the epic CULPRIT Sessions party in Los Angeles on the rooftop of the Standard Hotel as well as BPM, and Rio de Janeiro.

When he’s not traveling and playing his subversively sexy signature blend of deep house and techno, Holosound aka Alex Fish is helping tell the stories behind the most influential artists and brands in nightlife through his work as Head of US Development for Pulse Radio.

Rod B. & Mareis brings you Miami Sessions @ Miami Underground Movement

Matthew Ohashi was born in Queens, NY to parents of Asian/Latino decent. From an early age, he was exposed to a wide variety of music ranging from jazz, classical, to classic and grunge styles of rock music. At the age of 7, he began training in classical piano, the root of his musical understanding. Matthew took a deep interest in music from a very early age, spending much time gathering and cataloging music after his first exposure to computers. At the age of 9, he moved to Miami, FL which was a large factor in his musical upbringing. From his pre-teen years, Ohashi would frequent house parties in which he was exposed to a variety of Latin styles of music in addition to Miami Booty Bass, breaks and retro styles. Soon after Ohashi was exposed to Trance music and his journey into music has progressed ever since. With over 14 years of experience with EDM, influences from music both old and new can be heard in his music. His style can best be described as a fusion of both house and techno, with a retro and open format approach. He does not play into any conventions, and strives to make his sets unique by maintaining an underground sound while playing for wider audiences. He has played with several world class artists such as; Jamie Jones, Damian Lazarus, Seth Troxler, Pete Tong, The Junkies, Dela, Andrew Grant, Francesca Lombardo, Voytek Korab, Jonny Cruz, Jesse Perez, Yousef, Inxec, Tato, and many more. Additionally, Ohashi is the head honcho of Miami event production group Minimax Events. Hosting the highly acclaimed Kontrol Thursday at Mansion plus additional bookings in the top underground venues in Miami.

https://www.facebook.com/djmattohashi

Minimax https://www.facebook.com/minimaxevents?fref=ts

Kontrol Thursdayshttps://www.facebook.com/kontrolmiami?fref=ts

Rod B. bring you the Miami Sessions @ Miami Underground Movement

Christian Smith:

● Twitter - http://bit.ly/MIAcDI

● Myspace - http://mysp.ac/MIAdaG
● Facebook - http://on.fb.me/MIAgD
● Soundcloud - http://bit.ly/MIAg6l
● Resident Advisor - http://bit.ly/MIAieF
● Beatport - http://s.beatport.com/MIAlXH
● Youtube - http://bit.ly/MIAkTT
● Reverbnation - http://bit.ly/MIApqr
● Mixcloud - http://bit.ly/MIArP2
● Official FM: http://bit.ly/MIARVP
● Google+ - http://bit.ly/MIAtXo
● Beatport DJs: http://bit.ly/MIAzO

Rod B. bring you the Miami Sessions @ Miami Underground Movement

Filterheadz are best known for their smash techno hits Sunshine & Yimanya as well as their highly energetic DJ performances.

It all started somewhere in the 80’s when brothers Bert & Maarten Wilmaers picked up their first musical instruments. Bert on guitar & Maarten on drums. Influenced by The Police, U2 & Simple Minds they took their first steps on the way to Rock ‘n Roll stardom.... 

Well not exactly. After a decade of hammering away in rehearsal rooms and local stages their dream to become rockstars took a surprising twist. Almost by accident they discovered the groovy rhythms of US House Music, influenced by Roger Sanchez, Masters At Work & David Morales the boys started experimenting with loops and disco samples. Their very first US style house tracks saw the light.

Armed with those tracks, the boys approached Belgian record company Headroom Music who saw the potential and took them under their wings. After a few releases under several monikers, they decided to go with ‘Filterheadz’, with the idea of releasing some more ‘Filter Disco’ records…things turned out slightly different.

Two things happened almost simultaneously. First there was their remix of Minimalistix 'Struggle for Pleasure' that turned out to be an instant classic in the progressive house scene. Prolific labels like Hooj Choons, Platipus, Bedrock, Yoshitoshi and Renaissance stood in line to call upon their remix skills. 

The second, and most important thing: They discovered Techno.

Together with Belgian DJ Tomaz they embarked on a Techno Journey that would eventually lead them to Carl Cox’ Intec where they released their all time classic “Sunshine”. Two years later they would take their signature sound even further and release “Yimanya”, another big hit.

In the mean time extensive tours took Filterheadz to every corner of the globe and placed them high on the bill of events like I love Techno, Dance Valley & Tomorrowland and headlining clubs like Zouk, Womb, Ministry of Sound, Fabrik (Madrid) and so on. 

Their remix engine kept running full steam: Green Velvet ‘La La Land’, Eddie Amador ‘House Music’, Delirium ‘Silence’, Faithless ‘I want more’ and Eric Prydz ‘Call on me’ just to name a few. Further releases like Cartagena & Endless Summer showcased their unique blend of techno beats and melodies. 

The balance started to shift, less Techno & more melodic. Although tracks like “Day at the beach” & “Everything explained” on Sander Van Doorn’s label proved to be successful, clearly something was missing... 

Looking back at their history and inspired by their heroes Marco Bailey & Carl Cox they decided it was time for a change.

The Phoenix rises from the ashes. 2012 not only marks the 10th anniversary of Sunshine and a release of a smashing remix package on 1605. It also marks the return to techno. With a string of new releases on MB Elektronics, Intec, 1605, Respekt & Toolroom. 

Filterheadz are once again ready to rock dance floors all over the world.

More info:

www.facebook.com/FilterheadzOfficial

www.filterheadz.com

www.twitter.com/#!/Filterheadz101

Worldwide Bookings:

simon.p@mainstageartists.com

Tel : 001 239 4376505

Rod B. bring you the Miami Sessions @ Miami Underground Movement

Always one step ahead of the game, Bart Skils has established himself as one of Holland’s most respected and highly demanded techno dj’s. His dj sets are cheered by techno lovers as extremely forward thinking and musically well constructed. His releases and remixes for Drumcode, 100% Pure, Tronic, Break New Soil, Cocoon and Rejected ar

Rod B. bring you the Miami Sessions @ Miami Underground Movement

JACKIE DJ from ZERO ABSENCE

Music was my first love...and still I'm in love!

If you ask him, what is most important in his life...he will answer to you: The Beat, The Drums,

The Bassline...The Rythm of the Heart: HOUSE MUSIC!!!

As long as he can remember he loved music...the Hard Rock of the 70's, the New Romantic Style of the 80's, the Beat of the 90's...in all this years of spinning around he never lost his feeling, always for the next evoluiton step. The reason is maybe that he lived most of his life as a Globetrotter, born in Vienna, growen up in Germany, for short periods he lived in Croatia, Switzerland, Spain and checking out club's all around the Globe as an Partyanimal.

He's DJ career started in 1987 in a small club in Dubrovnik/Croatia, where he played commercial records for the first time. In 1991 his journey took him back to Augsburg/Germany, where he was quickly noticed and regulary hired to play in numerous Club's and Festivals, also in 1993, one sunday morning, he invited some people to a Club in Augsburg just to continue one party – the After Party was born!!! For years was this Club in one basement, almost every sunday morning the last exit for Partypeople! In 1994 he opened his first Club called XTC in Augsburg. After 6 successful years he left Germany and went back to Ljubljana/Slovenia to open a new Club called KRA KRA for students. And in 2002 with the opening of his second Club SING SING he finally discovered he's love for House Music.

One year later he started again to organize After Party's and introduced himself to a larger audience side by side together with UMEK and other important DJ's in Slovenia. The „King of Afterhour“ was born!

From 2005 till 2008 he was resident DJ and promoter of the biggest Club in Ljubljana, called FACTORY,

In 2007 he played for the first time on Ibiza, that year he also celebrated his 40th birtday and 20th anniversary being a DJ together with 30 DJ's and over 1000 friends. The same year he recorded with his production ZERO ABSENCE his first track „ I found a Star“ and produced also a video during the AMNESIA WORLD TOUR 2007 (People from Ibiza). The track became a National Nr.1 hit and after the release for Behold Recordings/Miami he was invited to present the track at 6 gigs during the WMC 2008

Till now he played almost worldwide, from Miami to Ibiza, from London to the island of Pag – the Croatian Ibiza...(Club PAPAYA)...Italy, Turkey, Austria, Spain...etc.

After more then 20 years of playing across the world side by side with the biggest names of Housemusic, 2008 he took a personal break...2011 will be he's year again !!!

Keep on groovin'!

Playlist:

1. Milan Euringer & Tube & Berger - Lovebreak 

2. Hot Chip – Flutes (Tong & Rogers rmx) 

3. Maetrik – Walk alone (Maceo Plex rmx) 

4. Bookashade – Honeyslave 

5. Pig & Dan – Mooshi 

6. Bart Skills – Hold your horses (Whebba remix) 

7. Superskank – Good Times (Olivier Giacomotto rmx) 

8. Eric Sneo & Chris The Voice – Shut up and dance (Pleasurekraft rmx) 

9. Jooris Voorn – Goodbye Fly 

10. Anthony Attalla – Bump Dump Hump (Uto Karem rmx) 

11. The Scumfrog & Sting – If I ever lose my faith (Carl Cox rmx) 

12. Alex Kenji & NDKj feat. Marga Sol – Not that kind of girl (Mike Vale rmx) 

13. Kevin Saunderson – The Sound (Jay Lumen rmx) 

14. Phunk Investigation feat. Schulz – Critical 

15. Tomaz & Filterheadz – Sunshine (Uto Karem rmx)

More infos:

https://www.facebook.com/thomas.vuk

http://www.soundcloud.com/jackiedj

http://www.myspace.com/deejayjackie

http://www.preparty.si

Rod B. bring you the Miami Sessions @ Miami Underground Movement

Andrea Roma dj/producer, musician, at age 10 began studyng piano, becoming a composer and arranged for movie soundtracks.
Always attracted by dance music world, decided to move also in this way, began performing as a dj.
Being a musician and composer, started to study of various music softwares and sequencers, and everything resolve around the world of dance productions, and it is here that he wil

Rod B. bring you the Miami Sessions @ Miami Underground Movement

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

More Info :

www.rodbmusic.com

www.facebook.com/RodB.MusicFanPage

http://soundcloud.com/rodb

Pioneer "is one that first opens or discover paths through unknown regions." 

The career of DJ and producer Anderson Noise is a pioneer in electronic music from Brazil. Born in Belo Horizonte, Noise started slowly, as is the custom in his region, but never stopped to take some steps toward success. 

In 1988, during the explosion of Acid House, started DJing in his hometown. Passionate about the profession, he often said that the role of DJ is move people. Followed by producing their own events from 1992, making room in the state capital for the proliferation of the electronic scene, still embryonic in place. 

There were more than 40 parties produced, many in places like mental hospitals, shopping malls, car dealerships and historic buildings. The "Noise Family" became an institution, since in the event not only Anderson was involved. Mamma Noise, the mother of the DJ in person, was the hostess of the parties. Later Alvinho L Noise was excited with the turntables and boiled the dance floor next to his brother. 

His first CD compilation, "Paralisia Cerebral"was released in 1996, while the dream of producing his own music became reality in the talented hands of Noise. In 1997 he was invited to include "Shantytown" in the "Electronic Music Brazil" the first CD of 100% national of the genre, released by Sony-Mercado Mundo Mix. 

Without fear of expanding his horizons, Noise promoted the first trio elétrico "Truck with a mobile sound system" with electronic music in 1999 in Carnabelô Carnival out of season Mineiro, and became mandatory attendance in subsequent years. Without knowing it, acquiring the experience to face an even greater challenge playing on electric trio of singer Daniela Mercury, during Carnival in Salvador in 2002. 

The DJ stand for something besides records, awards, won in 97 "Distinction Underground" by the magazine "DJ Sound." Both times that this category existed in the award, Anderson was the winner. Are there trophies for best producer and best DJ of techno music for the prize "Night Illustrated" Erika Palomino from the newspaper "Folha de Sao Paulo"; Sparks Trophies, prize won in 3 consecutive years, offered by the newspaper "O Estado Mine "for those who waved the mining scene, so that Anderson had turned into hors-concours. In the year 2003 was highlighted by Cool Awards, awards, in 2004, gave the award for best DJ. 

Anderson's career as a DJ and producer went from strength to strength. He participated in all major national events. At the festival Skol Beats was present in all editions since the first, ending the 2003 edition of apotheosis. Also participating in the electronic music tent at Rock In Rio in 2000. That was the year that his second compilation CD called "Outubro", with some tracks produced by his label "Noise Music". The label started in 1999 with the intention of bringing the world the music produced here, as in his words: "We always bought the music and the gringos gringos do not have any of our. It was music quality produced in Brazil to show to the world. " 

In 2001 he became a resident of the night Headstart at Turnmills club in London, integrating a select group of Brazilian DJs that arose in the pool. While playing outside of Brazil shared the stage with great international names who came to the country. One is impressed with the quality of mining and DJ led out into the world. Carl Cox, one of the best DJs in the world, was impressed with the strength of Anderson Noise the first time they played in Brazil: "Anderson is very talented. He played with me a few times before, sometimes after. He also has his own label, Noise Music. They're good - too good to ignore. "In the 2001 copy of the" 2001 TOP 100 DJ Mag ", Cox classified Anderson as the future" DJ Hero. " 

His third CD compilation came out in 2002 to please the Brazilian public. "Noisemusic Compilation 100% Mix Anderson Noise" was released by a major label, bringing all the songs the label Noise Music mixed by Anderson an awesome set list. The album was well received in Brazil and abroad, to the point of calling the attention of Trevor Rockcliffe, owner of Mentor, respected British label, who heard the material and just wanted to release "Do It Yourself" by his label. Noise was also 2002 that launched his radio show, RADIO NOISE, hosted on your site, with weekly programs. 

In 2003, Anderson was invited by DJ Magazine, one of the worlds most respected publication dedicated to electronic music for his fourth CD, "DJ World Series - Anderson Noise." In a series of five records that the magazine released, where each DJ, representing a continent, made an album with productions of his country. Anderson was chosen to represent Latin America. 

Since then, his international career only grew Noise: participated in international festivals from Dance Valley, Homelands, Creamfields, Sonar, Exit, Rock In Rio Lisbon, Nokia Trends, SAMC, Knebworth Ministry of Sound. His performances earned him the world the opportunity to play in Germany, Argentina, Bolivia, Canada, China, Chile, Colombia, South Korea, Ecuador, Scotland, United Arab Emirates, Spain, United States, France, Holland, England, Ireland, Japan, Malaysia, Paraguay, Peru, Portugal, Czech Republic, Serbia and Montenegro, Switzerland, Thailand, Taiwan, Uruguay and Venezuela. His songs and albums were released by international labels AFULAB, Audio, Music Circle, disappeared Here, Eukatech, Harthouse, Jericho, Lo Kik, Mentor, Missile, Molecular Pild, Primate, Really Really Big Records, Sleaze, Spectrum & Teggno and ride the world. 

His fifth CD is innovative for the Brazilian public, "Anderson Noise Live @ Skol Beats 04" is the first nationwide electronic music CD recorded live during his presentation in one of the largest festivals of its kind in Latin America. And Anderson's relentless, he released a DVD of the first Brazilian DJ "Brazilian Love Affair", which can follow the national gigs Anderson, the clubs where it is resident. 

In 2005 the TV NOISE Noise created in conjunction with Toro products, with weekly programs, in which the clubs DJ shows, parties and festivals in which plays in Brazil and worldwide. 

In 2006 the second time the DJ ended the Skol Beats, the main festival of Latin America and was considered by DJ Magazine, a top 100 DJ, entering as the No. 79 ranking. 

In 2007 Anderson Noise again put the name of Brazil in the ranking of the top 100 DJs of the world's most popular DJ MAG, this time in the 54 ° position. Also his song "Man-Dog" went on the trail of the film commented, "The Past", directed by Hector Babenco. 

In 2008, the DJ launched nine EPs and was invited by Spanish club La Terrazza to compile its annual CD which had the partnership of German Circle Music label. Noise also re-appear in the Top 100 DJ DJ MAG, this time as 26 of the ranking, being the only Brazilian DJ to keep the list for 3 years and which achieved the best ranking to date. 

In the first week of 2009 Anderson Noise released their second DVD, the "Connection 1969," the first documentary about a DJ basileiro, along with his seventh CD compilations of the "NOISE CONNECTION", all of it with own productions, remixes and unreleased mixes. That same year, participated in its DVD 10 edition of FILE International Festival of Electronic Language. Anderson was also voted the number 1 DJ by DJ magazine in the country BRAZIL MAG 

Also in 2009 Anderson Noise was invited by João Carlos Martins to start the project, Anderson Noise and John Carlos Martins in Concert with the Philharmonic Orchestra Bachiana, which resulted in an exciting concert combining electronic music and classical music in the room São Paulo. 
Currently a resident of Anderson Noise Clash Club (Sao Paulo), Deputamadre (Belo Horizonte) and D-Edge (Sao Paulo) 
For him, there is no limit that can not be exceeded. Thing who is creative and pioneering.

Play list Radio Noise 500

01 DaDa Attack - Awkward Move     
02 Alex Sander - Juntos          
03 Pimp$hit (DF) - Alliance For The Future                
04 Click Box - Black Hoody                
05 Davide Marchesiello - Echos                      
06 DJ Anna - Undercover
07 Anderson Noise - 500 feat. Hugh Burrows
08 Allan Villar - Keep It Goin
09 Sex Shop - Mechanic Mind                        
10 Angelo Fracalanza - Talk About     
11 Nir Shoshani - Revival 21                 
12 Re Dupre - KRZ    
13 Rod B - Voices                  
14 Gustavo Peluzo - Freak Power                   
15 Digitaria - The Rebel
16 Kosheen DJs & dubspeeka - Troll
17 Caiwo - Paradox

Two talented house fans and DJ's are behind Ukrainian act, and new Diynamic artists 'iO'. With only their second release, they show an exciting and fruitful new direction... The duo's talents have been honed not only from their regular DJ sets but also from presenting their weekly radio shows on DJ FM and Kiss FM in their home country. Diynamic Music are pleased to welcome them to the family.

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

More Info :

www.rodbmusic.com

http://www.facebook.com/RodB.Music

http://soundcloud.com/rodb

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.

In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

Rod B. & Mareis & Garfunk brings you Miami Underground Movement

Originally born in Mauritius, now living in Ibiza... JP Chronic has more than 10 years of experience behind him spinning decks as resident dj in some of the best clubs in the world mostly Spain and lately Ibiza, 2010 he was resident at Warung Brasil parties in Privilege Ibiza, 2011 he was resident at the brand new Sankeys Ibiza for their Carnival nights, also he is a regular guest on the island at Pacha Ibiza, Bora Bora, Guarana, Es Vive, Grial, Blu, Shardana and many more...

Having made his name & experience as a dj, JP Chronic started very slowly to get his production out, waiting to finally have his sound that he can identify himself, nothing mainstream nor underground, just good dance floor smashing house music with lots of energy and amazing grooves, in 6 months JP's productions have been played by artists like Marco Carola to Roger Sanchez, number one in more than couple top 100 charts and there are still more to come from the phenomenon...

You can find JP Chronic’s releases on labels like Half Seas Over, Frequenza Limited, Upfront Records, Muzik Xpress, Neurotraxx, Celestial, Red Eleven just to name a few...an amazing talent as a dj and producer...someone you really have to start following closely!

-

https://www.beatport.com/#artist/jp-chronic/103972

https://www.facebook.com/jpchronicmusic?ref=ts

http://soundcloud.com/jp_chronic

https://www.youtube.com/user/dancintro

https://twitter.com/JPChronicibiza

Nicola Olivetti aka "Nick Olivetti" is an Italian DJ/Producer.

Upon graduating in London at SAE, in Audio Engineering with specialization in Electronic Music Production, Nick took up work as an audio engineer for 6 months for the legendary 'Resident Studios' in London, seeking a challenge he finds his way in the electronic scene remixing the world famous band RADIOHEAD for one of their competitions, the result is overwhelming, Nick's remix becomes the top most rated and played track. (www.radioheadremix.com)

In 2009 Nick would be placed in the international magazine iDJ as the "One To Watch in 2009" , gaining exposure Nick's tracks will be released on labels such as: Great Stuff Germany, Kling Klong, Cr2, Monique Musique, D-Vision alongside Benny Benassi, Pleasurekraft, Ramon Tapia, Juan Sanchez, Jay Lumen, Romano Alfieri, Rainer Weichhold just to give you an idea. 
A strong discographic background obviously brought Nick to share the dj boot with all the big guys such as Pete Tong, Roger Sanchez, Timo Maas, Dirty South, Chris Lake and more.

After sharing several gigs at Ministry of Sound (London), PACHA (London), Lokal (Istanbul), Alibi (Rome), Hidden (London) just to name few, in 2011 Nick decided with his long time friend Chase Buch to start a new project: 'Fino Music'. (www.finomusic.co.uk)

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.

In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

Miami is without a doubt one of the best places on earth to enjoy house music.
 It is also the house of some of the best DJ’s in the world Born and raised in Brazil, Sula Lopes started his career as a DJ spinning at private parties in South Florida. Eventually becoming the resident DJ of Club Boca in Boca Raton and from that point on Sula Lopes started to receive invitations to spin for bigger crowds, famous
events, and popular nightclubs all over Florida such as Space Miami, Nikki Beach, WMC
Green Valley Pool Party, Mokai, Gryphon, Pinkroom, Opium, Cameo, Discoteka, Spirits,
Exit 66, Rix Lounge, Area 51, Park West, Dream, Passion, Living Room, Crobar, Fontaine
Bleau, Live Miami Beach Concert (Blues Brothers), Brazilian Music Festival, Hard Rock,
WMC We Love Brazil,WMC MIAMI SESSIONS, WMC Frequency and many others.
Sula Lopes has the oportunity to spin alongside many international important Djs such as: Johnatan Peters, Boris, Johnny Ramirez, Armand Pena, Dsan Powell, Ivano Bellini, Ralph Falcon, Donald Glaude, Mark Ivan, Oscar G, Lazardi, Teclas and many more.

http://www.residentadvisor.net/dj/sulalopes
http://www.facebook.com/djsulalopes
http://soundcloud.com/sula-lopes

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

More Info :

www.rodbmusic.com

http://www.facebook.com/RodB.Music

http://soundcloud.com/rodb

http://soundcloud.com/rodb

Angelo Fracalanza Bio:

Angelo Fracalanza, the well rounded and known brazilian Producer and Remixer has the skill and dedication that make him recognized as one of the leading exponents of the new electronic. Inspiration for his productions come from brazilian music, Jazz, Blues and all things tropical, which is why he chose Tech House as his main style, in his words "melodic, harmonic, with a touch of tropical rhythms and los of percussion". 

Graduated first in his class at the Music Production course in one of the most important brazilian universities, Angelo is influenced by artists like Groove Armada, Carl Cox, Daft Punk, Outwork, Ray Charles and James Brown, among others.

With several releases on Beatport on labels such as Noir Music, Miami Underground Records, Bedroom Muzik, Recovery House, Recovery Tech  and Noise Music, his productions have support from major national and international names such as Groove Armada, Nic Fanciulli, Alex Kenji, Anderson Noise, Re Dupre and others in addition to his productions being played in sets of widely known producers such as Mark Knight and Umek. 

His songs are played on a weekly basis on Brazil's biggest radio stations and he has performed at various Clubs and Festivals with big names of the international scene such as Deadmau5, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Tattoo Detectives and Anderson Noise. 

Rod B. & Mareis and Garfunk bring you the Miami Underground Movement

Manuel De La Mare Dj, producer and label owner of 303Lovers and Hotfingers. 
His connection with music starts at a very early age by experimenting with diverse instruments, ten years ago he began working behind the turntables, quickly developing his own unforgettable style which is the result of the lifetime musical influence. His eclectic production varies between all possible electronic genres, gaining fame among controversial crowds.   
He reaches the worldís hottest destinations from Asia to South and North America, Africa  and spots all over Europe. 

He has released music and collaborated with some of the best record labels like Tiger Records, Spinnin, Toolroom, Definitive, Ministry of Sound and many more. With a soaring profile and constantly growing international followers and fans Manuel launched his own labels 303Lovers and Hotfingers back in 2007 along with Alex Kenji and Marshall. The labels has now showed themselves as one of the key names in House and Techno  Music with a never-ending  flow of quality releases which fire the dancefloor.

After all this and an unbelievable number of successful parties his machine was engine-tuned! 

Pioneer "is one that first opens or discover paths through unknown regions." 

The career of DJ and producer Anderson Noise is a pioneer in electronic music from Brazil. Born in Belo Horizonte, Noise started slowly, as is the custom in his region, but never stopped to take some steps toward success. 

In 1988, during the explosion of Acid House, started DJing in his hometown. Passionate about the profession, he often said that the role of DJ is move people. Followed by producing their own events from 1992, making room in the state capital for the proliferation of the electronic scene, still embryonic in place. 

There were more than 40 parties produced, many in places like mental hospitals, shopping malls, car dealerships and historic buildings. The "Noise Family" became an institution, since in the event not only Anderson was involved. Mamma Noise, the mother of the DJ in person, was the hostess of the parties. Later Alvinho L Noise was excited with the turntables and boiled the dance floor next to his brother. 

His first CD compilation, "Paralisia Cerebral"was released in 1996, while the dream of producing his own music became reality in the talented hands of Noise. In 1997 he was invited to include "Shantytown" in the "Electronic Music Brazil" the first CD of 100% national of the genre, released by Sony-Mercado Mundo Mix. 

Without fear of expanding his horizons, Noise promoted the first trio elétrico "Truck with a mobile sound system" with electronic music in 1999 in Carnabelô Carnival out of season Mineiro, and became mandatory attendance in subsequent years. Without knowing it, acquiring the experience to face an even greater challenge playing on electric trio of singer Daniela Mercury, during Carnival in Salvador in 2002. 

The DJ stand for something besides records, awards, won in 97 "Distinction Underground" by the magazine "DJ Sound." Both times that this category existed in the award, Anderson was the winner. Are there trophies for best producer and best DJ of techno music for the prize "Night Illustrated" Erika Palomino from the newspaper "Folha de Sao Paulo"; Sparks Trophies, prize won in 3 consecutive years, offered by the newspaper "O Estado Mine "for those who waved the mining scene, so that Anderson had turned into hors-concours. In the year 2003 was highlighted by Cool Awards, awards, in 2004, gave the award for best DJ. 

Anderson's career as a DJ and producer went from strength to strength. He participated in all major national events. At the festival Skol Beats was present in all editions since the first, ending the 2003 edition of apotheosis. Also participating in the electronic music tent at Rock In Rio in 2000. That was the year that his second compilation CD called "Outubro", with some tracks produced by his label "Noise Music". The label started in 1999 with the intention of bringing the world the music produced here, as in his words: "We always bought the music and the gringos gringos do not have any of our. It was music quality produced in Brazil to show to the world. " 

In 2001 he became a resident of the night Headstart at Turnmills club in London, integrating a select group of Brazilian DJs that arose in the pool. While playing outside of Brazil shared the stage with great international names who came to the country. One is impressed with the quality of mining and DJ led out into the world. Carl Cox, one of the best DJs in the world, was impressed with the strength of Anderson Noise the first time they played in Brazil: "Anderson is very talented. He played with me a few times before, sometimes after. He also has his own label, Noise Music. They're good - too good to ignore. "In the 2001 copy of the" 2001 TOP 100 DJ Mag ", Cox classified Anderson as the future" DJ Hero. " 

His third CD compilation came out in 2002 to please the Brazilian public. "Noisemusic Compilation 100% Mix Anderson Noise" was released by a major label, bringing all the songs the label Noise Music mixed by Anderson an awesome set list. The album was well received in Brazil and abroad, to the point of calling the attention of Trevor Rockcliffe, owner of Mentor, respected British label, who heard the material and just wanted to release "Do It Yourself" by his label. Noise was also 2002 that launched his radio show, RADIO NOISE, hosted on your site, with weekly programs. 

In 2003, Anderson was invited by DJ Magazine, one of the worlds most respected publication dedicated to electronic music for his fourth CD, "DJ World Series - Anderson Noise." In a series of five records that the magazine released, where each DJ, representing a continent, made an album with productions of his country. Anderson was chosen to represent Latin America. 

Since then, his international career only grew Noise: participated in international festivals from Dance Valley, Homelands, Creamfields, Sonar, Exit, Rock In Rio Lisbon, Nokia Trends, SAMC, Knebworth Ministry of Sound. His performances earned him the world the opportunity to play in Germany, Argentina, Bolivia, Canada, China, Chile, Colombia, South Korea, Ecuador, Scotland, United Arab Emirates, Spain, United States, France, Holland, England, Ireland, Japan, Malaysia, Paraguay, Peru, Portugal, Czech Republic, Serbia and Montenegro, Switzerland, Thailand, Taiwan, Uruguay and Venezuela. His songs and albums were released by international labels AFULAB, Audio, Music Circle, disappeared Here, Eukatech, Harthouse, Jericho, Lo Kik, Mentor, Missile, Molecular Pild, Primate, Really Really Big Records, Sleaze, Spectrum & Teggno and ride the world. 

His fifth CD is innovative for the Brazilian public, "Anderson Noise Live @ Skol Beats 04" is the first nationwide electronic music CD recorded live during his presentation in one of the largest festivals of its kind in Latin America. And Anderson's relentless, he released a DVD of the first Brazilian DJ "Brazilian Love Affair", which can follow the national gigs Anderson, the clubs where it is resident. 

In 2005 the TV NOISE Noise created in conjunction with Toro products, with weekly programs, in which the clubs DJ shows, parties and festivals in which plays in Brazil and worldwide. 

In 2006 the second time the DJ ended the Skol Beats, the main festival of Latin America and was considered by DJ Magazine, a top 100 DJ, entering as the No. 79 ranking. 

In 2007 Anderson Noise again put the name of Brazil in the ranking of the top 100 DJs of the world's most popular DJ MAG, this time in the 54 ° position. Also his song "Man-Dog" went on the trail of the film commented, "The Past", directed by Hector Babenco. 

In 2008, the DJ launched nine EPs and was invited by Spanish club La Terrazza to compile its annual CD which had the partnership of German Circle Music label. Noise also re-appear in the Top 100 DJ DJ MAG, this time as 26 of the ranking, being the only Brazilian DJ to keep the list for 3 years and which achieved the best ranking to date. 

In the first week of 2009 Anderson Noise released their second DVD, the "Connection 1969," the first documentary about a DJ basileiro, along with his seventh CD compilations of the "NOISE CONNECTION", all of it with own productions, remixes and unreleased mixes. That same year, participated in its DVD 10 edition of FILE International Festival of Electronic Language. Anderson was also voted the number 1 DJ by DJ magazine in the country BRAZIL MAG 

Also in 2009 Anderson Noise was invited by João Carlos Martins to start the project, Anderson Noise and John Carlos Martins in Concert with the Philharmonic Orchestra Bachiana, which resulted in an exciting concert combining electronic music and classical music in the room São Paulo. 
Currently a resident of Anderson Noise Clash Club (Sao Paulo), Deputamadre (Belo Horizonte) and D-Edge (Sao Paulo) 
For him, there is no limit that can not be exceeded. Thing who is creative and pioneering. 

Text Renata Simões 

www.andersonnoise.com.br 
Booking: www.hypno.com.br

Oiva - Mushi

Luper - Shot The Criminal (M.in Remix)

D-Formation - Stuck In The Airport

Maceo Plex - Hard To Find (Danny Daze Love Dub)

Cuartero - Los Paseos

Ray Okpara - Hideout

Popof - Dancing Moon

Phil Kieran & Green Velvet - Free Yourself (Out Of Control Mix)

Caiwo - Playing Games (Digitaria Remix)

Tez Perez & Hevy Mendez - Lola (Harvey Mckay remix)

Emilienday - Multicolore (Laurent N Remix)

Ross Evana - Devil Inside

Jesper Dahlback and Cari Lekebusch - Bongo Slush

Thomas Vink - Turbulence

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.

In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

01. Gaetano Parisio - Black Out [Unrilis]
02. DJ Lion, Luigi Rocca - Krakra Hurricane [Hotfingers]
03. Da Fresh - Cactus [Sex Panda Records]
04. Killians - San Basilio [Soundcloud]
05. Stefano Noferini - Deba [U-boot]
06. Gianni Ruocco - Voltaje [Uranobeat Records]
07. Spartaque - Interception [1605]
08. Hollen - Keep On Try [Sphera Records]
09. Psycatron - Memories Of The Moment [Bedrock]
10. Alex Di Stefano - Phase One (Koen Groeneveld remix) [Baptsim]
11. Spartaque - Grasshoper [1605]
12. Ant Brooks - Reflekt [Greatstuff Recordings]
13. Vladimir Acic - Come With Me
14. Grindvik and Billie - Hold Doubt Back [Drumcode]
15. LFO - LFO [Warp Records]

Originally from Brazil, Mareis (Marcelo Dos Reis) is a Miami based Techno Dj who is easily recognized for his native influences at all his sets, a blend of soulful rhythm beats with vanguard and compressed techno.

His music is filled with edgy-funky sounds creating a vibe where the crowd can feel and taste the satisfaction of quality, vibrant and strong bass music.

 His beginning in the electronic music start with Drum & Bass vinyls in the mid 90’s after that, his journey went from all type of genres in electronic music choosing at the end techno as his strongest base.

 In 2007 he became in charge of redirect the Miami’s underground music scene creating and hosting at that time, techno and minimal parties when at that moment this genre was only pushed by a few distinct artists and promoters in the city.

 As is today together with Rod B. they run M.U.M. (miamiundergroundmovement.com) a weekly podcast where they showcase exclusive guest mixes including Umek, Anderson Noise, Richie Hawtin, Alex Bau, Christian Smith, Carlo Lio, Skoozbot, Magda, Nicole Moudaber and many more.

 Hosting annual WMC parties he brings to Miami well known Djs and Producers where they tremble this famous electronic week including Paco Osuna, Jon Rundell, Marc Ashken, Elon, Steve Mulder, Anderson Noise to name a few, pushing every time a little bit more the techno scene in his local city.

 His ability to choose kind and edgy techno keeps him in the spot to make any crown to leap, enjoying every set he plays and every event he host.

 

 For more artist information, bookings or requests

Contact:

marcelo@miamisessions.com

 

 

 

 

 

Rod B, Mareis & Garfunk Brings you Miami Undeground Movement

-In the electronic music scene, it’s often hard to decipher the fact from fiction.

Phrases like “innovative”, “cutting edge” or “next big thing” are often thrown around without much weight and more often than not, the hype often exceeds people’s ability to deliver where it counts the most: the dance floor.

But if you look at the career of rising star SQL, you’d see that any of those words and many more apply, without any unjustified hype.

At just 22-years-old, Pim Van Horssen has seen more success come his way than many will in a lifetime, with a list of releases as long as your arm as well as gigs in all corners of the globe, from the massive Universo Paralello in Brazil, the clubs in New Dehli and everything in between.

And while success is nothing new to Pim, 2009 is the year his talent came to the fore, with his smash hit Distorted Reality finding its way onto the playlists of the who’s who of the minimal world, including Richie Hawtin, Marco carola and eventually right to the way to No.1 on the Beatport charts.

Blending cutting edge minimal, techno and house with fat production, hypnotic grooves and unique view to the future of dance music, the sounds from the SQL studios are now in demand by imprints from throughout the globe, including SK Supreme, Traum, Tribal Vision, Open Records and more.

With international tours on the cards, a stunning live show and heaps more freshness on the way, there is no doubt in anyone’s mind that this young star of dance music has a very bright future indeed. Stayed tuned! 

Rod B., Mareis & Alvaro Garfunk bring you the Miami Underground Movement

Fernando Tessis, DJ and Producer born in south of Brazil,
began his career as a Professional DJ Producer in 2008 in Sao Paulo.

Producer of Tech House and Minimal House, with strong influences of Techno,
Fernando was highlighted in your country and in the globe in 2010 , with his productions that are played by big DJs around the world.

Fernando is an emerging name in the Electronic music scene, their work is increasingly recognized in all parts of the world.
already was highlighted by Great DJS (as Paul Van Dyk) and released your tracks in great labels in the market of electronic music.

Already get support, positive feedbacks and tracks played By:

Alex Kenji, Sebastien Leger, Chris Lake, Format:B, Paul Van Dyk, Dave Robertson, Mike Monday, Kobbe, Andrew Grant, Da Fresh, Eric Entrena, Marco G, Matt Smallwood, Zoltan Kontes, and many others.

Playlist:

01. Noir & Haze - Around (Solomun Vox Remix)
02. Nick Lawson & Matthew Burton - Gruff It
03. Patrick Lindsey feat K Mason - What I Remember
04. Sam Ball - Litmus
05. Sean Random - Whatever
06. Harvy Valencia - Mosqui Moki
07. An-Beat - Networks
08. Gorkiz - Trip Kong
09. An-Beat - Are You Sexy ?
10. Umami - Sunshine and Goodzilla
11. Andy Kohlmann - Cooktai
12. Juan DDD & An-Beat - Dropbox

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

BTIC 012

Umek:
01.Ton Def - Got To Be Funky (Original Mix) [Bosphorus Underground Recordings]
02.Daniel Greenx & AD - New Age Rockers (Daniel Greenx Rocking Mix)          
03.Cheperkat - Bite Again (Original Mix) [Finish Team Records]
04.Beltek - Kaiten (Original Mix) [1605]
05.Da Fresh - Pump Diss Party (Original Mix) [1605]
06.Alex Long - Strange Posses (Original Mix)
07.U.H.F - U.H.F (Original Mix) [Sonic Records]

Beltek:
08.Andrea Mattioli & Stefano Kosa - Again (Original Mix) [Diva]
09.Andrea Mattioli & Stefano Kosa - Holiday Original Mix [Diva]
10.Stefano Noferini - Back (Original Mix) [Toolroom]
11.Dave Spoon & Patric la Funk - 7:20 (Original Mix) [Toolroom]
12.Locomatica - Crosswords (Original Mix) [LCMTC]
13.Siva Six Intha Ren (Christian Cambas Remix) [Alfa Matrix]
14.Phunk Investigation - U Know (Beltek remix) [Global Underground]
15.Umek & Beltek Back In The Race (Original Mix) [CR2]

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Pioneer "is one that first opens or discover paths through unknown regions."

The career of DJ and producer Anderson Noise is a pioneer in electronic music from Brazil. Born in Belo Horizonte, Noise started slowly, as is the custom in his region, but never stopped to take some steps toward success.

In 1988, during the explosion of Acid House, started DJing in his hometown. Passionate about the profession, he often said that the role of DJ is move people. Followed by producing their own events from 1992, making room in the state capital for the proliferation of the electronic scene, still embryonic in place.

There were more than 40 parties produced, many in places like mental hospitals, shopping malls, car dealerships and historic buildings. The "Noise Family" became an institution, since in the event not only Anderson was involved. Mamma Noise, the mother of the DJ in person, was the hostess of the parties. Later Alvinho L Noise was excited with the turntables and boiled the dance floor next to his brother.

His first CD compilation, "Paralisia Cerebral"was released in 1996, while the dream of producing his own music became reality in the talented hands of Noise. In 1997 he was invited to include "Shantytown" in the "Electronic Music Brazil" the first CD of 100% national of the genre, released by Sony-Mercado Mundo Mix.

Without fear of expanding his horizons, Noise promoted the first trio elétrico "Truck with a mobile sound system" with electronic music in 1999 in Carnabelô Carnival out of season Mineiro, and became mandatory attendance in subsequent years. Without knowing it, acquiring the experience to face an even greater challenge playing on electric trio of singer Daniela Mercury, during Carnival in Salvador in 2002.

The DJ stand for something besides records, awards, won in 97 "Distinction Underground" by the magazine "DJ Sound." Both times that this category existed in the award, Anderson was the winner. Are there trophies for best producer and best DJ of techno music for the prize "Night Illustrated" Erika Palomino from the newspaper "Folha de Sao Paulo"; Sparks Trophies, prize won in 3 consecutive years, offered by the newspaper "O Estado Mine "for those who waved the mining scene, so that Anderson had turned into hors-concours. In the year 2003 was highlighted by Cool Awards, awards, in 2004, gave the award for best DJ.

Anderson's career as a DJ and producer went from strength to strength. He participated in all major national events. At the festival Skol Beats was present in all editions since the first, ending the 2003 edition of apotheosis. Also participating in the electronic music tent at Rock In Rio in 2000. That was the year that his second compilation CD called "Outubro", with some tracks produced by his label "Noise Music". The label started in 1999 with the intention of bringing the world the music produced here, as in his words: "We always bought the music and the gringos gringos do not have any of our. It was music quality produced in Brazil to show to the world. "

In 2001 he became a resident of the night Headstart at Turnmills club in London, integrating a select group of Brazilian DJs that arose in the pool. While playing outside of Brazil shared the stage with great international names who came to the country. One is impressed with the quality of mining and DJ led out into the world. Carl Cox, one of the best DJs in the world, was impressed with the strength of Anderson Noise the first time they played in Brazil: "Anderson is very talented. He played with me a few times before, sometimes after. He also has his own label, Noise Music. They're good - too good to ignore. "In the 2001 copy of the" 2001 TOP 100 DJ Mag ", Cox classified Anderson as the future" DJ Hero. "

His third CD compilation came out in 2002 to please the Brazilian public. "Noisemusic Compilation 100% Mix Anderson Noise" was released by a major label, bringing all the songs the label Noise Music mixed by Anderson an awesome set list. The album was well received in Brazil and abroad, to the point of calling the attention of Trevor Rockcliffe, owner of Mentor, respected British label, who heard the material and just wanted to release "Do It Yourself" by his label. Noise was also 2002 that launched his radio show, RADIO NOISE, hosted on your site, with weekly programs.

In 2003, Anderson was invited by DJ Magazine, one of the worlds most respected publication dedicated to electronic music for his fourth CD, "DJ World Series - Anderson Noise." In a series of five records that the magazine released, where each DJ, representing a continent, made an album with productions of his country. Anderson was chosen to represent Latin America.

Since then, his international career only grew Noise: participated in international festivals from Dance Valley, Homelands, Creamfields, Sonar, Exit, Rock In Rio Lisbon, Nokia Trends, SAMC, Knebworth Ministry of Sound. His performances earned him the world the opportunity to play in Germany, Argentina, Bolivia, Canada, China, Chile, Colombia, South Korea, Ecuador, Scotland, United Arab Emirates, Spain, United States, France, Holland, England, Ireland, Japan, Malaysia, Paraguay, Peru, Portugal, Czech Republic, Serbia and Montenegro, Switzerland, Thailand, Taiwan, Uruguay and Venezuela. His songs and albums were released by international labels AFULAB, Audio, Music Circle, disappeared Here, Eukatech, Harthouse, Jericho, Lo Kik, Mentor, Missile, Molecular Pild, Primate, Really Really Big Records, Sleaze, Spectrum & Teggno and ride the world.

His fifth CD is innovative for the Brazilian public, "Anderson Noise Live @ Skol Beats 04" is the first nationwide electronic music CD recorded live during his presentation in one of the largest festivals of its kind in Latin America. And Anderson's relentless, he released a DVD of the first Brazilian DJ "Brazilian Love Affair", which can follow the national gigs Anderson, the clubs where it is resident.

In 2005 the TV NOISE Noise created in conjunction with Toro products, with weekly programs, in which the clubs DJ shows, parties and festivals in which plays in Brazil and worldwide.

In 2006 the second time the DJ ended the Skol Beats, the main festival of Latin America and was considered by DJ Magazine, a top 100 DJ, entering as the No. 79 ranking.

In 2007 Anderson Noise again put the name of Brazil in the ranking of the top 100 DJs of the world's most popular DJ MAG, this time in the 54 ° position. Also his song "Man-Dog" went on the trail of the film commented, "The Past", directed by Hector Babenco.

In 2008, the DJ launched nine EPs and was invited by Spanish club La Terrazza to compile its annual CD which had the partnership of German Circle Music label. Noise also re-appear in the Top 100 DJ DJ MAG, this time as 26 of the ranking, being the only Brazilian DJ to keep the list for 3 years and which achieved the best ranking to date.

In the first week of 2009 Anderson Noise released their second DVD, the "Connection 1969," the first documentary about a DJ basileiro, along with his seventh CD compilations of the "NOISE CONNECTION", all of it with own productions, remixes and unreleased mixes. That same year, participated in its DVD 10 edition of FILE International Festival of Electronic Language. Anderson was also voted the number 1 DJ by DJ magazine in the country BRAZIL MAG

Also in 2009 Anderson Noise was invited by João Carlos Martins to start the project, Anderson Noise and John Carlos Martins in Concert with the Philharmonic Orchestra Bachiana, which resulted in an exciting concert combining electronic music and classical music in the room São Paulo.
Currently a resident of Anderson Noise Clash Club (Sao Paulo), Deputamadre (Belo Horizonte) and D-Edge (Sao Paulo)
For him, there is no limit that can not be exceeded. Thing who is creative and pioneering.

Text Renata Simões

www.andersonnoise.com.br
Booking: www.hypno.com.br

Playlist Radio Noise 467

Ozgur Can and Sia Yaraghi - Den Maler
Carl Cox - Chemistry (Nicole Moudaber Mix)   
David Bocanegra - Hijos dela MMMM (Massimo Girardi & Deltano Remix)
Alejandro Vivanco - Rise Again   
Bjorn Wilke and Someone Else - Rainbow Bridge
Layo & Bushwacka! - Artillery
Anderson Noise - Mapping (Stefano Lotti remix)
Yooj and Go Funk Urself - On One
Jorg Zimmer    - Sala Uka
Toby Montana & Dan Caster - Spanish Kiss
Drana -I Know What You Want   
Birdy Nam Nam - Goin' In (Bad Dancer Remix)
Kosheen DJs - Narc
Pete Lazonby - Yanda

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Back in 2007 an unreleased track was getting dropped at WMC techno events in underground clubs and at places like Space Miami. That was when these veteran Dj/ producers knew that they had a good thing going with Piltdown Sound. Releases on Wreckless Recordings, Bleepsequence and Blipswitch digital followed. With current releases on UK's Landed Productions receiving support from the likes of Pig and Dan, Adam Jay, Deepchild, Da Fresh, Misstress Barbara and Alex Long. Their latest remix of "Elephants" by Centrikal on the Subsensory label is already receiving big support. Be sure to catch their live and DJ sets for a glimpse of their many yet unreleased works.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time. 

Umek - Behind The Iron Curtain - 008 - Tracklist

01. Da Fresh, Alex Milleniu - Unlimited Pleasure [Freshin]

02. Topspin, Dmit Kitz - Elvis House (Simone Vitullo Remix) [Formula Recs Digital]

03. D-Becker - Revolution [Sundcloud]

04. Patrick Lindsey - What I Remember feat. K Mason [Hideout]

05. Romano Alfieri, Luca Bear - Leave The Valley [Break New Soil Recordings ]

06. Landmark - Hito [Mike Vale's Feels Good Remix)  

07. 777 System - Noms [SDK]

08. Kyfu - Trop Kale [1605]

09. NiCe7 - Many People [Bla Bla]

10. Vladimir Acic - Mr. Joe Gideon [1605]

11. DJ Wady - Uganda (Smilk's Bedroom mMx) [Bedroom Muzik]

12. Oliver Giacomotto, DJ Tonio - Rubicube [Defenitive recordings]

13. N'Joi - Mailfunction [RCA]

14. Tobias Kimmel - Hasta La Vista [Kimmel Records]

15. DJ Kool Dek - Datboombaplsh! (Wehbba Remix) [Suara]

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rodrigo Barreto aka Rod B.

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

More Info :

www.rodbmusic.com

http://www.facebook.com/RodB.Music

http://soundcloud.com/rodb

http://soundcloud.com/rodb

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Pioneer "is one that first opens or discover paths through unknown regions."

The career of DJ and producer Anderson Noise is a pioneer in electronic music from Brazil. Born in Belo Horizonte, Noise started slowly, as is the custom in his region, but never stopped to take some steps toward success.

In 1988, during the explosion of Acid House, started DJing in his hometown. Passionate about the profession, he often said that the role of DJ is move people. Followed by producing their own events from 1992, making room in the state capital for the proliferation of the electronic scene, still embryonic in place.

There were more than 40 parties produced, many in places like mental hospitals, shopping malls, car dealerships and historic buildings. The "Noise Family" became an institution, since in the event not only Anderson was involved. Mamma Noise, the mother of the DJ in person, was the hostess of the parties. Later Alvinho L Noise was excited with the turntables and boiled the dance floor next to his brother.

His first CD compilation, "Paralisia Cerebral"was released in 1996, while the dream of producing his own music became reality in the talented hands of Noise. In 1997 he was invited to include "Shantytown" in the "Electronic Music Brazil" the first CD of 100% national of the genre, released by Sony-Mercado Mundo Mix.

Without fear of expanding his horizons, Noise promoted the first trio elétrico "Truck with a mobile sound system" with electronic music in 1999 in Carnabelô Carnival out of season Mineiro, and became mandatory attendance in subsequent years. Without knowing it, acquiring the experience to face an even greater challenge playing on electric trio of singer Daniela Mercury, during Carnival in Salvador in 2002.

The DJ stand for something besides records, awards, won in 97 "Distinction Underground" by the magazine "DJ Sound." Both times that this category existed in the award, Anderson was the winner. Are there trophies for best producer and best DJ of techno music for the prize "Night Illustrated" Erika Palomino from the newspaper "Folha de Sao Paulo"; Sparks Trophies, prize won in 3 consecutive years, offered by the newspaper "O Estado Mine "for those who waved the mining scene, so that Anderson had turned into hors-concours. In the year 2003 was highlighted by Cool Awards, awards, in 2004, gave the award for best DJ.

Anderson's career as a DJ and producer went from strength to strength. He participated in all major national events. At the festival Skol Beats was present in all editions since the first, ending the 2003 edition of apotheosis. Also participating in the electronic music tent at Rock In Rio in 2000. That was the year that his second compilation CD called "Outubro", with some tracks produced by his label "Noise Music". The label started in 1999 with the intention of bringing the world the music produced here, as in his words: "We always bought the music and the gringos gringos do not have any of our. It was music quality produced in Brazil to show to the world. "

In 2001 he became a resident of the night Headstart at Turnmills club in London, integrating a select group of Brazilian DJs that arose in the pool. While playing outside of Brazil shared the stage with great international names who came to the country. One is impressed with the quality of mining and DJ led out into the world. Carl Cox, one of the best DJs in the world, was impressed with the strength of Anderson Noise the first time they played in Brazil: "Anderson is very talented. He played with me a few times before, sometimes after. He also has his own label, Noise Music. They're good - too good to ignore. "In the 2001 copy of the" 2001 TOP 100 DJ Mag ", Cox classified Anderson as the future" DJ Hero. "

His third CD compilation came out in 2002 to please the Brazilian public. "Noisemusic Compilation 100% Mix Anderson Noise" was released by a major label, bringing all the songs the label Noise Music mixed by Anderson an awesome set list. The album was well received in Brazil and abroad, to the point of calling the attention of Trevor Rockcliffe, owner of Mentor, respected British label, who heard the material and just wanted to release "Do It Yourself" by his label. Noise was also 2002 that launched his radio show, RADIO NOISE, hosted on your site, with weekly programs.

In 2003, Anderson was invited by DJ Magazine, one of the worlds most respected publication dedicated to electronic music for his fourth CD, "DJ World Series - Anderson Noise." In a series of five records that the magazine released, where each DJ, representing a continent, made an album with productions of his country. Anderson was chosen to represent Latin America.

Since then, his international career only grew Noise: participated in international festivals from Dance Valley, Homelands, Creamfields, Sonar, Exit, Rock In Rio Lisbon, Nokia Trends, SAMC, Knebworth Ministry of Sound. His performances earned him the world the opportunity to play in Germany, Argentina, Bolivia, Canada, China, Chile, Colombia, South Korea, Ecuador, Scotland, United Arab Emirates, Spain, United States, France, Holland, England, Ireland, Japan, Malaysia, Paraguay, Peru, Portugal, Czech Republic, Serbia and Montenegro, Switzerland, Thailand, Taiwan, Uruguay and Venezuela. His songs and albums were released by international labels AFULAB, Audio, Music Circle, disappeared Here, Eukatech, Harthouse, Jericho, Lo Kik, Mentor, Missile, Molecular Pild, Primate, Really Really Big Records, Sleaze, Spectrum & Teggno and ride the world.

His fifth CD is innovative for the Brazilian public, "Anderson Noise Live @ Skol Beats 04" is the first nationwide electronic music CD recorded live during his presentation in one of the largest festivals of its kind in Latin America. And Anderson's relentless, he released a DVD of the first Brazilian DJ "Brazilian Love Affair", which can follow the national gigs Anderson, the clubs where it is resident.

In 2005 the TV NOISE Noise created in conjunction with Toro products, with weekly programs, in which the clubs DJ shows, parties and festivals in which plays in Brazil and worldwide.

In 2006 the second time the DJ ended the Skol Beats, the main festival of Latin America and was considered by DJ Magazine, a top 100 DJ, entering as the No. 79 ranking.

In 2007 Anderson Noise again put the name of Brazil in the ranking of the top 100 DJs of the world's most popular DJ MAG, this time in the 54 ° position. Also his song "Man-Dog" went on the trail of the film commented, "The Past", directed by Hector Babenco.

In 2008, the DJ launched nine EPs and was invited by Spanish club La Terrazza to compile its annual CD which had the partnership of German Circle Music label. Noise also re-appear in the Top 100 DJ DJ MAG, this time as 26 of the ranking, being the only Brazilian DJ to keep the list for 3 years and which achieved the best ranking to date.

In the first week of 2009 Anderson Noise released their second DVD, the "Connection 1969," the first documentary about a DJ basileiro, along with his seventh CD compilations of the "NOISE CONNECTION", all of it with own productions, remixes and unreleased mixes. That same year, participated in its DVD 10 edition of FILE International Festival of Electronic Language. Anderson was also voted the number 1 DJ by DJ magazine in the country BRAZIL MAG

Also in 2009 Anderson Noise was invited by João Carlos Martins to start the project, Anderson Noise and John Carlos Martins in Concert with the Philharmonic Orchestra Bachiana, which resulted in an exciting concert combining electronic music and classical music in the room São Paulo.
Currently a resident of Anderson Noise Clash Club (Sao Paulo), Deputamadre (Belo Horizonte) and D-Edge (Sao Paulo)
For him, there is no limit that can not be exceeded. Thing who is creative and pioneering.

Text Renata Simões

www.andersonnoise.com.br
Booking: www.hypno.com.br

Radio Noise 461 playlist:

Valle Zoo - Calango
DJ Simi - Green Twister (Danilo Vigorito Remix)   
Nuria Ghia - Nuna (Someone Else Remix)
Ittetsu    - Toredo
Keith John - Sixela       
D-Nox - My Life (Luis Nieva Remix)   
Lazy M - Warehouse (Android Cartel Remix)
Anderson Noise - Machines Must Die (Claudio Climaco Remix)   
Denis A - Sith (Mays & Patrique Remix)
Monofon    - Sector A
Deepgroove - Atlas (Hermanez Remix)
Oliver Klein - My Definition
Per Hammar - Longo (M.in Dub Version)

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

The project Flutuance (FTC) came through a partnership between producers and DJs Bruno Mascotte and Leonardo Torha. 
Transiting between the house and techno, through an affinity of sound, the duo soon aroused the interest of the public playing  In major parties and festivals throughout Brazil as Rio Music Conference, Bora Bora World Tour, Paralello Universe, Cachoeira Alta, Soulvision, XXXperience, Chemical Music, Playground, Kaballah and Euphoria.

After years of research in musical production and after attending music school Vila Lobos the duo has grown and matured so releasing the first EP Long Road by the renowned label Attary, ranging Tech Attack figured in the top sales site Beatport. It was so successful that aroused the interest of several record labels around the world and other releases soon does happened.

A vinyl of the project was launched by the renowned label Plasmapool (GER) initiating a major partnership with the Flutuance, which now represents it in Brazil.

In 2009, the project made great strides in his career as remix tracks from big name artists, production tracks in partnership with renowned artists of electronic music, had one of its launch indicates in the Spring guide of the Ministry of Sound, to close the year with a flourish, founded their own label Diamond Clash Records - with major releases in the world of House Music.

The duo often commands lounges of the Diesel store, Cafe del Mar parties and press the curriculum memorable performances at the Morro da Urca (RJ), The Week(RJ), Eazy Club (SP), Privilege(MG), Roxy (MG) and many others.

Nowadays Flutuance is receiving excellent feedbacks and being played by great artists worldwide as: Richie Hawtin, Alex Kenji, Butch, Tim Xavier, Luciano, Mastiksoul, Umek , Koen Groeneveld, Channel X, Paco Osuna, Gregor Tresher, Audiojack and Tim Thaler.

More infos about Flutuance : 

www.listn.to/Flutuance
www.myspace.com/flutuance
www.soundcloud.com/flutuance
www.twitter.com/flutuance
www.beatport/artist/flutuance
www.youtube.com/flutuance

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time. 

Umek - Behind The Iron Curtain - 003 - Tracklist

01. Neuroxyde, Roy RosenfelD - Balls (Roy RosenfelD mix) [Neurotraxx Deluxe]
02. Mark Fanciulli - The Tide (Joris Voorn edit) [CR2 Records]
03. Stereomono, Johan Dreser, Juan DDD - Ant Man [Soundcloud]
04. Bushwacka  - West Side [Olmeto Records]
05. Kernel Key - Modular Key [Form]
06. Jaydee - Plastic dreams 2011 (Koen Groeneveld remix) [Spinnin Records]
07. Jon Rundell - Knick Knack [Intec]
08. Nicolas Cuer, Elyptik Trevors - Androgiine [Ready 2 Rock]
09. Stefano Noferini - Electrik [1605]
10. Umek - Promise Land [1605]
11. Mladen Tomic - Emotions [Definitive Recordings]
12. Ralph Good - The Roots (Belocca's Tribe On The Moon remix) [Hotfingers]
13. Golden Girls - Kinetic [R & S Recordings]
14. Mark Denken - Jack That [binary404.com]

Hollen was born in Scafati (SA) on 25/07/1988. As a child was struck and fascinated by music, growing ,at the age of 14 years , he became interested in electronic music. At the age of 15 years decides to buy his first console and begins to learn the basic techniques of DJing. In later years he started playing some local party and his country thus beginning to have an approach with the public. Later known Dj's and producers of electronic music which illustrate the field of producing, and that makes it begins to have its first approaches with the various software to produce music. After several experiences have the opportunity to play in important dinners and DJ's alongside the likes of: Josh Wink,Dave Ellesmere aka Microfunk,Rino Cerrone, Dj Simi,Mikael Stavostrand and many others. Over time his sound has grown a lot and his style is very eclectic nuances tendencies house,tech house, techno and funk. Its characterized by: Umek, Christian Smith, Spektre, Mark Broom,Alex Celler,Danny Serrano,Martin Eyerer,Paco Osuna, Richie Hawtin, Dubfire,Nic Fanciulli,Steve Lawler,Loco Dice,Mendo,2000 and One,Wehbba, Adam Beyer, Chris Liebing, SpeedyJ, Paul Ritch, Joris Voorn and many others. Over the years began to produce its own tracks and some have been released on labels such as: N.O.I.A. Records, Italo Business, Evolution and many others. His first EP on N.O.I.A. records been very successful so that a track of the EP (Beat Active_Piatto remix) is immediately charted from Umek, Spektre, Roman Gertz and Dandi & Ugo and then goes on top techno on Beatport.com. After this success will soon collect another with the track (Simple trust) released on Phobiq Music and also it goes on top techno on Beatport.com. Over time he approaches a house and tech house style and start various releases of this style. The Hollen's tracks played of the best clubs in the world and international artists. Hollen continued his career and there are other important EP out on important labels.

Pioneer "is one that first opens or discover paths through unknown regions."

The career of DJ and producer Anderson Noise is a pioneer in electronic music from Brazil. Born in Belo Horizonte, Noise started slowly, as is the custom in his region, but never stopped to take some steps toward success.

In 1988, during the explosion of Acid House, started DJing in his hometown. Passionate about the profession, he often said that the role of DJ is move people. Followed by producing their own events from 1992, making room in the state capital for the proliferation of the electronic scene, still embryonic in place.

There were more than 40 parties produced, many in places like mental hospitals, shopping malls, car dealerships and historic buildings. The "Noise Family" became an institution, since in the event not only Anderson was involved. Mamma Noise, the mother of the DJ in person, was the hostess of the parties. Later Alvinho L Noise was excited with the turntables and boiled the dance floor next to his brother.

His first CD compilation, "Paralisia Cerebral"was released in 1996, while the dream of producing his own music became reality in the talented hands of Noise. In 1997 he was invited to include "Shantytown" in the "Electronic Music Brazil" the first CD of 100% national of the genre, released by Sony-Mercado Mundo Mix.

Without fear of expanding his horizons, Noise promoted the first trio elétrico "Truck with a mobile sound system" with electronic music in 1999 in Carnabelô Carnival out of season Mineiro, and became mandatory attendance in subsequent years. Without knowing it, acquiring the experience to face an even greater challenge playing on electric trio of singer Daniela Mercury, during Carnival in Salvador in 2002.

The DJ stand for something besides records, awards, won in 97 "Distinction Underground" by the magazine "DJ Sound." Both times that this category existed in the award, Anderson was the winner. Are there trophies for best producer and best DJ of techno music for the prize "Night Illustrated" Erika Palomino from the newspaper "Folha de Sao Paulo"; Sparks Trophies, prize won in 3 consecutive years, offered by the newspaper "O Estado Mine "for those who waved the mining scene, so that Anderson had turned into hors-concours. In the year 2003 was highlighted by Cool Awards, awards, in 2004, gave the award for best DJ.

Anderson's career as a DJ and producer went from strength to strength. He participated in all major national events. At the festival Skol Beats was present in all editions since the first, ending the 2003 edition of apotheosis. Also participating in the electronic music tent at Rock In Rio in 2000. That was the year that his second compilation CD called "Outubro", with some tracks produced by his label "Noise Music". The label started in 1999 with the intention of bringing the world the music produced here, as in his words: "We always bought the music and the gringos gringos do not have any of our. It was music quality produced in Brazil to show to the world. "

In 2001 he became a resident of the night Headstart at Turnmills club in London, integrating a select group of Brazilian DJs that arose in the pool. While playing outside of Brazil shared the stage with great international names who came to the country. One is impressed with the quality of mining and DJ led out into the world. Carl Cox, one of the best DJs in the world, was impressed with the strength of Anderson Noise the first time they played in Brazil: "Anderson is very talented. He played with me a few times before, sometimes after. He also has his own label, Noise Music. They're good - too good to ignore. "In the 2001 copy of the" 2001 TOP 100 DJ Mag ", Cox classified Anderson as the future" DJ Hero. "

His third CD compilation came out in 2002 to please the Brazilian public. "Noisemusic Compilation 100% Mix Anderson Noise" was released by a major label, bringing all the songs the label Noise Music mixed by Anderson an awesome set list. The album was well received in Brazil and abroad, to the point of calling the attention of Trevor Rockcliffe, owner of Mentor, respected British label, who heard the material and just wanted to release "Do It Yourself" by his label. Noise was also 2002 that launched his radio show, RADIO NOISE, hosted on your site, with weekly programs.

In 2003, Anderson was invited by DJ Magazine, one of the worlds most respected publication dedicated to electronic music for his fourth CD, "DJ World Series - Anderson Noise." In a series of five records that the magazine released, where each DJ, representing a continent, made an album with productions of his country. Anderson was chosen to represent Latin America.

Since then, his international career only grew Noise: participated in international festivals from Dance Valley, Homelands, Creamfields, Sonar, Exit, Rock In Rio Lisbon, Nokia Trends, SAMC, Knebworth Ministry of Sound. His performances earned him the world the opportunity to play in Germany, Argentina, Bolivia, Canada, China, Chile, Colombia, South Korea, Ecuador, Scotland, United Arab Emirates, Spain, United States, France, Holland, England, Ireland, Japan, Malaysia, Paraguay, Peru, Portugal, Czech Republic, Serbia and Montenegro, Switzerland, Thailand, Taiwan, Uruguay and Venezuela. His songs and albums were released by international labels AFULAB, Audio, Music Circle, disappeared Here, Eukatech, Harthouse, Jericho, Lo Kik, Mentor, Missile, Molecular Pild, Primate, Really Really Big Records, Sleaze, Spectrum & Teggno and ride the world.

His fifth CD is innovative for the Brazilian public, "Anderson Noise Live @ Skol Beats 04" is the first nationwide electronic music CD recorded live during his presentation in one of the largest festivals of its kind in Latin America. And Anderson's relentless, he released a DVD of the first Brazilian DJ "Brazilian Love Affair", which can follow the national gigs Anderson, the clubs where it is resident.

In 2005 the TV NOISE Noise created in conjunction with Toro products, with weekly programs, in which the clubs DJ shows, parties and festivals in which plays in Brazil and worldwide.

In 2006 the second time the DJ ended the Skol Beats, the main festival of Latin America and was considered by DJ Magazine, a top 100 DJ, entering as the No. 79 ranking.

In 2007 Anderson Noise again put the name of Brazil in the ranking of the top 100 DJs of the world's most popular DJ MAG, this time in the 54 ° position. Also his song "Man-Dog" went on the trail of the film commented, "The Past", directed by Hector Babenco.

In 2008, the DJ launched nine EPs and was invited by Spanish club La Terrazza to compile its annual CD which had the partnership of German Circle Music label. Noise also re-appear in the Top 100 DJ DJ MAG, this time as 26 of the ranking, being the only Brazilian DJ to keep the list for 3 years and which achieved the best ranking to date.

In the first week of 2009 Anderson Noise released their second DVD, the "Connection 1969," the first documentary about a DJ basileiro, along with his seventh CD compilations of the "NOISE CONNECTION", all of it with own productions, remixes and unreleased mixes. That same year, participated in its DVD 10 edition of FILE International Festival of Electronic Language. Anderson was also voted the number 1 DJ by DJ magazine in the country BRAZIL MAG

Also in 2009 Anderson Noise was invited by João Carlos Martins to start the project, Anderson Noise and John Carlos Martins in Concert with the Philharmonic Orchestra Bachiana, which resulted in an exciting concert combining electronic music and classical music in the room São Paulo.
Currently a resident of Anderson Noise Clash Club (Sao Paulo), Deputamadre (Belo Horizonte) and D-Edge (Sao Paulo)
For him, there is no limit that can not be exceeded. Thing who is creative and pioneering.

Text Renata Simões

www.andersonnoise.com.br
Booking: www.hypno.com.br

Playlist:

MiniCoolBoyz - Intro
Flutuance - Xambra Xumbra (Re Dupre & Rod B. Remix)   
Nacho Casco - Albino   
Anderson Noise - Machines Must Die (Nir Shoshani Remix)
Defbeat - Meine Dimension       
Act. Sense - Unconscious Memories
&ME - Clamb
Billy Johnston - Outlaw
Barem - Blue (Vox Version)
Miino - Nothing left to do (Ariel Annic remix)
Clubfeet - Edge Of Extremes (Danny Daze 96 Remix)
Snappa - Varen
Felipe Venegas and Andre Butano - Crimchese

Booking: www.hypno.com.br

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rodrigo Barreto aka Rod B.

Rodrigo Barreto has been involved with the music industry for over 15 years. Between 1996 and 2000 he produced events within the state of Rio de Janeiro. However, it was in the year 2000, when he moved to Miami, FL, U.S.A., that started his passion for electronic music and his career as a DJ really started to flourish. A Brazilian naturalized American citizen in 2001, Rod became involved in Miami's underground scene, playing in small clubs and private parties.
In 2007, Rod searched for more knowledge and explored new horizons by attending and graduating with a degree in Audio Technology (Recording Arts) from one of the largest and most respected colleges of the audio world, SAE Miami, also affiliated with The Recording Academy/ Grammy USA. This significant accomplishment acknowledged Rodrigo's abilities as a producer and audio engineer.
Each year between 2007 to 2009, Rod was specially invited to work in the production of WMC (Winter Music Conference) and Annual International Dance Music Awards (IDMW); the largest conference in the world of electronic music. Rod has performed in clubs and parties located in Miami, Ibiza, South Beach, New York, Puerto Rico, and Rio de Janeiro; and big festivals like Creamfields in Brazil, Rio Music Conference, Chemical Fest, XXXpirence, Green Valley & Ultra Music Festival Miami. He has performed with big names of the international scene as Deadmau5, FatBoy Slim, Above & Beyond, Sander Kleinenberg, Layo & Bushuwaka, Laidback Luke, Jon Rundell, Carlos Lio, Steve Mulder, Anderson Noise, Eelke Kleijn, Dimitri Nakov, Dave Dk, Gui Boratto and others.
Currently, Rodrigo Barreto creates new productions in his studio along with Dj and Producer Re Dupre. Together this partnership coordinates MUR Music(Miami Underground Records), which is supported by various artists.

In 2010 he was invited to sign with Global Underground in the GU -38 –Black Rock Desert Compilation mixed by Carl Cox.One of the most respect labels and compilation.Staying 5 weeks in the roll in the top sales of Techno Charts and the most sold track in the GU Compilation. After that his name was chosen to be on the Fantastic Four (the four hottest name in Dance Music) of February edition of The DJ Mag the most respect Magazine of E-Music.

Rod's music can be found at the top of the charts of Beatport, in the playlist and compilations of the biggest Dj's in the planet like Carl Cox, Eddie Halliwel, and Dubfire, among others. Rod coordinates the Miami Underground Movement website direct from Miami with exclusive sets of Global Dj's such as Richie Hawtin, Magda, Umek, James Talk, Christian Smith and others. He performs on 2 weekly radio shows in his native land Brazil; Miami Sessions (his radio show brand) and UMF Brazil and UMF Ibiza-Ultra Music Festival Radio Show.

More Info :
http://www.facebook.com/RodB.Music

http://soundcloud.com/rodb

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Manuel De La Mare Dj, producer and label owner of 303Lovers and Hotfingers.
His connection with music starts at a very early age by experimenting with diverse instruments, ten years ago he began working behind the turntables, quickly developing his own unforgettable style which is the result of the lifetime musical influence. His eclectic production varies between all possible electronic genres, gaining fame among controversial crowds.   
He reaches the worldís hottest destinations from Asia to South and North America, Africa  and spots all over Europe.

He has released music and collaborated with some of the best record labels like Tiger Records, Spinnin, Toolroom, Definitive, Ministry of Sound and many more. With a soaring profile and constantly growing international followers and fans Manuel launched his own labels 303Lovers and Hotfingers back in 2007 along with Alex Kenji and Marshall. The labels has now showed themselves as one of the key names in House and Techno  Music with a never-ending  flow of quality releases which fire the dancefloor.

After all this and an unbelievable number of successful parties his machine was engine-tuned!

Track list:

 

01 Pancho (Original Mix) Southern Fried
02 Etienne Ozbourne & Zoltan Kontes - Sotto (Original Mix) Promo
03 Marco Effe - Contraction (Original Mix)
04 Prok & Fitch - Cabala (Mark Mendes Remix) 303lovers
05 Union Jackers - Scream (Original Mix) 303lovers
06 Ndkj - Raw Song (Ismael Rivas Remix) Promo
07 Paco Maroto - Back To The House (David Herrero Remix) 303lovers
08 Tasty Cookies - if You Want (NDKJ Remix) promo
09 Federico Scavo - Strumpo (Original Mix) Hotfingers
10 Sam Paganini Feel (Original Mix) hotfingers
11 Josh Feedblack - One More Time (Original Mix) Hotfingers

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.  

Playlist:

01. Stefano Noferini – Words [1605]
02. Mario Ochoa, Luigi Rocca - The Passenger [Hotfingers]
03. Dark Matter – Braziliant (Glitter Remix) [Bosphorus Underground
04. Miles Dyson, Aaren San - Zooloo (Pleasurekraft Remix) [Suicide Robot]
05. DJ Madskillz - Carnival Chaos (Format:B Remix) [Formatik]
06. Chris Soul - Get On Up [1605]
07. Filthy Rich - Revival [Toolroom]
08. Kernel Key - Running Away [LCMTC]
09. Sam Paganini - The Baby [Stolen Moments]
10. Jay Lumen - That's What I'm Talking About [Saved Records]
11. DJ Anna - Step it Baby [Lo Klik Records]
12. Nik Feral - D'For [1605]
13. ThreeSixty & Dirty Harris Vs Grant Nalder & Adam Asenjo - Togu [1605]
14. Jason Chance - Life's Groove [Hotfingers]
15. Max Bett - Red Pigs [Different Foot]
16. John Acquaviva, Olivier Giacomotto - Black Mamba [Definitive]
17. Siwell - Rising [Sphera]
18 .Kernel Key - Pucci [Flappers Records]
19. Chris Venola - Feelling Of Love (Danilo Vigorito Remix) [Takos Records]
run out of creative fuel for quite some time  

Miami Underground Movement presents Sasha Carassi.

Hailing from Italy's techno capital Napoli, Sasha Carassi gained major recognition in 2010 for his outstanding releases on not only his own imprints Globox and Phobiq but also on other prominent labels such as Harthouse, Driving Forces, Sleaze, Respekt Recordings, 8 Sided Dice and Drumcode. With numerous remixes and collaborations with artists such as Joseph Capriati ,Adam Jay, Brian Sanhaji, Spektre and Virgil Enzinger, he has also enjoyed major support from the likes of Adam Beyer, Slam, Fergie, Alex Bau,The Advent, and Alan Fitzpatrick. With no let-up in his busy schedule, 2011 looks set to be another huge year for Sasha Carassi. One of the few remaining dj's still using vinyl decks comnined with a laptop, his dj sets are likened to his production work. With powerful grooves and infectious techno sounds, expect to hear 'Big Room Techno' at its best.

Sasha Carassi | Free Music, Tour Dates, Photos, Videos

http://www.miamiundergroundmovement.com

Miami Sessions with DJ Yousef - M.U.M. Episode 153 - Miami Underground Movement

The new decade sees Yousef consolidating his status as an international DJ, Producer, Club Promoter and Music aficionado with ever greater impact. Last year saw him achieve a first, the release of his debut artist album - A Collection of Scars & Situations’ finally laying down on wax a watermark of his effervescent personality. It showcased the different dynamics to his sound as a performer - heavy support from the usual rag tag ensemble of dance music greats; Sasha, Danny Tengalia, Nic Fanciulli, Carl Cox, Steve Lawler, Radio Slave and Nick Curly among them. 

‘A Collection of Scars & Situations’ was more than just your typical DJ led collection of bangers. They are catered for of course, most resplendently by the pulsating tech house monster ‘Legacy’ (bolstered by a superb archaic vocal from Derrick Carter) and the Beyer - esque ‘Equilibrium’. But it’s the haunting electronica of ‘Birthday Thoughts’ and ‘A Moment of Clarity’ that gave the album its gritty edge, two bleak almost dystopian efforts which channel the darker undercurrents of electronic music perfectly, DJs, clubbers and the Music media were universal in the praise. 

“Legacy” was picked up for global single release by Renaissance. It garnered plays all over specialist dance radio worldwide (most notably John Digweed, Carl Cox and BBC Radio One’s Pete Tong), as well the coveted DMC single of the week; it was dubbed “one of the stand out tracks of 2009”. When Yousef was asked to contribute an essential mix from the world renowned Creamfields, he set about remaking the track into the ‘Terrace Edit’, taking the track into a newer and fresher direction (two further ep’s are set to drop for renaissance in 2010). 

It continued the mutual love affair between Yousef and Germany, the hub of worldwide electronic music. He signed two new EP’s to Mannheim’s premier league label Plastic City, and after season long support from Sven Vath, “Come home” was released on the world’s most followed electronic music brand Cocoon. It blew up, cutting across the spectrum of house and techno, making ‘Essential new tune’ on Pete Tong’s Radio One show, with consistent support from John Digweed, Laurent Garnier and of course Vath himself. A certain dj names Sasha fell in love with the composition so much he asjked to remix it, which he has in fine style (out on cocoon in mid 2010). Yousef was then signed to Berlins’ leading DJ agency WILDE for his bookings in Germany, Austria and Switzerland, while he remains in the hands of Safehouse management for the rest of the world, also home to Carl Cox. 

The international love has never been stronger for Yousef. The first international DJ to play the troubled nation of Syria. Ibiza, with its arcane hedonism and wild party ethos has always served as an adequate stomping ground for his cross genre grooves. And of course he’s back there this year... with a vengeance! South America has also shown a stronger allure for Yousef, with further ground being broken in Argentina, Uruguay and Brazil increasing his continental lustre. A recent 6 date tour on Indonesia showed how far yousefs reach is getting. Closer to home, he clocked up his first London Residency by inking a monthly deal at Matter, the brainchild of Fabric impresario Keith Reilly. Matter NYE saw another iconic Yousef DJ set, taking over from Vath at 2am for the inaugural Cocoon party and delivering a three hour onslaught of fierce and brutal house and techno to a 3500 capacity club. 

In 2009 yousef remixed Dj Sneak, Fergie and Tobii to devastating effect. 2010 has already seen an earth-shattering remix of Moby’s ‘Wait for me’ completed, plus his touch gifted to Gilles Peterson’s Havana Band project and new kid “Teva” with yousef’s floor devastating circus rework of “you cant teach this”. He remixed two UK legends (X-Press 2’s ‘Say What’ and Fatboy Slim’s ‘Local Town’, the latter featuring rasp voiced rudeboy Jamie T), whilst Nic Fanciulli and his Saved Imprint continue to show their love, with the aforementioned album’s ‘I Suggest’ out now with the superb ‘Firecracker’ on the flip one of two 2010 ep’s for nic’s imprint. The other “my explanation / dis information” already championed by tong on his rather well known radio weekly as well as support from underground house dons Rebbot and Nick Curly among many others. Further Eps for renaissance and debuts on carl cox’s Intec and seminal (vath started) Harthouse records both follow this year… Of course with a follow up on cocoon too… 

Yousef’s own Circus Recordings also notched up a year of releases since launching in 2008, churning out eight Yousef singles which have illustrated the madness and hedonism of the club he has created. 

Yousefs monthly event celebrated seven years at the apex of Liverpool’s club scene in September last year and he is still pulling line-ups together that makes the accountants balk and the clubbers froth at the mouth. House music at its kaleidoscopic best, heavyweight names such as Laurent Garnier, Luciano, Loco Dice, Dubfire, and Eric Prydz have faced off with the of the young upstarts of the underground like; Jamie Jones, Tim Green, Sebo K and Davide Squillace have been amongst others for debut Liverpool shows.

Oh and they got their thug on with Cocoon, bringing Vath and his imperial hedonism to Liverpool for the first time ever in a scintillating party that peaked on every sensory element. There’s little the club night hasn’t done or booked, and with this year already seeing return slots for John Digweed and Derrick Carter, plus debuts for Heidi, Guy Gerber and the irrepressible groove icon Ricardo Vilalobos, there’s seems little left for them to prove. So, just when things couldn’t peak any further for circus Radio One were looking for a club to host the 500th essential mix party. They considered every major club worldwide, circus was (in the words of radio one) the only choice…. Yousef and his long lasting partner Richard went to work, pulling in Richie Hawtin, Sasha, Aeroplane, of course Pete Tong and yousef himself. A 4 hour live global broadcast from circus in its original 1100 capacity club followed. Circus’ finest hour…? Maybe, we’ve thought that before. 

It’s this process of constant evolution rather than reinvention which has characterised Yousef’s career, and kept him at the forefront of promoters’ thoughts across the globe. And there’s the small matter of him running the London marathon, raising cash for CALM and showcasing his serious edge to the party reputation he’s always encased. Record Label Owner and Internationally renowned club promoter, it’s a far cry from the excess which defined wilder youth, confirming his professionalism and dedication to the acid house dream. 

Whether criss-crossing the globe with his arsenal of varied sounds or impregnating his own individual aural histrionics on wax, Yousef is stamping his identity on dance music and leaving a lasting impression. There’s few who come close in terms of dedication or in the variance of approach, Yousef hits each and every base with alarming regularity. And the best part yet? The journey has only just begun... it’s now a big cliché but, undeniably, but, 2010 really is Yousef’s year.

Miami Sessions with Carlo Lio - Miami Underground Movement - www.MiamiUndergroundMovement.com

 

CARLO LIO

WWW.DJCARLOLIO.COM

WWW.RAWTHENTICMUSIC.COM

 

 

If music is the Universal language then Toronto Native, Carlo Lio is surely multilingual. It is this universal appeal that has allowed Carlo to speak to so many people without ever having to say a word. His ability to capture sounds and emit them so expressively is a gift. Music has always been a priority in Carlo’s life; anyone who witnesses him gracing the decks can attest to this. Carlo can turn a careful observer into a dancer through the raw emotion and passion in his music. Music is a language; it is a means of connectivity, intimacy and communication and Carlo has brilliantly captured and shared this with his fans.

 

As a DJ, producer: & businessman. His continued efforts both in and out of the booth have paid off. Teaming up with studio partner Nathan Barato to create Rawthentic Music, Carlo has been pounding out numerous quality hits which have received plenty International support.  His unique signature style that’s driven by a relentless, sexy, hypnotic, techy groove is sure to leave you mesmerized. 

 

Carlo has so instinctively tapped into that ‘human experience’ that millions of club goers have sought after and has taken so many on a journey into sound. With his flawless and imaginative mixing and his mind-blowing programming, Carlo preaches a gospel of repetitive beats. His fast, deep pulsing tech-house, or groovy, chuggy minimal are inspirational and he credits his latest sound to two of his most current influences; Mastiksoul, &  Marco Carola 

 

Carlo emulates great confidence and is a strong visionary and leader in Toronto’s club culture. If you have a yearning hunger for the beat, just open wide; Carlo will satisfy your mind, body and soul and leave you salivating for more.

 

 

DJ Bookings & Artist Management: jose@ink-00.com

Production & Remix Enquires: carlo@rawthenticmusic.com

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time   

Tracklist:

1. Gary Beck - Get Down [Saved Records]
2. Mladen Tomic - Green Cubes  [1605]
3. Uto Karem - Utopolys [Agile Recordings]
4. Koen Groeneveld - Rudder [Toolroom]
5. Umek - Novi Sad (Uto Karem Remix) [Greatstuff]
6. Dean Newton - Kuraitani [Avanti]
7. Christian Smith - The Price of freedom [1605]
8. ThreeSixty - Dominion [Funk Farm]
9. Just'n Toko - Let Me Dig [Under The Groove]
10. Paul Thomas – Wookie [Toolroom]
11. Da Fresh - Once Again [1605]
12. Umek vs PHNTM - Freaks On The Floor [1605]
13. Christian Cambas - Fireball [1605]
14. Hertz & Subway Baby - Shockz [1605]
15. Tetsuya and Ryoji Takahashi - Stereo Injection [1605]
16. Lush - Campanacci - Original Mix [NuZone Gears]
17. Umek & Traumer – She Never Wants To Come Down [1605]
18. Diskoteque - Eat Reverb [Magic Powder Music]

 

quite some time.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Manuel De La Mare Dj, producer and label owner of 303Lovers and Hotfingers.
His connection with music starts at a very early age by experimenting with diverse instruments, ten years ago he began working behind the turntables, quickly developing his own unforgettable style which is the result of the lifetime musical influence. His eclectic production varies between all possible electronic genres, gaining fame among controversial crowds.   
He reaches the worldís hottest destinations from Asia to South and North America, Africa  and spots all over Europe.

He has released music and collaborated with some of the best record labels like Tiger Records, Spinnin, Toolroom, Definitive, Ministry of Sound and many more. With a soaring profile and constantly growing international followers and fans Manuel launched his own labels 303Lovers and Hotfingers back in 2007 along with Alex Kenji and Marshall. The labels has now showed themselves as one of the key names in House and Techno  Music with a never-ending  flow of quality releases which fire the dancefloor.

After all this and an unbelievable number of successful parties his machine was engine-tuned! 

 

Special Thanks  to Manu & Stéphanie Lazzereschi

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

 

Artist - Title - Track version - Release title - Label

01. Felipe Tropolli - Kaskanu [Pirelli Records]
02.Tube & Berger - Kreidler Flory [Kittball]
03.Spada - The Match [Flash]
04.Sam Paganini - Stratos [Form]
05.Butch - XTC (Riva Starr Cut) [100% Pure]
06.Christian Smith - Opus One [Tronic]
07.Umek - Chase The Moroder [Toolroom]
08.Kaiserdisco - Jaana (Carlo Lio Remix) [Kling Klong]
09.Tomy Wahl – Hundert [BuenaMusica Recordings]
10. Damolh33 - Reedited [Anonima Recordings]
11. Siwell - 2048 [Sphera Records]
12. Christian Fischer - GTX Drive [Definition Records]
13. Ramon Zenker, Harada - Sonic Dust [BluFin]
14. Traumer - Eilema [1605]
15. DJ Tonio - Mondo Sonoro [Definitive Recordings]
16. Spartaque - The Music And The Monkey  [1605]
17. Underworld - Cowgirl (Koen Groeneveld 2010 Bootleg Remix) [Promo]
18. Umek - OMGWTF  [1605]

 

 

 

quite some time.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

BIOGRAPHY

Manuel De La Mare Producer, DJ and A&R, also knowed as Sara Galli, After Tea and Combo his alterego project.
With over then 50 releases ranging from techno to house, he is supported, playlisted and charted by many djs around the globe: Roger Sanchez, Tiesto, Ferry Corsten, Funkagenda, Mark Knight, Pete Tong, Hernan Cattaneo, John Acquaviva, Joe T. Vannelli, Robbie Rivera, Renè Amesz, Kobbe, Ripperton, Jean Claude Ades, Anthony Pappa, Joeski, Milton Jackson, Jorge Jaramillo (Who Da Funk), Gel Abril, Yousef, Inpetto, Thomas Gold, Tom Novy, Justice and more.

In 2008 he gained 11 beatport top ten in 4 different genres to confirm his eclectic style (ian round - "dancin" manuel de la mare mash plus manuel de la mare d-mash, both rmx in beatport house top ten; sylar - "mellow" sara galli rmx , beatport techno top ten; alex kenji - "ytaca" manuel de la mare rmx and ceeryl - "high flyer" manuel de la mare rmx both in beatport progressive top ten , after tea aka manuel de la mare - "my prerogatives", "okeechobee", "this is warming up" and remix of "lombardi vs Neuroxyde - exagon", in beatport deep house top ten; sara galli and matteo matteini - "confident" featured in beatport deep house top ten).
Including the huge success of his underworld's "born slippy" official cover (2nd in overall beatport chart and 1st in progressive house).

He is the co-owner of 303Lovers and Hotfingers Music Labels with Alex Kenji and Marshall and since their launch (August 2007) they have sold more than 50000 units in digital stores; he collaborates also with indipendent and major labels: Baroque, Toolroom, Eye Industries, Omnis, Sound4Group, Universal, Blanco y Negro, ClubStar, Ministry of Sound, Anjunabeats, Warner Chapell.

Special Thanks  to Manu & Stéphanie Lazzereschi

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

From the premier league of Italian Dance Music this duo have been impressing us for years with their top class productions, from their incredible mainstream work with George Michael 'Flawless' and The Ones to their skilfully crafted club grooves and dubs.

Phunk Investigation known for producing and remixing artists such as Way Out West, Sophie Ellis Bextor, Light House Family, Rhythm Masters, Simple Minds, Boy George, Mark King [Level 42], Simply Red, Phats & Small, Angel City, Thrill Kill Kult, Annie Lennox, Faithless, Alex Gopher, DJ Sammy, Hakan Lidbo, Rui Da Silva, Young Punx, Jim Kerr, Roger Sanchez, Scumfrog, Danny Tenaglia and many others.

Their ultimate hits are "Get Up Stand Up" by Stellar Project Essential Miami Tune - UK Top 14 on Ministry Of Sound and France Top 16 on Sony Music and # 1 on Billboard top 100 dance singles airplay with Ultra Records and again " I Like Girls" by Hound Dogs uk top 26 charted five weeks with Sony Music. Spot Miu Miu (Directed By Madonna) Phunk Investigation VS Boy George (Generations Of Love 2008)

Labels: 1605, BluFin, Definitive, Toolroom, Sabotage, Sony UK, Warner, Data (UK), Positiva, Virgin, Ultra (USA), Pink Star...

Supported by: Umek, Dubfire, Paco Osuna, Tocadisco, Mark Knight, Pan-Pot, Marco Bailey, Tomy Declerque, Mistress Barbara, Pete Tong, Roger Sanchez, Carl Cox, Tiesto...

Links: www.myspace.com/phunkinvestigations
Mix Set: http://soundcloud.com/phunkinvestigation/phunk-investigation-mix-set-april-2010
Facebook personal page: http://www.facebook.com/phunkinvestigations
Facebook Fan Page: http://www.facebook.com/phunkinvestigations#!/pages/Phunk-Investigation/73693371789?ref=ts
Phunk Investigation RA: http://www.residentadvisor.net/profile/phunkinvestigation
Phunk Investigation The Dj List: http://thedjlist.com/djs/PHUNK_INVESTIG

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

 

 Umek (Live) @ The Revolution Continues – Space Ibiza

Tracklist:

1.    Matheo Velez - La Toledana [Deep Disco Music]

2.   Damon Jee - Shimo [Definitive Recordings]

3.   Raditz Room – Isaid [Hypnotic Room]

4.   Jonathan Jaramillo - Get Funk [Adverso Records]

5.   Sinisa Tamamovic - Fusion [1605]

6.   Den Ishu - Expand your Mind [Break New Soil Recordings]

7.   Olderic - Monkey Business  [Terminal M]

8.   Anil Chawla - Macho Grande [Suara]

9.   Bass Kleph - Hey Ya [Fresco Records]

10. Rah Band - Clouds Across The Moon (Jay Lumen & Umek Hey Baby Remix) [Great Stuff Recordings]

11. Vladimir Acic - Green Love [1605]

12. Chase Buch, Nick Olivetti - Locongas (Jay Lumen ReCreation) [Kling Klong]

13. Ronan Portela - La Kelly [Monique Speciale]

14. Kid Culture, El Mundo & Satori - Gotta Help (Mendo Remix) [ Gruuv]

15. Wally Lopez, Ismael Rivas (aka Riva) - Is Deeper [303Lovers]

16. Stefano Noferini - Ghuroom [Deeperfect Records]

17. Format:B - Dog Tag (Sebastien Leger Remix) [Formatik]

18. Felipe Tropolli - Kaskanu [Pirelli Records]

 

 

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

F.SONIK   The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy! Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.” It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

= = = = = = = = = = = = = = = = = = = = =

"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

 

Do you know DRI.K? 

 “Have you heard DRI.K playing?  Man, it’s amazing!” by Gui Boratto(BR)

“The best female DJ we’ve ever seen playing!” by TICON (SE)

"She stands out from the rest both in and out of Brazil, producing really cool and intelligent work." by Marcelinho CIC (BR)

 

 

Considered one of the most talented DJs of her generation, DRI.K stands out for uniting beauty and charisma with a desirable technique acquired from DJ Scratch Academy in New York. With only 4 years in the profession and a fast moving career, DRI.K performed in many different parties and clubs in South America, United States and Europe, sharing the DJ booth with Erick Morillo (US), Paul Oakenfold (UK), Deadmau5 (CA), Kaskade (US), Claude Vonstroke (US), David Amo & Julio Navas (ES), John Acquaviva (CA), Ticon (SE), Funkagenda (UK), Tocadisco (DE), Miss Nine (DE), Alex Gaudino (IT), Dusty Kid (IT), Laurent Wolf (FR), Yves La Rock (CH), The Flash Brothers (IL), Tino Morgado (UK), Thomas Penton (EUA), Anneli (SE), Gui Boratto (BR), Anderson Noise (BR), Marky (BR), among many other great names.

Besides playing at the biggest nightclubs and some important corporate events in Brazil, DRI.K was present in the best music events in Rio de Janeiro. Some of these events include OI FASHION ROCKS, CHEMICAL MUSIC FESTIVAL, CREAM BRASIL and RIO MUSIC CONFERENCE, but she became nationally known for her shooking presentations at Big Brother Brasil 9 and 10, broadcasted live by TV Globo and the TV channel Multishow.

She has also played at some Miami's Winter Music Conference events and at Pag Island in Croatia, one of the most happening summer places in Europe. While touring internationally she played at the following clubs/events: We Love Brasil Pool Party (WMC 2007 - Miami/FL), We Love Brasil at Club Jazid (WMC 2008 - Miami/FL), Opening Cocktail of UC Music (Miami/FL), Great Scott (Boston/MA), The Liberty Bar (Philadelphia/PA), Guitar Bar (Newark/NJ), Mood Lounge (Union/NJ), Chris Michael's Lounge (Woodbridge/NJ), Arena lounge (Newark/NJ), Hell’s Kitchen (New York/NY), Hell’s kitchen (Newark/NJ), Adega Lounge (Newark/NJ), The White Room (BsAs/AR), Kalypso (Pag Island/HR), Exit (Vodice/HR), Crossroad (Malinska/HR) e Magnus (Senj/HR).

DRI.K performs a live broadcast show “Transtronic” every monday at Radio Transamérica FM.  On the Internet, her sets played on Radio Multishow FM/BR, Push Radio/EUA and Beatbox FM/BsAs. One of her sets, the Minipoptech (July/08), won the contest "Leggo My Demo" and was highlighted on the newspaper's radio “The Miami Herald”, in Florida/US.

One of the greatest female breakthroughs in the electronic music scene in Rio, DRI.K is always complimented wherever she goes. Having this DJ in command of the dance floor is synonymous with fun rocked by sexy and compelling grooves.

  

From DRI.K, expect the unexpected!

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

Technasia Biography

For thirteen years Technasia has created a unique east/west fusion that moves seamlessly from the Paris club scene, to the streets of Hong Kong, to the hippest techno venues in Europe. Founded by Charles Siegling and Amil Khan in 1996, Technasia thrived as a duo for almost a dozen years. Now, Charles has gone solo, taking Technasia into 2010 as a one-man project. Unlike a Hollywood divorce, the parting between Siegling and Khan is truly amicable. Hong Kong-based Khan retired from Technasia to spend time with his young family. “You have to live this scene every single day,” says Siegling, “It’s very consuming, Amil didn’t want that anymore.”

Despite the change, Siegling has always been the ‘front man’ in terms of DJing and performing live, so Technasia is as thrilling and full-bodied a live experience as ever. If anything, Siegling is even more determined to infuse every aspect of Technasia with his utter absorption in sound, the passion born of 25 years engrossed in electronic music. Born in Paris and raised in an 11th century chateau, Charles grew up listening to everything from Depeche Mode to Jimi Hendrix. His music-loving dad even introduced him to early British rave tunes. As a university student he continued his musical education the clubs of Paris listening to the likes of Derrick May and Robert Owens; and taking note of the records Laurent Garnier and DJ Deep played on their radio shows.

In the mid-90s Siegling, who did a degree in film studies, went to check out the Hong Kong cinema scene. There, a mutual friend introduced him to Amil Khan and after they discovered a shared taste in electronic music, Technasia was born. They chose to base Technasia and their record label Sino in Hong Kong because there was no scene there, no record shops, no underground, no infrastructure. It was initially a battle for survival, but the location is vital to the Technasia ethos of music as communication. “Language is THE ultimate barrier,” says Siegling. He strives to overcome the barrier in his own life by picking up languages wherever he goes – he speaks Mandarin, Cantonese, Spanish and Italian, among others – but ultimately he chooses to communicate through sound. “Electronic music is the greatest language of all. No words, just the vibration, the emotion and the beat.”

Charles has a burning ambition to create music that transcends cultural barriers, and to captivate every audience. The proof of his success is in the list of clubs and festivals Technasia has played. Fans around the globe, from China, to Colombia, to the Czech Republic, know Technasia’s classic anthems including ‘Force’, ‘Oxide’ and ‘Evergreen’. And they know that every Technasia show takes the music to new heights. When DJing, Charles always plays on three decks, showcasing the old-fashioned arts of cutting and scratching. Live, Technasia takes audiences on an unforgettable ride. Charles literally becomes a one-man band, playing keyboards, percussion and acoustic instruments. He even sings. Anything to create irresistible energy and atmosphere. “I want my audience having fun,” explains Siegling. “Not falling asleep, or going off to the bar for a beer.”

The performance aspect of Technasia is complemented by artist albums ‘Future Mix’ and ‘Popsoda’ – which are modern classics. Siegling is also an outspoken promoter of young talent, using the Sino imprint as a launch pad for talent including Joris Voorn, Renato Cohen, Steve Rachmad and young Catalan producer Dosem. He has straightforward criteria for what makes a Sino artist: talent and individuality. Charles is refreshingly direct – he has no patience for industry politics – and he seeks out musicians who have a similar strength of character and clarity of purpose. “I share my knowledge with artists who deserve a push,” says Siegling. “So when they are ready to fly, they can do it on their own.”

Siegling is currently polishing the third Technasia album, due to be released mid-2010, and planning a huge tour which will take the new music to fans around the world. There is 12” single planned for spring, and fans can look forward to remixes from artists including Marc Romboy, Mauro Picotto and Renato Cohen later in the year. Right now, Siegling is in production overdrive: “My neighbours probably see me alone in the studio at 5AM, dancing my ass off!” he jokes. One thing is certain: come 2010, he won’t be dancing alone anymore.

he jokes. One thing is certain: come 2010, he won’t be dancing alone anymore.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for

quite some time.

Umek @ Space Carl Cox opening, Ibiza, Spain, 06.07.2010 - 60 min


artist - track - version - release - label
1.   Barou - Espoirs Clown - Original Mix - Sui Generiz
2.   Stalot - 124bpm - Original Mix - 124bpm - Bavaria Recordings
3.   Homework - Drivin' - Original Mix - Fissa Tune - Exploited
4.   Jose M., TacoMan - Cause & Effect - Original Mix - Cause & Effect - Attary Records
5.   Paul Schulleri - Held Ohne Krise - Original Mix - Held Ohne Krise EP - Hamburg Aufnahmen
6.   FM Radio Gods - Polyphonic - Original Mix - Polyphonic - Attitude Recordings
7.   Wehbba - All I Need - Original Mix - Full Circle - Tronic
8.   Chris Maiberger - Wake Up - Per Hammar's Soya Remix - Kant Recordings; The Story So Far - Kant Recordings
9.   S.K.A.M. - Zelda - Original Mix - Zelda / Defender - Insert Coin
10. Down Right Rude - Sofia - Original Mix - Azuli Presents Miami 2010 - Club Azuli
11. Sergio Fernandez - Nirvana - Original Club Mix - Samsara EP - Leaders Of The New School
12. Stefano Noferini - Everybody - Original Club - Everybody - Deeperfect Records
13. Matheo Velez - El Alicangaro - Original Mix - El Alicangaro - Attary Records
14. David Jones - Dubby - Original Mix - Dubby - Starlight Unlimited
15. The Glitz - White Line - Andhim Remix - White Line Remixes 2 - Voltage Musique Records
16. Alex Tepper - In, Out, Life - Original Mix - In, Out, Life - Saved Records
17. Mladen Tomic - Before Sunset - Original Mix - Before Sunset EP - Definitive Recordings
18. Steve Slight - Nim - Original Mix - Nim EP - Versuz Essentials
19. Xiaha Troden - Mira Negra - D-Nox & Beckers Remix - Mira Negra - Sprout
20. Barem - Heyday - Ronan Portela Remix - Heyday EP - Foundsound Records
21. Pleasurekraft - Tarantula - Hugo Remix - Tarantula - Eklektisch

 

 

quite some time.quite some time.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



Relating to official previews 2009 is the year to become a very difficult one. Recession in europe? A world crisis in economy? Nobody really knows how to call it correctly like it will be. But one thing is for sure. Though people may expect the worst Lucie Kvasnicov・ better known as Lucca by her fans, will expect a highlight in her career.

This tiny and beautiful woman from the Czech republic has played and placed herself into the hearts of her fans throughout the last decade and received much respect from male collegues like Chris Liebing or even Carl Cox who still is one of her favourite turntablist in techno business. All of them estimate Lucca a lot and cherish her style and skills and give her the references a worldwide top-dj does need to have.

Lucca's approach towards the perfect sound has always been accompanied by authenticity and devotion. Firstly captured by the house sound by dj sneak Lucca afterwards seduced herself to the techno vibes from napoli. In this epoque Lucca started to be part in every line up of every essential event concerning this style and was given her own festival organised by her former agency Mersey. As a conclusion she performed at "Live @ Hradhouse 2005" a unique concert which was also released on dvd showing this wonderful location placed in the castle of Boskovica and Lucca as the headliner. But she did not stop changing and created her own sound - the Sound Of Acapulco.

More than five years ago in 2003 it was time for Lucca to launch her own label named Acapulco Records. This move has been considered one of the most important actions for the techno scene among the czech republic which was still developing at this point of time. Releases of Acapulco became the synonym for progressing czech techno and were mentioned in many playlists and dj charts. The relaunch of her label now called Sound Of Acapulco could not knock down her acceptance and did show her skills concerning musical visionary even in a brighter light.

Currently this bright light is being transmitted by her debut album "Reformation" which mirrors Lucca's personal trip through life. It is purely a big exhibition of her personal taste of music and a common production with the german producer Tobias Fiedler. As a special appearance even the famous czech musician Michal Pavlicek provides his guitar riffs on her longplayer. "Reformation" does not only reflect her current life concerning music. "Reformation does sound a little bit like revolution but it is not. Me for myself it sounds slightly to aggressive", Lucca claims in an interview. Moreover her album has been built around the experiences she faced the recent years while travelling and now is the djane's v-card. "Reformation" not just includes her former hit single "Body Dance" it is also packed with twelve new stunning tracks e.g. "Quantum" her personal favourits „Hundertwasser“, „Teleport“ und „Noise Town“ as she says. But Lucca would not be satisfied with her engagement for music if she would not plan to start a new longplayer production starting within the next year. This woman is simply restless.

Meanwhile Lucca is a resident guest in music magazins and an appreciated partner concerning endorsement deals. She recently has been the face of well known manufacturer American Audio and cover act of Raveline Germany's leading magazin for electronic music. She also did a highly acclaimed special mix for this particular issue which was downloaded many many times and shows her well timed presence and knowledge of music if needed. For this reason she has been elected for the forth time in the row "DJ Of The Year" in the Czech Dance Music Awards and still does host her own radio show on Paul van Dyk's Vonyc Radio since may 2008. One of her career dream was fulfilled this year, as Carl Cox invited her to play with him in Space, Ibiza on 11th of August.


Contact:
www.lucca.cz
www.soundofacapulco.com

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.

Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

29.05.2010 Umek @ Orange Club, Augsburg, Germany - 2010 47

artist - track - version - label
1.   David Jones - Dubby - Original Mix - Starlight Unlimited
2.   Julian Collazos - Buu Shir - Original Mix - Clatter Records
3.   John Acquaviva, Olivier Giacomotto - Hoo Cha Cha - Original Mix - Definitive Recordings
4.   Carlo Lio - Musique - SCI+TEC Digital Audio
5.   Mihalis Safras - San TropeLess - Oxia Less Melo Remix - Material
6.   Min & Mal - San Salvo - Mario Miranda Remix - Killing Machine Records
7.   Black Raw - Circo Nero - Original Mix - Test Pressing Records
8.   NDKj - Funkest Star - Marshall Remix - Heatflow
9.   David Amo, Julio Navas - Bama - Original Club Mix - Toolroom Records
10. Ahmet Sendil, Koen Groeneveld, R3hab - Istandam - Ahmet Sendil Kasimpasa Rulez Mix - Bosphorus Underground
11. Mijail, Carlos Agraz - Briseuntokke - Loko Remix - Darkside Digital Records
12. Sean Random - Afrikola - Original Mix - Killing Machine Records
13. Pleasurekraft - Tarantula - Hugo Remix - Eklektisch
14. TDR - Squelch - Olav Basoski Remix - Doorn Records (Spinnin)
15. Uto Karem - Body Move - Original Mix - Plus 8 Records
16. Lutzenkirchen - What's The Matter - Uto Karem Remix - Mistakes Music
17. Lutzenkirchen - Stealth Run - Original Mix - BluFin
18. Secret Cinema, Ramon Tapia - I Want You feat. Secret Cinema - Original Mix - Great Stuff Recordings
19. Glitter - Los Paises Industriales - Original Mix - Bosphorus Underground Recordings
20. Juan Ddd - Macedonio - Manel Diaz Remix - Hamburg Aufnahmen
21. Tom Hades - Mezzanine World (Flavio Diaz's RePitched Techno Mix)

 

quite some time.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

 

Matthew Hoag

Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude.

The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.”

Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.”

Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.” 

2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

F.SONIK   The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy! Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.” It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

= = = = = = = = = = = = = = = = = = = = =

"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

 

/// berlin berlin ///

berlin – i grew up feeling surrounded by the wall. i lived on the small island of west berlin. border controls on sunday excursions, the rummaging through bags, the military. it was scary.
but the quote “all quiet on the western front” still didn’t really apply, as lots of things were happening that wouldn’t have been possible anywhere else. the island of west berlin was a destination for creative minds in search of alternatives. music was and still is my outlet. alongside tinkling on the electric organ, teaching myself how to read notes and my jukebox with a collection of singles in my room, my ears were first intrigued by the revolution of neue deutsche welle. it was fantastic! for the first time people were singing in the language you could hear out on the street: ideal, grauzone, nina hagen – pop meets punk. things happened so fast. minimal sounds made from machines entered the charts. for me it was kraftwerk’s “model” that changed everything. i discovered that pop also worked without any frills. my side of berlin provided a home for the curious, those who were going against the flow.

however, it was only when the wall came down that berlin became berlin again – the city that lets me breathe. after spending a whole year in london i realized that despite the acid jazzhouse euphoria there, only one place felt like home – berlin, the city of possibilities. being able to breathe, to drive and walk wherever and with whoever i wanted. and no more borders. i was immediately fascinated by east berlin, by this atmosphere of curiosity and get-up-and-go. there was room for experiments. electronic music united east and west.

i started to focus on music and art. at first that meant playing the saxophone, learning about fashion, hanging out in rehearsal rooms and taking classes in acrobatics. to finance it all, i worked behind the bar in the fischlabor, which happened to be the meeting point of the up-and-coming music network. i mixed my first tapes and suddenly became part of the emerging berlin techno scene, which started out in empty industrial buildings, houses and cellars. ellen became ellen allien.

courage
berlin nightlife. i had my own radio show on kiss fm, worked at the delirium record store and finally founded my first label braincandy. it felt as if music had swallowed me whole. with braincandy i made a serious attempt at releasing the kind of abstract techno i liked best. i’d had enough of compromising. some of it was just the courage to pave my own way.
the closing down of the first big berlin techno clubs was a setback for the scene, though i interpreted it as a sign to get something new going in the midst of disorientation. the party series bpitch control was a good start. i wanted to hang on to the music, to materialize it, so i founded bpitch control records.
the parties were no longer just memories, now people could take them home, too. the label was mainly an organ for me and other people who i found talented and worth supporting. to me, bpitch control is glamour, community and exchange platform all at the same time.

productive
as a dj i have always tried to connect genres, styles and audiences. i want to feed people new music and capture their interest. i want to fill the room with sound. and i have always been searching for an acceptance of what exists. we all live in the here and now!
and it was that common thread that i wanted to share with the audience. when i dj, body and music become one, they become brainy. to me, music was always the only way to soar through epic parallel worlds, to relax, to experience excess, to find myself.
music is both my motor and my outlet.
as a producer, music is a playback of my emotions and moods. i tease them out of me with alternating technical devices. music becomes a chronicle, each album is a work from a period of my life, which grounds me after the stress of dj-jetting. albums are like diaries. with my first album “stadtkind” i wanted to express my close relationship with the city i live in. it was like an explosion. “stadtkind” is my homage to berlin. the testing, work and experimentation with the structures and the sound spectrum of electronic music then became more and more crucial for me. i used my various compilations and remixes to beam myself into the musical cosmos. with my next album “berlinette” i processed what i had experienced after the release of “stadtkind”. it was like a flash of lightning, i was everywhere and everyone around me was euphoric and supportive. “berlinette” illustrates all that and it is also my very personal discourse on what is possible in the world of pop music and abstract sounds. then i released my third album “thrills”. it moves back and forth between constant excitement and playing the arp 2600 and other analogue instruments.

in 2006 apparat and i decided to do an album together. we went into appart's studio and had a great time - looking over the roof tops of berlin in winter, playing around on different instruments and synths, trying things out. "orchestra of bubbles" is a really nice electronica album with parts both of my and apparat's style. during summer 2006 we performed our live sets all over the world, played big festivals and were sweating like crazy each time. it was a challenge and an inspiration for both of us.

when i was asked to represent berlin for a dvd for time out i was happy to accept. it's a really cool thing for people who don't know this great city and want to know about it. i show my favorite places and also did a mix that goes along on cd.
fabric has always been my favorite club and i was proud to be asked to do an exclusive mix for them, which has been released in may 2007. beside my different remix projects (f.i. thom yorke, beck, troy pierce, ect.) that was something i really enjoyed doing in my studio.

whenever i have time i do my own fashion. in summer 2007 i already launched my third collection. i like doing fashion design - i like to draw and the choose fabrics. i only do very few pieces, it's all very exclusive and it's more my hobby than a business. music is still my main interest - my love and my life. and it's interesting to see how different equipment and software changes the styles of music all the time.

changing studio equipment keeps the productions flowing. techno is still what i’m about. it’s minimal, reduced, deep and rough at the same time. i would say that techno and i have developed together.

in may 2008 my fourth solo album “sool“ has been released. one single (sprung/its) and other three
remix releases (out, elphine, ondu caress) of “sool“ follow the same year. shortly after my new ellen allien fashion tshirt line **plus** comes out. in september 2008 the jetlag tour together with modeselektor starts.

the year 2009 begins with a very special anniversary: 10 years of bpitch control, 10 years of music, working together, following the idea of acting as a collective, fostering of exchange and
communication, entering new territories and having fun while doing so. actually, this year bpitch control signed many new artists. indeed, i can say that i´m very proud to work together with
so many talented artists.

in january my new ellen allien fashion spring/summer collection 09 came out. this time i decided to launch two different lines: the everyday quartett line and the rather elegant but nevertheless sexy and cheeky mainline. then i started my worldwide dj-tour which brought me once again to japan, the states, mexico
and many other thrilling destinations.

the new ellen allien fashion autumn winter collection 09 came out june. once again i realized two different lines: a jersey line called “city lights“ that consist of dresses and shirts for women and men, rarefied with hand painted accents of neon brushes. the nomadic world i live in, inspired me to think of us all as city indians. the jeans line uses vintage denim to create something new out of the old.
with individual items i want to shape the women´s perspectives. i think we really need to see the world as more playful, more connnected, but nevertheless extending into new horizons.

my new single “lover“ got released at the beginning of september and lots of "happy birthday bpitch control"-parties have delighted us during the whole year. we rocked berghain club in berlin, the melt! festival, the sonar festival, watt club in rotterdam and many other outstanding locations. together with the graphics team “pfadfinderei“ we have been working on new ellen allien visual which have been tested in a couple of clubs and that are developing into something definite step by step.in september my single "lover" (bpc199) came out and i made a remix of uffie/feadz's track “pop the clock“ (edbanger records).
in november i made an ellen allien south america tour with gigs in montevideo, buenos aires, rio de janeiro, belo horizonte, sao paolo, medellin and bogota.

2010: a new decade for a new ellen allien solo album. i took a brief break from playing in clubs in order to concentrate on the production of my fifth solo album together with tobias freund. in january the ellen allien fashion spring/summer 2010 collection called "nightflowers" came out and i made a mix cd for the watergate club (ellen allien mix cd /watergate vol5). in february my 12" "pump" (bpc209) and "the best of bpitch control" for the japanese concept store beams came out. in march i toured through japan (tokyo, osaka, nagoya, okinawa) once again to celebrate bpitch control's tenth annyversary. i continued playing in clubs and festival throughout europe.
in may my new album dust (bpc220) came out. ince again i hav ebeen touring worldwide (usa, singapore, malaysia, australia and europe). along with dust other two 12" were released: flashy flashy (bpc216) with remixes by nicolas jaar and alexi delano and our utopie (bpc220) including the bonus track "searching".


sensual
in my work, graphics, music, artwork, visuals and fashion merge.

body
dance, space and lust for life overspill. i search for the fulfilling dance. body, belly and brain start to swing and uplift me/us. music is the drug – nothing else!

travel
travelling with my record case, living out of the suitcase. the hotel is my home. experiencing new worlds and cultures and accepting them; understanding, how things work in other places. sharing views and politics. a club unites people without words. it’s the music that speaks.
recognizing the beauty of the world and absorbing the otherness. home is far away and not important. it’s the unknown that attracts my attention, and i want to know it!
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the mix is everything. i push myself to the absolute limit, sweating, and the thrill is that the room will become our room.

 

Ellen Allien Tracking list:

1. Jay Haze featuring Laila Tov - I Wait For You  / unreleased
2. Adultnapper - While He Sleeps  / Simple Records
3. Shyza Minelli - Ancient Blessing  / Tuning Spork Records
4. Smash TV - World Wide Wet  / unreleased
5. Shit Robot - Simple Things (work it out)  / DFA Emi
6. N/A featuring Rosina - Fables and Fairytales  / Crosstown Rebels
7. Basti Grub - Will Fine  / unreleased
8. Dance Disorder - Zusammen (Discodromo Filthy Vortex Remix)  / CDR
9. Martin Beume - Slowly But Steady  / Outils Du Connaisseur
10. Late Nite Tuff  Guy - I Get Deeper  / Light Speed Recordings
11. El Mundo & Satori - Jazz Tango  / Catwash Records
12. Ellen Allien - Ever  / BPitch Controlthe mix is everything. i push myself to the absolute limit, sweating, and the thrill is that the room will become our room.

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.
Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

 

02.06.2010 Umek @ Club Lehmann, Stuttgart, Germany - 2010 48

artist - track - version - label
1.   Echo Vacio - Pandora's Box - Original Mix - We Are Genius Recordings
2.   Yan Oxygen - Behind a limit
3.   Challenge by Norbert Gasser - Challenge - Alex Di Stefano Remix
4.   Wally Lopez - Is Deeper - Spartaque Remix
5.   Worakls - Kokain
6.   Phunk Investigation - Acid Slider - Sheff remix
7.   Dualitik - Lokomotiva - DEMO
8.   Hertz - A Voice Of My Own - Original Mix - Underwater Records
9.   Echo Vacio - Candanga
10. Blaz V - Noizzeous
11. Ketto - Bad Resonance - Original Mix - Bosphorus Underground Recordings
12. Alex Di Stefano - Multiverse
13. Miki Litvak - Pollinator - Gary Beck Remix
14. Mikatek - Velocity - Original Mix - Innervate Records
15. Daniel Portman - Pulsive - Original Mix - Unreleased Digital
16. Casting Shadows Without Light - Umek RMX
17. m0h - Wake Up - Original Mix - Weave Music
18. Anthony Pappa - Alex Di Stefano Remix
19. Axel Karakasis - Broken - Original Mix - Remain Records
20. Mike Humphries - Tactical Recon - Original Mix - Mastertraxx
21. The Advent & industrialyzer Remix

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

F.SONIK   The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy! Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.” It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

= = = = = = = = = = = = = = = = = = = = =

"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

Playlist:

1    Metrodive      Drawing Hands - Original Mix      Monique Speciale
2    Sabb     Cadence - Original Mix     Rawthentic Music
3    Pirupa     New Choice - Original Mix      Noir Music
4    iO, Sender     Love Trip - Orgnal Mix     Noir Music
5    Carlo Lio     Chapter 2 - Original Mix      Monique Musique
6    Jackspot     Theres Any Problem - Original Mix     Brise Records
7    Robytek, Ralf Armani     Sierra Leone - Original Mix     Starlight
8    M.in     Its Just Because - Patrick Lindsey Remix     Tretmuehle
9    Kruse & Nuernberg     Diskothek - Original Mix     Noir Music
10    Justin Late, Fra'n'kie°     Gettin' Mad - Original Mix     Neurotraxx Deluxe
11    Caie!, Lagora     Le Cher Rayonnent - Digital Exclusive    Material Series
12    F.Sonik, Andrew Technique     Just Weee - Original Mix    Starlight Unlimited
13    Los Suruba     Roller Kick - ONNO Remix     Suruba
14    Akin and Nomis     Melodie - Mauro Alpha & Dalbe Remix    Sabotage
15    Nima Gorji     Obbatala - Jairo Catelo Remix    Climatic Sound
16    Hector Couto     1993 - WestBoy Remix    Nulogic Records
17    Amir     Bibi Baba - Original Mix      Bouq
18    Deepgroove and Jamie Anderson     Voix - Extended Version    Harthouse
19    Kyas, Luca M     Two - Original Mix      BDR Music
20    Los Suruba & Robert X     Checolate - Onno Remix    Suruba X
21    Luca M     Poezii - Original Mix      Cimelde
22    Nyra     Lindan's Groove - Original Mix      Be As One Imprint
23    Ron Costa     Hadono - Original Mix      Potobolo Records
24    Reboot     Hermano - Original mix     CDR
25    Rhadow     No Excuse - Original Mix      Greelpound
26    Sabb     Percomaniac - Original Mix      CDR
27    F.Sonik     ZuLuMaL - Original mix     NuLogic Records
28    Mihalis Safras     San TropeLess - Oxia Less Melo Remix    Material
29    Native Soul Feat. Trey Washington     A New Day - Spencer Parker's A Gun for Hire Remix    Fluential

Special Thanks to Marjan Lopuh

More Info:

http://www.flow-management.net/

 

 

 

 

30    River Ocean     Love & Happiness (Yemaya Y Ochun) feat. India - Michel Cleis Floreo Remix     Strictly Rhythm

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

BIOGRAPHY

Manuel De La Mare Producer, DJ and A&R, also knowed as Sara Galli, After Tea and Combo his alterego project.
With over then 50 releases ranging from techno to house, he is supported, playlisted and charted by many djs around the globe: Roger Sanchez, Tiesto, Ferry Corsten, Funkagenda, Mark Knight, Pete Tong, Hernan Cattaneo, John Acquaviva, Joe T. Vannelli, Robbie Rivera, Renè Amesz, Kobbe, Ripperton, Jean Claude Ades, Anthony Pappa, Joeski, Milton Jackson, Jorge Jaramillo (Who Da Funk), Gel Abril, Yousef, Inpetto, Thomas Gold, Tom Novy, Justice and more.

In 2008 he gained 11 beatport top ten in 4 different genres to confirm his eclectic style (ian round - "dancin" manuel de la mare mash plus manuel de la mare d-mash, both rmx in beatport house top ten; sylar - "mellow" sara galli rmx , beatport techno top ten; alex kenji - "ytaca" manuel de la mare rmx and ceeryl - "high flyer" manuel de la mare rmx both in beatport progressive top ten , after tea aka manuel de la mare - "my prerogatives", "okeechobee", "this is warming up" and remix of "lombardi vs Neuroxyde - exagon", in beatport deep house top ten; sara galli and matteo matteini - "confident" featured in beatport deep house top ten).
Including the huge success of his underworld's "born slippy" official cover (2nd in overall beatport chart and 1st in progressive house).

He is the co-owner of 303Lovers and Hotfingers Music Labels with Alex Kenji and Marshall and since their launch (August 2007) they have sold more than 50000 units in digital stores; he collaborates also with indipendent and major labels: Baroque, Toolroom, Eye Industries, Omnis, Sound4Group, Universal, Blanco y Negro, ClubStar, Ministry of Sound, Anjunabeats, Warner Chapell.

Special Thanks  to Manu & Stéphanie Lazzereschi

Special Thanks  to Manu & Stéphanie Lazzereschi

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

King Unique is Matt Thomas, an all round studio junkie and dj with a taste for tripped-out cosmic techno and rough-edged underground house; in a career spanning nearly a decade KU’s distinctive sound has won an enviable global following. A ceaseless schedule of dj sets and festival gigs backed up by relentless studio sessions resulting in scores of records, remixes and radio broadcasts has made the KU sound an instantly recognizable part of the music-life of millions of the world’s clubbers - and a fixture in the vinyl crates, cd wallets and laptops of the world’s most influential djs. Consistently appealing across genres the tracks have been played by everyone from Sasha to Soulwax, Richie Hawtin to Tiesto, and have turned up everywhere from Hollywood soundtracks to mobile ringtones - not to mention countless compilations and mix albums.

Formed in 2001 by Matt Thomas & Matthew Roberts, King Unique hit the floor running, claiming the title of Undisputed Remix Champs by scoring five Essential New Tunes in five months on Pete Tong's "Essential Selection" Radio 1 show. A US Billboard Dance Chart number 1 for the remix of Dirty Vegas’ “Walk Into The Sun”, plus two more solo Essential New Tunes for Matt under his Watkins and Mainframe alter-egos saw KU firmly cement their place amongst the ranks of first-call remixers. The King Unique production touch has been in constant demand since, appearing on more than fifty remixes and yielding some of the biggest dance floor bombs known to man - Underworld's "Two Months Off", The Killers "Somebody Told Me", Planet Funk’s “The Switch”, The Teamsters "Feels Like Love", and Chable and Bonicci’s "Ride".
2006 saw the end of the original duo’s studio partnership, as Matt Thomas took on the King Unique role as a solo artist. The two years since have seen the KU sound taken to new heights with a mixture of euphoric acidic melodies, dark brooding techno vibes and old skool beats. Remixes of Tracey Thorn’s “Grand Canyon”, Gabriel & Dresden’s “Tracking Treasure Down” and an ’08 remix of KU’s own “Sugarhigh” have reaffirmed his status as one of the most versatile and consistent producers of the last ten years.
Most recently Matt has produced a stunning reworking of “Heaven” for James Lavelle’s UNKLE project, as well as remixes for Junkie XL, Paolo Mojo and Miami art-punk fashionistas Organicarma.

The renowned King Unique dj set has made KU a regular addition to the line up of some of the world's most respected clubs and biggest festivals, playing everywhere from ultra-hip blacked-out sweat boxes in Tokyo to euphoric crowds of thousands on the tropical beaches of Madeira. Regular gigs for super-brands such as Renaissance and Ministry Of Sound coupled with an increasingly hectic international schedule has seen Matt racking up enough air-miles for a free trip to the moon, with gigs in Sydney, Osaka, Barcelona, Shanghai, Lima, Bucharest, Auckland, Bogota, Singapore, Chelyabinsk, Malta, Vilnius - just to name a handful from recent months. Since the very first shows Matt has pushed at the cutting edge of the technology revolution that's swept through club culture, taking laptops, new gadgets and studio gear into the booth. 2009 sees the addition of the near mythic Monome controller to the sonic armoury - part track-mangling Ableton controller and part psychedelic light show, lovingly hand built by techno-hippies in the Catskill Mountains.

Playlist:

01. Ripperton “Random Violence” Green
02. Artur Reimer “Unseen Days” Microfreak Records
03. Lights Electronika “Sentimental (Einmusik Edit)” Einmusika
04. Solomun “Cloud Dancer (Manuel Tur's Instrumental)” Diynamic Music
05. Danny Howells “Landing On Planets” Dig Deeper
06. Secret Cinema “Glad Chord” GEM Records
07. Layo & Bushwacka vs. Shit Robot “Fatale Feeling (King Unique 
Bootleg)” CDR
08. King Roc & Dimitri Nakov “Jardin Nights” Bedrock
09. Slam “Room 2 (Pan Pot Rave Tool)” Paragraph
10. Tania Vulcano “Teflon (Pig & Dan Remix)” Isgud Records
11. Phil Kieran “Dirt (Psycatron Remix)” Cocoon
12. King Unique “2000000 Suns (John Digweed & Nick Muir Remix)” Bedrock
13. King Unique “Feniksas (Fergie Remix)” Bedrock
14. Donnacha Costello “With Me Still” Poker Flat
15. Suzanne Cianni “Analogue Revolution – Sound Of The Century 

Special Thanks to Hugh B

http://www.kingunique.com/

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.
Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

Umek @ Nitza Club, Barcelona, Spain, 23.04.2010

artist - track - version - label

1.   James Harcourt - Unpleasant Surprise - (Popof Remix) - Form
2.   Alfonso Forte vs Gymmy j & Daniele Crocenzi Baby - Collabs fratellone1 - (Original Mix)
3.   Ton Def - Disco Mafia - (Original Mix)
4.   Manu C and Max Bett - Slugs In My Brain - (Original Mix)
5.   Alex Di Stefano - Black Hole - (Original Mix)
6.   Phunk Investigation - Tsunami - Perfect Storm Mix - Cutoff Recordings
7.   Bugged - CrAnK iT - 1
8.   Daniel Half - Deodat 1.0 - (Original Mix) - Flat Belly Recordings
9.   Spartaque - Mato Grosso - (Piatto Remix) - Italo Business
10. Dataminions - BB4CE
11. Alfonso Forte - Magikal Garden - (Original Mix)
12. Re-Zone - Brain Storm
13. Phresh! - The Return - (Original Mix) - Adverso Records
14. 5hesff - The kitchen
15. Alex Di Stefano - One Week 2010 - (Original Mix) - Binary404
16. Andrea Roma - Massive Dynamics
17. Subfractal - Your Face - Original Mix (1605 DEMO)
18. Rino Cerrone & Flavio Diaz - Dub Drum
19. Mauro Picotto - 2010 - Alchemy
20. Lorenzo D'Ianni - Danger Man - (Original Mix) - Dogma Records
21. Floom - Jura feat. Gary Beck - Myriad Toolbox - (Original Mix) - Synewave

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




Alexander Madness

“Music is movement, variation, imagination
and eternity. In other words:
the future of sustainable energy. As a
DJ I try to transfer and receive that
form of energy from and to the people
on the dance floor - mixing minimal
techno tracks with electro house floor
fillers. For the rough cases I always
carry progressive and electro tracks
in my DJ bag.”

Alexander Madness (AM) discovered daylight in 1978 in Koper, Slovenia. Already his mother knew that music is going to be one of his main interests: As a kid he always liked to stand in front of roaring speakers. Before diving into the universe of electronic music,
Alexander was listening to rock, pop and all the other genres that are usually popular among the youth.

”I first got to feel the magic of electronic music in 1996, when sounds of fast hardcore hit my ears. Because that kind of music was rare at that time, I soon switched to slower rhythms of chemical progressive.”

In 1998, AM first stepped behind the decks and immediately felt the connection – and it’s still lasting. Like any other DJ he realized that the beginnings were not easy. His first gigs were played at local bars and private parties, but his technique evolved within years, as did his passion for the music.

In the past years he was switching from one e-genre to another until he really got into techno, which he still prefers. He plays mostly minimal/techno and electro/house but in his DJ case you’ll also find progressive and electro tracks.

He has been playing in all the major and recognized clubs, such as Ambasada Gavioli, Lipa, SubSub, K4,The Temple, Fun Academy, Oxygen, Netopir, The Club, The Cube, Playtime, Forest, Tivoli, Arcade, Culture club and many more. He participated also on Final Flash, Fetique-Boutique, Born to be Wild, The way of Freedom and Sound Of Summer events.

Throughout his eight year run and after AM’s guest appearances in numerous venues in Slovenia, Croatia and Italy, AM has also shared the spotlight with some of the industries best DJ’s. Some of his collaborations include artists such as Valentino Kanzyani, Andy Moor, The Filterheadz, Richard Bartz, Len Faki, Bryan Cox, Oxia, Joris Voorn, Matthew Dekay, Seamus Haji, Danilo Vigorito, dA frESh, Mashtronic, Electrixx, Ade Fanton, Virgin Helena, Paul Hazendonk, Petar Dundov, Jamie Bissmire and many more.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.
Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

Playlist:

Umek, Live @ WMC Miami

1  Travelling - Jackspot Remix Felix Neumann - "Brise Records"
2  Raw Track (Shout Mix) - Massimo Di Lena   "Cadenza"
3  Soms - Hermanez  Necotine "Leena Music"
4  Move Your Body - Utku Dalmaz (Chase Buch Remix ) "FHD Records "
5 Lelle / Mentiras - Federico Locchi & UGLH  "Laterra Recordings "
6  Tout Va Bien -  Matthias Meyer (Kollektiv Turmstrasse Remix) "Liebe Detail "
7  Heyday - Barem (Ronan Portela Remix) "Foundsound Records "
8  Kulunguele - Mijail, Mister K  "Darkside Digital Records"
9  Hipernova - Anna Miranda (DJ Deh Remix) "Ketra Records"
10  Calypso - Round Table Knights vs Bauchamp "Made To Play "
11 Above & Beyond - Mini Mode " Rhythm Royal Recordings"
12 Lovers n' Fighters - Kruse & Nuernberg ( DJ Madskillz Remix) "Noir Music"
13  I Know My Way - Minimorph "Underscore Records"
14  Sofia - Down Right Rude "Azuli Records"
15  Carlo Lio - Giro Tondo "Monique Musique "  
16  Aguja - Kaiserdisco "My Best Friend"
17  Move Your Body - Utku Dalmaz (Chase Buch Remix) "FHD Records"
18  Birpad - Matheo Velez "Blaze Records"
19  Burn Myself -Coyu "Swings Records"
20  Chants - Sollscher Und Siech (Per Hammer Voodoo Rmx) "Beat Theraphy"
21  The Bells - Monotrax "DNW Records"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

Rob Acid, Sontec, Dicabor, Alton Inc, Acid Warrior

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.
Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

 

Track List: umek live Blau club Girona

00. Intro
01. Purple Pills - D-Unity (Umek Remix) - "1605"

02. Meat With Blood - Max Bett - "Capsula"

03. Dark Floor - Phunk Investigation - "1605 "

04. Incomings - Tesla (Alex Di Stefano Remix) - "Stereo Seven Plus"

05. Fly By Wire -  Umek RMX  - "Promo"

06. Nova -  Kibz, Dfndr - "Recon Warriors"

07. Fly With Me - Elay Lazutkin - "IBZ Recordings"

08. Day Tripper  - H2 - "Form Music"

09. Nice Guy - Subfractal (Glitter Remix) - "Killing Machine Records"

10. Pere Rem - Tomy DeClerque RMX - "promo"     

11. Silly froggys - electric rescue - "promo"         

12. Russian Railways - Re-Zone & Tesla - "Nervous"

13. Road 66 - Ezio Mariani (Worakls Remix) - "FLAT BELLY"

14. Risvegli - Dyno - "Hell Yeah Recordings"     

15. Something Is Movin - Alex Di Stefano - "Mantide Records"

16. Ragaroo -  Fergie Ragaroo - "Excentric Muzik"     

17. Stop Show -  Totoproto (Joey Beltram Remix) - "Sebian Recordings"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

 

Matthew Hoag

Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude.

The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.”

Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.”

Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.” 

2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

Do you know DRI.K?

 

“Did you hear DRI.K playing? It’s outstanding!” by GUI BORATTO (BR)

“The best female DJ we’ve ever seen playing!” by TICON (SE)

“Without cheap tricks but far from being a sound considered difficult, DRI.K showed an untouchable sound sensibility: technique and very sharp trends. And she has a very chic sound, almost blasé, with so much subtleness. Cheers to DJ DRI.K’s Tech House!” by ALEX PALHANO (BR)  

“Number one female DJ in Brazil.” by CHRIS CHREBET (US)

“DRI.K stands out from the rest both in and out of Brazil, producing really cool and intelligent work. I believe that, if she continues this way, we will soon have a TOP DJ representing our country really well internationally and earning her deserved respect in the Brazilian scene.” by MARCELINHO CIC (BR)

Considered one of the most talent DJs of her generation, DRI.K stands out for uniting beauty and charisma with a desirable technique acquired from DJ Scratch Academy in New York (US).

With only 3 years in the profession and fast moving carrer, DRI.K performed in many different parties and clubs in South America, United States and Europe, sharing the DJ booth with Eric Morillo (US), Paul Oakenfold (UK), Deadmau5 (CA),  David Amo & Julio Navas (ES), John Acquaviva (CA), Ticon (SE), Funkagenda (UK), Tocadisco (DE), Miss Nine (DE), Alex Gaudino (IT), Laidback Luke (PH), Dusty Kid (IT), The Flash Brothers (IL), Tino Morgado (UK), Thomas Penton (EUA), Anneli (SE), Gui Boratto (BR), Marky (BR), among many other great names.

DRI.K was present in the best music events in Rio de Janeiro. Some of these events include OI FASHION ROCKS, CHEMICAL MUSIC FESTIVAL, CREAM BRASIL and RIO MUSIC CONFERENCE. However, she became nationally known by her two live presentations at BIG BROTHER BRASIL (9th and 10th editions), broadcasted by TV Globo and the TV channel Multishow.

 She has toured internationally where she played at the following clubs/events: We Love Brazil Pool Party during Winter Music Conference 2007 at Carlton Hotel, We Love Brazil Party during Winter Music Conference 2008 at Club Jazid and at the Opening Cocktail of UC Music in Miami Beach, also played at Great Scott in Boston/MA, The Liberty Bar (Philadelphia/PA), Guitar Bar (NJ), Mood Lounge(NJ), Chris Michael's Lounge (NJ), Adega Lounge (NJ), The White Room (Buenos Aires/AR), Kalypso (Pag Island/HR), Exit (Vodice/HR), Crossroad (Malinska/HR) and Magnus (Senj/HR).  

On the Internet, her sets played on Warung Waves/BR, Radio Multishow FM/BR, Push Radio/USA and Beatbox FM/BsAs. She has also participated in live broadcasts on Transamérica FM/RJ, Cidade FM/JF and Vitória University/ES. One of her sets, the Minipoptech (July/08), won “LEGGO MY DEMO” contest and was highlighted on the newspaper’s radio “THE MIAMI HERALD”, in Florida/US.  

One of the great female female breakthroughs in the electronic music scene in Rio de Janeiro, DRI.K never fails to surprise with her amazing sets, which include tech house, techno and deep house. Having this DJ in command of the dance floor is synonymous with fun rocked by sexy and compelling grooves.

 From DRI.K, expect the unexpected!

Web:

http://www.myspace.com/djdrik

http://twitter.com/drikdj

http://djdrik.podomatic.com

Bookings BR: paulosilveira@3plus.art.br

Bookings US: sonia@ucmusicgroup.com

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

Stefano Frisoni's passion for music started at the age of 12, with House music of course. Suddenly the passion to produce also appeared in Stefano and so in 1997 with his Computer he already started making his tracks. Things changed entirely in year 2000 when Stefano got involved in Techno music. The hard one, played at the Cocoricò in Riccione.

In 2003 Stefano meets Daniel B and another change in Stefano Frisoni's musical history happens. Stefano and Daniel B start producing together under the name of TEAMTEK. Both headed to make bigger things.

In 2007 Stefano starts working with his new partner and friend  Francesco Bonora creating the PUNTO G staff and varoius music productions. In year 2009 Stefano cooperates with different labels untill he worked with EYE records and reached the top 20 in the Minimal chart of Beatport with the song TRIP. POOL 8 records is another label of the group that will see Stefano's productions released in fall 2009. Stay tuned more will happen soon.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

DJ UMEK
For a long time, Slovenia is known for its great electronic parties, but as the local scene is of boutique dimensions, everyone, who wishes to take the art of mixing and producing to a professional level, has to go out there and enter the worldwide scene. Umek has done this step as early as in the middle of the 90s and so he became one of the most important techno players of the global techno scene, even before the end of the last millennium. Together with people, who shared the same views, he successfully captured the first era of researching and recreating the rules of the dance music in Recycled Loops, Consumer Recreation and Astrodisco platforms, which all put the sound of the Slovenian techno on the world map of electronic music.
In the beginning of the year 2007, Umek started a new 1605 Music Therapy - Sixteenofive, with which he marked the beginning of the second era of his music creation and what an era it is. 5 highly popular releases on the 1605 label with lots more planned in the next few months, a huge success of the »Day Of Electronics 09« - the main 1605 event in Krizanke (Ljubljana, Slovenia) for the third year in a row, a popular summer festival »Disconautica« (Koper, Slovenia) featuring 1605 Main Floor for the second year in a row and with over 50.000 attending people. Furthermore the 15 astonishing releases and remixes already released in 2009 are the best proof, that Umek stays focused on his primary goal – to make high quality productions that stand out from the rest and to bring this music closer to people all around the world.
The year 2009 also brought a fresh breeze in Umek’s booking department and so his new booking agency is Bullitt Bookings from the USA, that also takes care of some of the biggest names, like Dubfire, Nic Fanciulli, Shlomi Aber, Davide Squillace and many others.
Last year's releases like Is it / Longer Trail, Destructible Enviroment, S Cream, Designed Persona, You Might Hear Nothing and the latest club hit Work This Data, have caught the attention of Armada, Hell Yeah, Tronic, Dataworx and other biggest labels of the music industry and judging by Umek's tracks »Hablando« and »Slap«, released on his own label 1605, by the enormous amount of upcoming releases and the second (and first on 1605 label) album with his 10 great tracks “Responding To Dynamic” (coming in spring 2010), Umek surely isn’t going to run out of creative fuel for quite some time.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

F.SONIK   The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy! Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.” It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

BIOGRAPHY

Manuel De La Mare Producer, DJ and A&R, also knowed as Sara Galli, After Tea and Combo his alterego project.
With over then 50 releases ranging from techno to house, he is supported, playlisted and charted by many djs around the globe: Roger Sanchez, Tiesto, Ferry Corsten, Funkagenda, Mark Knight, Pete Tong, Hernan Cattaneo, John Acquaviva, Joe T. Vannelli, Robbie Rivera, Renè Amesz, Kobbe, Ripperton, Jean Claude Ades, Anthony Pappa, Joeski, Milton Jackson, Jorge Jaramillo (Who Da Funk), Gel Abril, Yousef, Inpetto, Thomas Gold, Tom Novy, Justice and more.

In 2008 he gained 11 beatport top ten in 4 different genres to confirm his eclectic style (ian round - "dancin" manuel de la mare mash plus manuel de la mare d-mash, both rmx in beatport house top ten; sylar - "mellow" sara galli rmx , beatport techno top ten; alex kenji - "ytaca" manuel de la mare rmx and ceeryl - "high flyer" manuel de la mare rmx both in beatport progressive top ten , after tea aka manuel de la mare - "my prerogatives", "okeechobee", "this is warming up" and remix of "lombardi vs Neuroxyde - exagon", in beatport deep house top ten; sara galli and matteo matteini - "confident" featured in beatport deep house top ten).
Including the huge success of his underworld's "born slippy" official cover (2nd in overall beatport chart and 1st in progressive house).

He is the co-owner of 303Lovers and Hotfingers Music Labels with Alex Kenji and Marshall and since their launch (August 2007) they have sold more than 50000 units in digital stores; he collaborates also with indipendent and major labels: Baroque, Toolroom, Eye Industries, Omnis, Sound4Group, Universal, Blanco y Negro, ClubStar, Ministry of Sound, Anjunabeats, Warner Chapell.

Special Thanks  to Manu & Stéphanie Lazzereschi

 

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



Relating to official previews 2009 is the year to become a very difficult one. Recession in europe? A world crisis in economy? Nobody really knows how to call it correctly like it will be. But one thing is for sure. Though people may expect the worst Lucie Kvasnicov・ better known as Lucca by her fans, will expect a highlight in her career.

This tiny and beautiful woman from the Czech republic has played and placed herself into the hearts of her fans throughout the last decade and received much respect from male collegues like Chris Liebing or even Carl Cox who still is one of her favourite turntablist in techno business. All of them estimate Lucca a lot and cherish her style and skills and give her the references a worldwide top-dj does need to have.

Lucca's approach towards the perfect sound has always been accompanied by authenticity and devotion. Firstly captured by the house sound by dj sneak Lucca afterwards seduced herself to the techno vibes from napoli. In this epoque Lucca started to be part in every line up of every essential event concerning this style and was given her own festival organised by her former agency Mersey. As a conclusion she performed at "Live @ Hradhouse 2005" a unique concert which was also released on dvd showing this wonderful location placed in the castle of Boskovica and Lucca as the headliner. But she did not stop changing and created her own sound - the Sound Of Acapulco.

More than five years ago in 2003 it was time for Lucca to launch her own label named Acapulco Records. This move has been considered one of the most important actions for the techno scene among the czech republic which was still developing at this point of time. Releases of Acapulco became the synonym for progressing czech techno and were mentioned in many playlists and dj charts. The relaunch of her label now called Sound Of Acapulco could not knock down her acceptance and did show her skills concerning musical visionary even in a brighter light.

Currently this bright light is being transmitted by her debut album "Reformation" which mirrors Lucca's personal trip through life. It is purely a big exhibition of her personal taste of music and a common production with the german producer Tobias Fiedler. As a special appearance even the famous czech musician Michal Pavlicek provides his guitar riffs on her longplayer. "Reformation" does not only reflect her current life concerning music. "Reformation does sound a little bit like revolution but it is not. Me for myself it sounds slightly to aggressive", Lucca claims in an interview. Moreover her album has been built around the experiences she faced the recent years while travelling and now is the djane's v-card. "Reformation" not just includes her former hit single "Body Dance" it is also packed with twelve new stunning tracks e.g. "Quantum" her personal favourits „Hundertwasser“, „Teleport“ und „Noise Town“ as she says. But Lucca would not be satisfied with her engagement for music if she would not plan to start a new longplayer production starting within the next year. This woman is simply restless.

Meanwhile Lucca is a resident guest in music magazins and an appreciated partner concerning endorsement deals. She recently has been the face of well known manufacturer American Audio and cover act of Raveline Germany's leading magazin for electronic music. She also did a highly acclaimed special mix for this particular issue which was downloaded many many times and shows her well timed presence and knowledge of music if needed. For this reason she has been elected for the forth time in the row "DJ Of The Year" in the Czech Dance Music Awards and still does host her own radio show on Paul van Dyk's Vonyc Radio since may 2008. One of her career dream was fulfilled this year, as Carl Cox invited her to play with him in Space, Ibiza on 11th of August.


Contact:
www.lucca.cz
www.soundofacapulco.com

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

 

Alex Kenji

 

Alessandro Bacci (29), aka Alex Kenji, is an internationally renowned and respected DJ/producer with over 10 years experience of producing, DJ’ing, and performing. As well as ‘Alex Kenji’, he has released records under host of pseudonyms including: Yoshie Chandler, Combo, Green Sugar, HouseLovers, D.L.D., Orange Love, Kaiko, Itchy Bit and many others.

His tracks have featured on the BBC Radio1 Essential Mix and in the DMC US House Chart and playlisted by best dance music djs such as: Tiesto, Pete Tong, Bob Sinclar, JUSTICE, Sasha & John Digweed, Fedde Le Grand, Steve Angello, Tocadisco, Roger Sanchez, Kaskade, Sharam (Deep Dish), Alex Gaudino, Robbie Rivera, Laurent Wolf, David Piccioni, Jason Nevins, Chris Lake, Hernan Cattaneo, Tom Novy, Joe T Vannelli, BSOD, John Dahlback, Inpetto, Jean Claude Ades, Demi, Omid 16b, Desyin Masiello amongst his fans.

His DJ sets offer an impeccable house / tech-house selection ranging from deep grooves to more techno oriented tunes all designed to rock the dance-floor to its foundations. He has performed all over Italy, Canada, Spain, Israel, Australia, Brazil, USA, Colombia, Mexico, Poland, Hungary, the UK, Germany, Cyprus, Belgium, Turkey, Russia, Ukraine, Tunisie, Portugal and Switzerland such as both resident and headline DJ.

Recently, thanks to the huge success of 2 singles 'A Lot Of' and 'Adelante', he has been featured for 11 weeks on Beatport Overall Top Downloads, selling more than 16,000 units thru the net; as well, licensing them on top notch Cd compilations such as: Azuli Presents Miami Sampler 2009, Eric Morillo Subliminal Summer Sessions 2009.

On February 2009 has been released on Mark Mendes imprint (Starter Records) track called 'UP' reaching on Beatport Number 1 Overall Top Downloads, licensing it again on the best worldiwide compilations.

Outside the club, Alex is co-owner with Manuel De La Mare and Luigi Rocca (Marshall) of 303Lovers and Hotfingers record labels; these brands have sold more than 100,000 units on music web stores, mostly via Beatport since first launching in August 2007.

As well, he has overseen collaborations with both independent and major labels including: EMI (Italy), Universal(GSA), Azuli (Usa), King Street Sounds (Usa), Milk & Sugar (De), Superstar Recordings (DE), Rise Records (IT) and many more.

With over 50 releases, and tracks featuring on more then 10 mix CD’s, Alex is ready to keep you UP on the dance-floor.

 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

 

Technasia Biography

For thirteen years Technasia has created a unique east/west fusion that moves seamlessly from the Paris club scene, to the streets of Hong Kong, to the hippest techno venues in Europe. Founded by Charles Siegling and Amil Khan in 1996, Technasia thrived as a duo for almost a dozen years. Now, Charles has gone solo, taking Technasia into 2010 as a one-man project. Unlike a Hollywood divorce, the parting between Siegling and Khan is truly amicable. Hong Kong-based Khan retired from Technasia to spend time with his young family. “You have to live this scene every single day,” says Siegling, “It’s very consuming, Amil didn’t want that anymore.”

Despite the change, Siegling has always been the ‘front man’ in terms of DJing and performing live, so Technasia is as thrilling and full-bodied a live experience as ever. If anything, Siegling is even more determined to infuse every aspect of Technasia with his utter absorption in sound, the passion born of 25 years engrossed in electronic music. Born in Paris and raised in an 11th century chateau, Charles grew up listening to everything from Depeche Mode to Jimi Hendrix. His music-loving dad even introduced him to early British rave tunes. As a university student he continued his musical education the clubs of Paris listening to the likes of Derrick May and Robert Owens; and taking note of the records Laurent Garnier and DJ Deep played on their radio shows.

In the mid-90s Siegling, who did a degree in film studies, went to check out the Hong Kong cinema scene. There, a mutual friend introduced him to Amil Khan and after they discovered a shared taste in electronic music, Technasia was born. They chose to base Technasia and their record label Sino in Hong Kong because there was no scene there, no record shops, no underground, no infrastructure. It was initially a battle for survival, but the location is vital to the Technasia ethos of music as communication. “Language is THE ultimate barrier,” says Siegling. He strives to overcome the barrier in his own life by picking up languages wherever he goes – he speaks Mandarin, Cantonese, Spanish and Italian, among others – but ultimately he chooses to communicate through sound. “Electronic music is the greatest language of all. No words, just the vibration, the emotion and the beat.”

Charles has a burning ambition to create music that transcends cultural barriers, and to captivate every audience. The proof of his success is in the list of clubs and festivals Technasia has played. Fans around the globe, from China, to Colombia, to the Czech Republic, know Technasia’s classic anthems including ‘Force’, ‘Oxide’ and ‘Evergreen’. And they know that every Technasia show takes the music to new heights. When DJing, Charles always plays on three decks, showcasing the old-fashioned arts of cutting and scratching. Live, Technasia takes audiences on an unforgettable ride. Charles literally becomes a one-man band, playing keyboards, percussion and acoustic instruments. He even sings. Anything to create irresistible energy and atmosphere. “I want my audience having fun,” explains Siegling. “Not falling asleep, or going off to the bar for a beer.”

The performance aspect of Technasia is complemented by artist albums ‘Future Mix’ and ‘Popsoda’ – which are modern classics. Siegling is also an outspoken promoter of young talent, using the Sino imprint as a launch pad for talent including Joris Voorn, Renato Cohen, Steve Rachmad and young Catalan producer Dosem. He has straightforward criteria for what makes a Sino artist: talent and individuality. Charles is refreshingly direct – he has no patience for industry politics – and he seeks out musicians who have a similar strength of character and clarity of purpose. “I share my knowledge with artists who deserve a push,” says Siegling. “So when they are ready to fly, they can do it on their own.”

Siegling is currently polishing the third Technasia album, due to be released mid-2010, and planning a huge tour which will take the new music to fans around the world. There is 12” single planned for spring, and fans can look forward to remixes from artists including Marc Romboy, Mauro Picotto and Renato Cohen later in the year. Right now, Siegling is in production overdrive: “My neighbours probably see me alone in the studio at 5AM, dancing my ass off!” he jokes. One thing is certain: come 2010, he won’t be dancing alone anymore.

01 - Jerome Sydenham - Deep Fried - UK Promotions
02 - Enzo Siragusa - Himba Raindance - Welt
03 - Dosem - Road To Ebron - Sino
04 - Dapayk Solo - The Little Thing You Do (Niko Schwind Remix) - Stil Vor Talent
05 - Mutant Clan - Sancerre - Terminal M
06 - Gerald Mitchell - Faith - 430 West
07 - Santos - Mariachi Hotel - Crosstown Digital Rebels
08 - Spirit Catcher - Sedona - Systematic
09 - Layo & Bushwacka - Now Is The Time (2020 Sound System Remix) - Olmeto
10 - Jamie Anderson feat. Mr K. Alexi - Cyclone - Mija
11 - Dennis Ferrer - Hey Hey (Df S Attention Dub) - Objektivity
12 - Wally Lopez - Noche Sin Luna (Coyu & Edu Imbernon Remix) - The Factoria
13 - Guillaume & The Coutu Dumonts - Raw - Musique Risquée
14 - Santos - La Pineta - Crosstown Digital Rebels
15 - Marc Romboy - Talking All That Jazz - Systematic
16 - Lucio Aquilina - Black Elf - Hideout
17 - Mes - Back To Basics (Satoshi Tomiie Mes Mix) - Saw
18 - Gerald Mitchell - It's Possible - 430 West
19 - Roberto Bosco - One - Figure
20 - Steve Stoll - Untitled Loop
21 - Agaric - Nobody Home - We Are
22 - Steve Stoll - Untitled Loop 2
23 - Youknow - Bacata (Technasia Remix 1) - Monique
24 - The Cheapers - Madame Sans Merci - Upon You

FURTHER INFORMATION:

Technasia
Technasia.com
Myspace.com/technasia
Discogs.com/artist/Technasia

Technasia_Press Pics.zip
http://www.mediafire.com/file/djv2eonyhwz

Sino
Myspace.com/sinolabel
Technorient.com/sino
Technorient.com
Discogs.com/label/Sino

Press & Radio Contact:
Tel: +44(0)7883 364 201
Email: hugo@ukf.net
SKYPE: hughbmusic

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.


intro
01. Walter - Andrew Technique (Tomy DeClerque remix) "Sound of Acapulco"
02. Markantonio - Terzo mix  "1605"
03. Technobuse - Dj Cyberx (Synth Tech Mix) "Southside Recordings "
04. Doubleshot - Anthony Attalla Jan van Lier Remix "Slanted house"
05. Smell The Wood - Original Mix Matteo DiMarr " Subliminal Records""
06. Hipernova - Anna Miranda DJ Deh Remix "Ketra Records"
07. Body Work - Francesco Grant ""AFULAB"
08. Costantino Nappi & Micky da funk - The Way We Do "Promo"
09. Wave From The North - Alex D'elia & Nihil Young "Frequenzarec"
10. Rated R - Yotopia "Stereo Seven Plus"
11. Wiwy Edit 1 - Marascia Dusty Kid "Southern Fried Records"
12. Ayahuasca - Promo "Hog o005"
13. Echoes - Piatto "1605"
14. The Music And Me -Voltaxx   feat. Betty Bizzare &  Lissat  "Leaders of the new School"
15. Hypenoise - Audio G8 "Big Big Soundz"
16. Roundhouse Loco & Jam "Promo"
17. Moleculare Damage - Logotech "Ketra Records"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




Matthew Hoag

Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude.

The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.”

Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.”

Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.” 

2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement






Joe bought his first decks after moving to Manchester in the late 90s to pursue the acid house dream.

With a schedule that involved clubbing three nights at week, he was soon running his own night, ‘Milk’ at the New Order owned Dry Bar, while DJing at other clubs around the city and purveying an ADD-ish eclecticism that had been born out of bleary nights watching the young Chemical Brothers at the Heavenly Social.

Moving back to London, he started writing for DJ Mag, alongside a ‘proper’ job, was a founding member of a well-known music website, before the greedy machination of one of its members taught him the value of having a contract (though possibly not written on a napkin), and continued to put on parties in a variety of clubs and bars.

Following a hugely successful warehouse party in East London to mark the momentous arrival of 07.07.07, he began running a new series of nights, under the name ‘No Way Back’, at a grimy all-night pub in Brixton, moving through a series of bigger venues, and playing guest slots at clubs like Trailer Trash and Neon Noise alongside Fischerspooner, until finding himself running the lounge for Chew the Fat! at The End (including, appropriately enough, on 08.08.08).

With a hugely successful room, helped in a no small part by a large old school jungle collection, a job and residency swiftly followed, with gigs alongside Hervé, Tittsworth, Duke Dumont, Riton, Jack Beats, Trevor Loveys, Drums of Death, Raffertie, Reso, Bok Bok and L-Vis 1990, and more, even standing in as a fake Fake Blood to a packed Corsica Studios when the real Fake Blood failed to show. And summer 2009 saw gigs at Glade and Notting Hill Carnival.

Leaving Chew the Fat! to become an editor at DJ Mag, Joe now has a new party in the offing and is currently in the studio with Dan Cat, who reached the heights of Pete Tong Essential New tune under his previous guise of Cheshire Catz.

www.myspace.com/joerobots
soundcloud.com/joe-roberts

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





BIOGRAPHY

Manuel De La Mare Producer, DJ and A&R, also knowed as Sara Galli, After Tea and Combo his alterego project.
With over then 50 releases ranging from techno to house, he is supported, playlisted and charted by many djs around the globe: Roger Sanchez, Tiesto, Ferry Corsten, Funkagenda, Mark Knight, Pete Tong, Hernan Cattaneo, John Acquaviva, Joe T. Vannelli, Robbie Rivera, Renè Amesz, Kobbe, Ripperton, Jean Claude Ades, Anthony Pappa, Joeski, Milton Jackson, Jorge Jaramillo (Who Da Funk), Gel Abril, Yousef, Inpetto, Thomas Gold, Tom Novy, Justice and more.

In 2008 he gained 11 beatport top ten in 4 different genres to confirm his eclectic style (ian round - "dancin" manuel de la mare mash plus manuel de la mare d-mash, both rmx in beatport house top ten; sylar - "mellow" sara galli rmx , beatport techno top ten; alex kenji - "ytaca" manuel de la mare rmx and ceeryl - "high flyer" manuel de la mare rmx both in beatport progressive top ten , after tea aka manuel de la mare - "my prerogatives", "okeechobee", "this is warming up" and remix of "lombardi vs Neuroxyde - exagon", in beatport deep house top ten; sara galli and matteo matteini - "confident" featured in beatport deep house top ten).
Including the huge success of his underworld's "born slippy" official cover (2nd in overall beatport chart and 1st in progressive house).

He is the co-owner of 303Lovers and Hotfingers Music Labels with Alex Kenji and Marshall and since their launch (August 2007) they have sold more than 50000 units in digital stores; he collaborates also with indipendent and major labels: Baroque, Toolroom, Eye Industries, Omnis, Sound4Group, Universal, Blanco y Negro, ClubStar, Ministry of Sound, Anjunabeats, Warner Chapell.

Special Thanks  to Manu & Stéphanie Lazzereschi

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.

intro
01. Walter - Andrew Technique (Tomy DeClerque remix) "Sound of Acapulco"
02. Markantonio - Terzo mix  "1605"
03. Technobuse - Dj Cyberx (Synth Tech Mix) "Southside Recordings "
04. Doubleshot - Anthony Attalla Jan van Lier Remix "Slanted house"
05. Smell The Wood - Original Mix Matteo DiMarr " Subliminal Records""
06. Hipernova - Anna Miranda DJ Deh Remix "Ketra Records"
07. Body Work - Francesco Grant ""AFULAB"
08. Costantino Nappi & Micky da funk - The Way We Do "Promo"
09. Wave From The North - Alex D'elia & Nihil Young "Frequenzarec"
10. Rated R - Yotopia "Stereo Seven Plus"
11. Wiwy Edit 1 - Marascia Dusty Kid "Southern Fried Records"
12. Ayahuasca - Promo "Hog o005"
13. Echoes - Piatto "1605"
14. The Music And Me -Voltaxx   feat. Betty Bizzare &  Lissat  "Leaders of the new School"
15. Hypenoise - Audio G8 "Big Big Soundz"
16. Roundhouse Loco & Jam "Promo"
17. Moleculare Damage - Logotech "Ketra Records"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

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"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

Playlist:

01    Gorge - Bambossa (Nicole Moudaber Gorge-Ous Remix) / Plastic City
02    Basti Grub - El Gitarro (M.in Remix) / Waldliebe Musik
03    Adam Port & Gigi - Enoralehu (Santé Remix) / Liebe Detial Spezial
04    Roger Gerressen - No School Like The Old School (Original Mix) / Wolfskuil Records
05    Hermanez - Marrakech (Noir vs Martinez Edit) / Noir Music
06    Kolombo - I'm On Your Side (Kruse & Nuernberg Remix) / Noir Music
07    &ME - On (Adam Port & Rampa Remix) / Front Room Recordings
08    Matt Star - Hohlkopp (Martinez Remix) / Cray1 LabWorks
09    M.in & Ben Anders - Get On A Freak (Original Mix) / Off
10    Riva Starr - Black Cat White Cat (Original Mix) / Made To Play
11    Henri Josh - Pequena (Original Mix) / Suara
12    Sasch BBC, Caspar - Tomtation (Original Mix) / Brise Records
13    Fabio Giannelli - Apparlas (Slam Remix) / Material
14    Paul Harris and Alex Tepper - Terris (Original Mix) / Rekids
15    Noze - Meet me in the Toilet (Original Mix) / Circus Company
16    Christian Smith & Reset Robot - Elixir (Gary Beck Remix) / Excentric Muzik
17    Reboot - Caminando (Loop Edit) / Sei Es Drum
18    Seth Troxler - Panic, Stop. Repeat! (Paco Osuna Remix) / Spectral Sound
19    Mark Broom - Jackpot (Original Mix) / Saved Records

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement







…This beautiful creature stalks her prey at night. Music is her weapon and beats, her bullets. Trumpet stabs and drum kicks for close-quarters combat. Juliet Sikora is going in for the kill… Elsewhere, you would probably need to jump headfirst off a bridge to experience such an adrenalin rush. But when this young lady is behind the decks, the rush is greater. Don't let her good looks fool you, because she still knows how to control an angry mob. With a flick of the wrist she spins her first disc. The crowd roars in unison and are instantly under her spell. It’s going to be another long night. Born in Strzelce Opolskie in Poland, Juliet has always had a passion for music. She learned how to play the piano at an early age and developed a taste for the electronic side of music while she was still in her teens. After leaving school she took up DJ-ing, organized her own events and hoped to make a career in music, be it behind the scenes or in the limelight. After she obtained a degree in Event Management, it looked like she could either. From Berlin to Miami, club to club and long sessions in the recording studio - This girl never stops. How she even finds time to fit in her day job at a renowned record label, nobody knows. But she does. And like everything else in her life, she does it with a passion that is second to none. This passion is also reflected in her music. After teaming up with Tube & Berger for her first single: ‘Together Now’ released on Opaque Music, she took the German club scene by storm. She went on to produce her own single and released the globally acclaimed ‘Turkish Delight’. This release brought her international fame and a huge fan base with it. Offers started rolling in from all over the world: Istanbul, Miami, London, Berlin, Amsterdam. No matter where she played, she rocked the clubs with her amazing blend of Balearic Deep / Tech House. A lot of remix work followed her fame and the likes of Massimo Santucci, Fuzzy Hair and Cerux and came knocking at her door – even Tube & Berger have hooked up with her again on a new project. New productions are on the way and she’s busy in the studio right now putting the finishing touches to her latest number. All in all, this girl is worth looking out for. Be it for her good looks, or her good taste in music…You never know, she might even be playing in a club near you this weekend!

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



After 15 years in the business as one of the leading producers of his time
Jeroen 'Secret Cinema' Verheij is still pushing boundaries. He most
recently took the No.1 position in the Beatport techno charts with his
latest release on Cocoon Recordings ("Shake Ur Tech-Ass”), and has been
ruling playlists and clubs all summer with his massive "Kurzweil”. The
time has now come for Jeroen to broaden his horizons again and thus he will
be launching his record label - Gem Records - in December. To celebrate he
has just finished a brilliant mix which features some very exciting and
exclusive tracks in what sounds like one of the best guest mix sets of the
year.

Tracklist:

01. Peter Horrevorts - Sketch03 [white label]
02. Khainz, Kore - Noise R Us [TB Records]
03. Channel X - Ueforia [Upon You records]
04. Max Sanna - Reach (Mark Broom Remix) [Toolbox House]
05. Norm - Watching You [Le Bien et Le Mal Recordings]
06. Peter Horrevorts - Bloody Hands [GEM Records]
07. Larski - Message [Inminimax]
08. Lars Wickinger - Fuck Them All [FutureAudio]
09. Edit Select - Beneath [edit select]
10. Henry Saiz - Rhinemaidens [Renaissance]
11. Fiord - Zephyr [Sprout]
12. Egbert - DeZelfde Weg [GEM Records]
13. Secret Cinema - Glad Chord [white label]
14. Shinsuku Matsumoto - Lanterns (Kuba Sojka remix) [ROHS]

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

F.SONIK

 

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy!

 

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

 

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

 

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.


F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

 

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy!

 

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

 

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

 

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.


Intro
01. Umek vs. Ramirez - Hablando "1605"
02. Dennes Deen - Break It Up "MB Elektronics"
03. Kevin Gorman - Insomnia  (Joseph Capriati remix) "Mikrowave"
04. Umek - Destructable Environet ( Loco & Jam remix ) "1605"
05. Alex D Elia & Nihil Young - Aurality (Sinisa Lukic remix)
06. Tom Sawyer - Dictator (DJ Cyberx remix) "Atsuo"
07. Flex - Hydrometrik (Piatto remix) "Italobusiness"
08. Adam Beyer, Par Grindvik - Living Weel "Drumcode"
09. Khainz - Low Frequency Oscillator "Plastic Park"
10. Wehbba and Ryo Peres - Us On Tape
11. Umek - 5
12. Electric Rescue - Astropolis "Skryptom"Division Virtuel"
13. Kemko - One Pirate On The Way "Division Virtuel"
14. Volta, Salvatore Freda - Tiramisu "Area Remote"
15. Christian Smith, Reset Robot - Elixir
16. Secret Cinema - Jazz Me "Cocoon"
17. Gideon - Do Not Leave The Tap Running "Lessismorerecordings"
18. Egor Boss - Tricked (Andrea Roma remix) "Italobusiness"
19. Unknown - Superstrobe
20. Dubfire - Rabid "Sci+Tec"
21. Compact Grey - The Game (Christian Fischer remix) "Definition Records"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



About MARSHALL aka Luigi Rocca


Luigi Rocca, Also Knowed as Marshall, is an internationally renowned and respected DJ/producer With Over Then 30 Releases, Mostly Ranging From Techno To Tech House, He Is Supported, Playlisted And Charted By Many Djs Around The Globe. Danny Tenaglia, Tiesto, Richie Hawtin, Dubfire, Ricardo Villalobos, Steve Angello, Funkagenda, Oliver Koletzky, Audiojack, David Amo & Julio Navas and More.

In the last year he gained the Beatport Overall 1st Place with “Swahili Song” And 6 Beatport Top Ten In Tech House, Techno, Minimal and Deep House Genres (“Keep It Real” in Beatport Minimal Top Ten, “Turin Quality Clubbing” In Beatport Tech House Top Ten, “Caribean (Marshall & Libex Rmx)” In Beatport Techno Top Ten, “Something Good” in Beatport Deep House Top Ten, “Black Conga” In Beatport Tech House Top Ten, “Swahili Song” Beatport Overall 1st Place)

Outside The Club, He Is The Co-Owner Of 303Lovers And Hotfingers Music Labels With Alex Kenji And Marshall And Since Their Launch (August 2007) They Have Sold More Than 50000 Units In Digital St

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement






Who is ROMAN GERTZ...

The Main winner of Global Gathering contest...
The owner of TOPDJ rating award "Best Release" 2008/2009 (2nd place)...
Winner of Urban Wave All Stars competition...
Resident DJ of "Madness TECHNOlogy" parties at "Saxon Club"...

After his 1st year of producing music Roman has successful releases and upcoming production on labels Stereo Seven Plus (IT), Italo Business (IT), Piso Records (UK), Cubism (UK), Physical Gravity (UK), Perfect Groove (UA), Speca Records (UA)

DJ Download wrote:
"Roman Gertz is a fresh talent from Ukraine, he has been pleasing the dance music lovers for over 2 years. And his recent releases on Speca records are gaining big chart success, so watch out this fast rising talent..."

Playlist:

01 Loco & Jam - Code Red (Original Mix) [1605]
02 Roman Gertz - Jam Signal (Original Mix) [Frequenza Promo]
03 Piatto - Evil Live (Original Mix) [1605]
04 Anderson Noise - Deputamadre (Nihil Young & Alex D'Elia Remix) [Sleaze Records]
05 Tomy DeClerque - Planned History (Roman Gertz Remix) [1605 Promo]
06 Squoid & Alex D'Elia - Statler (Original Mix) [Frequenza]
07 Yammy Yammy Toyz & Topspin - Arizona (Special Kind Remix) [Vibra Macz]
08 Soliquid - Taipei Pocok Salata (Dub Mix) [Baroque Records]
09 Khainz - Low Frequency Oscillator (Original Mix) [Plastik Park Records]
10 Roman Gertz - Shadows Master (ThreeSixty & Hauswerks Remix) [Binary404.com Promo]

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




Francesco Bonora started his dj career in 1999 at the age of 15 and in 2001, when he was only 17 years old, he started to work in one of the most popular and influential European clubs, Cocorico' of Riccione.
He played in it for 7 years until the end of 2008, and now he is requested to play as a guest in many clubs.
Francesco Bonora started to produce his music in 2006 and in 2009 made 2 hits, "Flute Olenza" on Nulogic and "The Pen" on Frequenza Records, for 2 months in position 3 of deep house beatport top 100, and supported by great names like Dubfire, Tim Green, John Digweed, Mendo, James Blonde, Bastian Schuster & many more.
Francesco actually works for Frequenza Limited, an italian analogic and digital label, with big artists like Thomas Schumacher, M.in, John Lagora, Kolombo, Basti Grub & more..

www.myspace.com/francescobonora
boooking info: frequenzabooking@gmail.com

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement


IAN F. 
(Jesus Loved You)

After a decade of successful sound blending Ian F. maintains the status of one of the most fresh-sounding deejays around. Being introduced to the art of music improvisation at an early age and heavily indulging on alternative art as a teenager, he continued to nurse this passion even more after becoming a deejay. Ian F is a member of the Jesus Loved You family, co-founder of Flow Management agency and a long time resident deejay of Ambasadi Gavioli, one of the hottest super clubs in the Mediterranean. He forefronts the new generation of promising young artists that are redefining famous Slovenian techno sound and are heavily supported by artists such as Umek and Valentino Kanzyani. Currently Ian F. spends most of the off-deck time producing music and developing his Flux:ology, which combines elements of different art expressions. After a series of releases and remixes on selected labels in Europe, Asia and USA (Jesus Loved You, Advanced, Pure Substance, Traffica, Mashtronic, Decoded, Vezotonik, Dig:Atel …), he’s dedicated to spread his eclectic art of noise even further in the forthcoming months.
His production was supported by artists such Umek, Valentino Kanzyani, James Zabiela, Anthony Pappa, Armin Van Buuren, D Ramirez, Misjah, Wally Lopez, Flash Brothers, Andy Moor, Andrea Ferlin, Nick Muir, Wehbba, Marko Nastic,  …

= = = = = = = = = =

CHALLENGES: Productions. Live Act. New expressions.
Being obsessed with searching for some fresh stuff all the time, the life of producer is a constant battle for Ian F: “Currently I spend most of the off-deck time developing my own sound under the guidance of my studio guru Tomy DeClerque." Ian F’s recent production Subconscious was picked up by local Apple distributor for a TV commercial and can be heard on the MTV. Some other releases on Tested/Agent Funk, Mashtronic rec., Jesus Loved You (Valentino Kanzyani) and Traffica (Marko Nastić) are scheduled and the preliminary arrangements with some UK and Germany based labels were already struck. “Another intriguing project is Flux, for which I am joining forces with Tomy DeClerque, KayKay and Dave Morgan. Flux is a unique live act, a mixture of live music performance and electronic live act with the addition of other art expressions. It’s very alive. The structure and expression of this project varies all the time as it is under constant development. We’ve already performed in Gavioli and at one open-air party, but a lot of work still has to be put into this project.”

Performing at the parties is just one side of Ian F as a musician. He indulges on combining his passion for music with other art expressions on regular basis. He's no stranger to performing at art and fashion exhibitions, poetry recitals, teaming up with pop artists and rock bands or developing soundtrack for an on-line art gallery. He even produced music and performed with a contemporary dance company at selected venues, including premiere at the 7th Annual Gala at the national theatre, which was broadcasted live on the Slovenian national television.


REFERENCES: Performances. Releases. Collaborations.
Ian F is established artist in the region, performing in Slovenia, Croatia, Italy, Hungary, Serbia and Bosnia & Herzegovina on the regular basis. His poison is techno & tech-house with expressive warm harmonies and little touches of other genres. As a long running resident of some of the top clubs and events in the north Adriatic region he already performed alongside most of the top techno artists as well as the biggest names in the industry such as Jeff Mills, Richie Hawtin, Sven Väth, Carl Cox, Laurent Garnier, Derrick May, Tiësto, Steve Lawler, Sasha, John Digweed if we name just a few. He's a resident deejay of Ambasada Gavioli, Fetch the Vibe events and official ambassador of Slovenian Haineken Music events.

Ian F's productions were so far spun and included on track lists and charts by Anthony Pappa, Armin Van Buuren, Flash Brothers, Andy Moor, Marko Nastić, Umek, Valentino Kanzyani and other established deejays. His artist production and remixes were released on Slovenian labels such as F-Recordings, Annunaki, Vezotonik and Vezotonik LTD, Malaysia based Pure Substance and Red Flux Music, Atel - DigAtel (USA), Mashtronic rec. from Germany, Advanced rec. (UK) and Croatian Decoded and Decoded Mini.

As a member of SDJF initiative Ian helps develop local club infrastructure and platforms to support young artists on their first steps. Another two promising young artists Andrew Technique and F.Sonik are members of Flow Management agency. Currently he’s also spending a lot of time in and out of the studio with a deejay & producer Aneuria.
IAN F. 
(Jesus Loved You)



After a decade of successful sound blending Ian F. maintains the status of one of the most fresh-sounding deejays around. Being introduced to the art of music improvisation at an early age and heavily indulging on alternative art as a teenager, he continued to nurse this passion even more after becoming a deejay. Ian F is a member of the Jesus Loved You family, co-founder of Flow Management agency and a long time resident deejay of Ambasadi Gavioli, one of the hottest super clubs in the Mediterranean. He forefronts the new generation of promising young artists that are redefining famous Slovenian techno sound and are heavily supported by artists such as Umek and Valentino Kanzyani. Currently Ian F. spends most of the off-deck time producing music and developing his Flux:ology, which combines elements of different art expressions. After a series of releases and remixes on selected labels in Europe, Asia and USA (Jesus Loved You, Advanced, Pure Substance, Traffica, Mashtronic, Decoded, Vezotonik, Dig:Atel …), he’s dedicated to spread his eclectic art of noise even further in the forthcoming months.
His production was supported by artists such Umek, Valentino Kanzyani, James Zabiela, Anthony Pappa, Armin Van Buuren, D Ramirez, Misjah, Wally Lopez, Flash Brothers, Andy Moor, Andrea Ferlin, Nick Muir, Wehbba, Marko Nastic,  …

= = = = = = = = = =

CHALLENGES: Productions. Live Act. New expressions.
Being obsessed with searching for some fresh stuff all the time, the life of producer is a constant battle for Ian F: “Currently I spend most of the off-deck time developing my own sound under the guidance of my studio guru Tomy DeClerque." Ian F’s recent production Subconscious was picked up by local Apple distributor for a TV commercial and can be heard on the MTV. Some other releases on Tested/Agent Funk, Mashtronic rec., Jesus Loved You (Valentino Kanzyani) and Traffica (Marko Nastić) are scheduled and the preliminary arrangements with some UK and Germany based labels were already struck. “Another intriguing project is Flux, for which I am joining forces with Tomy DeClerque, KayKay and Dave Morgan. Flux is a unique live act, a mixture of live music performance and electronic live act with the addition of other art expressions. It’s very alive. The structure and expression of this project varies all the time as it is under constant development. We’ve already performed in Gavioli and at one open-air party, but a lot of work still has to be put into this project.”

Performing at the parties is just one side of Ian F as a musician. He indulges on combining his passion for music with other art expressions on regular basis. He's no stranger to performing at art and fashion exhibitions, poetry recitals, teaming up with pop artists and rock bands or developing soundtrack for an on-line art gallery. He even produced music and performed with a contemporary dance company at selected venues, including premiere at the 7th Annual Gala at the national theatre, which was broadcasted live on the Slovenian national television.


REFERENCES: Performances. Releases. Collaborations.
Ian F is established artist in the region, performing in Slovenia, Croatia, Italy, Hungary, Serbia and Bosnia & Herzegovina on the regular basis. His poison is techno & tech-house with expressive warm harmonies and little touches of other genres. As a long running resident of some of the top clubs and events in the north Adriatic region he already performed alongside most of the top techno artists as well as the biggest names in the industry such as Jeff Mills, Richie Hawtin, Sven Väth, Carl Cox, Laurent Garnier, Derrick May, Tiësto, Steve Lawler, Sasha, John Digweed if we name just a few. He's a resident deejay of Ambasada Gavioli, Fetch the Vibe events and official ambassador of Slovenian Haineken Music events.

Ian F's productions were so far spun and included on track lists and charts by Anthony Pappa, Armin Van Buuren, Flash Brothers, Andy Moor, Marko Nastić, Umek, Valentino Kanzyani and other established deejays. His artist production and remixes were released on Slovenian labels such as F-Recordings, Annunaki, Vezotonik and Vezotonik LTD, Malaysia based Pure Substance and Red Flux Music, Atel - DigAtel (USA), Mashtronic rec. from Germany, Advanced rec. (UK) and Croatian Decoded and Decoded Mini.

As a member of SDJF initiative Ian helps develop local club infrastructure and platforms to support young artists on their first steps. Another two promising young artists Andrew Technique and F.Sonik are members of Flow Management agency. Currently he’s also spending a lot of time in and out of the studio with a deejay & producer Aneuria.



Artist management and general contact:

Tracklist:

01. Frankly - Margaret Dygas - Perlon
02. The Playmaker (Dyed Soundorom Rmx) - Alex Celler & Anthea - Freak N Chic
03. Party Faktor - Federico Molinari - Tsuba
04. Lee Style - Andomat 3000 - Diynamic
05. Byzantine - Ethyl & Huxley - Cecille Numbers
06. Llovizna - Francisco Allendes & Felipe Venegas - Cadenza
07. Roots & Culture - Barbarito Capote - Below
08. Revive La Noche - Marcin Czubala - 8Bit
09. Obbatala (Jairo Catelo Rmx) - Nima Gorji - Climatic Sound
10. Fortuna - Superlounge & Alex Niggemann - Strictly Chosen
11. Orange - Deetron - Music Man Records
12. Spanish Voodoo - Kornel Lemon - Cray1 Digital Works
13. Mutation (Two Sety's Circus Rmx) - Butane - Crosstown Rebels

Management:
FLOW:MNGMNT
www.flow-management.net
info@flow-management.org

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.


Playlist:

00. Intro
01. Slip And Slide - Khainz Remix Thomas Penton, DJ Thee-O  "Tribal Vision Records"
02. Formula - Egostereo Edit Danny, Sandrino Beesley  "Superbass records"
03. Road Trip - Primer Viaje Origi Juan Kue, David Padilla  "Road Trip Recordings"
04. 7 Days - Jose Rosike and Ipagan  "Tema"
05. Temperamental - Manuel De La Mare "Progresive Grooves" 
06. Reset Mastermind - Original Mi Juan Kue, David Padilla "Overline Records" 
07. Tech - Milton Channels Mix Deep Sound "Overline Recodrs"
08. I Like It - Original Mix Autistic "Basilic Records"
09. This Sound - Original Mix DJ Subsonic, DJ Sadock "Turning Wheel Records"
10. Black Coffee - Original Mix D Roland M. Dilly "Trapez"
11. Dyno - graffio "Hell Yeah" 
12. Dollars - Original Vibes Stefano Noferini "Deeperfect Records"
13. Tomy DeCleque - Planned History "Unreleased"
14. Capucine - Abnormal Boyz The Same "Polar Noise"
15. Happy Time - Tomy DeClerque remix "Unreleased"

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



Relating to official previews 2009 is the year to become a very difficult one. Recession in europe? A world crisis in economy? Nobody really knows how to call it correctly like it will be. But one thing is for sure. Though people may expect the worst Lucie Kvasnicov・ better known as Lucca by her fans, will expect a highlight in her career.

This tiny and beautiful woman from the Czech republic has played and placed herself into the hearts of her fans throughout the last decade and received much respect from male collegues like Chris Liebing or even Carl Cox who still is one of her favourite turntablist in techno business. All of them estimate Lucca a lot and cherish her style and skills and give her the references a worldwide top-dj does need to have.

Lucca's approach towards the perfect sound has always been accompanied by authenticity and devotion. Firstly captured by the house sound by dj sneak Lucca afterwards seduced herself to the techno vibes from napoli. In this epoque Lucca started to be part in every line up of every essential event concerning this style and was given her own festival organised by her former agency Mersey. As a conclusion she performed at "Live @ Hradhouse 2005" a unique concert which was also released on dvd showing this wonderful location placed in the castle of Boskovica and Lucca as the headliner. But she did not stop changing and created her own sound - the Sound Of Acapulco.

More than five years ago in 2003 it was time for Lucca to launch her own label named Acapulco Records. This move has been considered one of the most important actions for the techno scene among the czech republic which was still developing at this point of time. Releases of Acapulco became the synonym for progressing czech techno and were mentioned in many playlists and dj charts. The relaunch of her label now called Sound Of Acapulco could not knock down her acceptance and did show her skills concerning musical visionary even in a brighter light.

Currently this bright light is being transmitted by her debut album "Reformation" which mirrors Lucca's personal trip through life. It is purely a big exhibition of her personal taste of music and a common production with the german producer Tobias Fiedler. As a special appearance even the famous czech musician Michal Pavlicek provides his guitar riffs on her longplayer. "Reformation" does not only reflect her current life concerning music. "Reformation does sound a little bit like revolution but it is not. Me for myself it sounds slightly to aggressive", Lucca claims in an interview. Moreover her album has been built around the experiences she faced the recent years while travelling and now is the djane's v-card. "Reformation" not just includes her former hit single "Body Dance" it is also packed with twelve new stunning tracks e.g. "Quantum" her personal favourits „Hundertwasser“, „Teleport“ und „Noise Town“ as she says. But Lucca would not be satisfied with her engagement for music if she would not plan to start a new longplayer production starting within the next year. This woman is simply restless.

Meanwhile Lucca is a resident guest in music magazins and an appreciated partner concerning endorsement deals. She recently has been the face of well known manufacturer American Audio and cover act of Raveline Germany's leading magazin for electronic music. She also did a highly acclaimed special mix for this particular issue which was downloaded many many times and shows her well timed presence and knowledge of music if needed. For this reason she has been elected for the forth time in the row "DJ Of The Year" in the Czech Dance Music Awards and still does host her own radio show on Paul van Dyk's Vonyc Radio since may 2008. One of her career dream was fulfilled this year, as Carl Cox invited her to play with him in Space, Ibiza on 11th of August.


Contact:

www.lucca.cz

www.soundofacapulco.com

BIOGRAPHY

Manuel De La Mare Producer, DJ and A&R, also knowed as Sara Galli, After Tea and Combo his alterego project.
With over then 50 releases ranging from techno to house, he is supported, playlisted and charted by many djs around the globe: Roger Sanchez, Tiesto, Ferry Corsten, Funkagenda, Mark Knight, Pete Tong, Hernan Cattaneo, John Acquaviva, Joe T. Vannelli, Robbie Rivera, Renè Amesz, Kobbe, Ripperton, Jean Claude Ades, Anthony Pappa, Joeski, Milton Jackson, Jorge Jaramillo (Who Da Funk), Gel Abril, Yousef, Inpetto, Thomas Gold, Tom Novy, Justice and more.

In 2008 he gained 11 beatport top ten in 4 different genres to confirm his eclectic style (ian round - "dancin" manuel de la mare mash plus manuel de la mare d-mash, both rmx in beatport house top ten; sylar - "mellow" sara galli rmx , beatport techno top ten; alex kenji - "ytaca" manuel de la mare rmx and ceeryl - "high flyer" manuel de la mare rmx both in beatport progressive top ten , after tea aka manuel de la mare - "my prerogatives", "okeechobee", "this is warming up" and remix of "lombardi vs Neuroxyde - exagon", in beatport deep house top ten; sara galli and matteo matteini - "confident" featured in beatport deep house top ten).
Including the huge success of his underworld's "born slippy" official cover (2nd in overall beatport chart and 1st in progressive house).

He is the co-owner of 303Lovers and Hotfingers Music Labels with Alex Kenji and Marshall and since their launch (August 2007) they have sold more than 50000 units in digital stores; he collaborates also with indipendent and major labels: Baroque, Toolroom, Eye Industries, Omnis, Sound4Group, Universal, Blanco y Negro, ClubStar, Ministry of Sound, Anjunabeats, Warner Chapell.

Special Tahnks to Manu & Stéphanie Lazzereschi

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




There is a new generation of Dj's around the world that fans are talking about and Unique is one of them.
Unique made great attention in 2008 when he got invited to share the floor with the house legend Hernan Cattaneo at the infamous Slovenian club Ambasada Gavioli. His set was so impressive that Ambasada Gavioli invited him more times in the same year to rock the floor with Dubfire (Deep Dish), Erick Morillo, Seb Fontaine, Nick Warren and Monika Kruse.
In 2009 Unique got first international gigs in Ibiza and Barcelona and also started producing his first tracks due to release next year.

In his live sets there is always an impressive techno sound with electro and house elements that makes the crowd go crazy on the dancefloor. Get ready to hear more about this great talent in the near future.

Playlist:

01. Dubfire - Rabid
02. Oliver Hunteman - Bloody Mary (Spicy Mix)
03. Hermanez - Blister (Original Mix)
04. Oliver Dahl - Mira
05. Dee Green (aka FDK) - Ghost Break
06. Amir - Mind Trip (Original Mix)
07. Reset Robot - Pig Noise
08. Aneuria - One Foot Army
09. Fergie - Maktub
10. Alan Fitzpatrick - Static
11. A Mochi - Whiplash
12. Len Faki - Death By House (A Mochi Remix)
13. Sour Grapes - Mantra
14. Fever Ray - Triangle Wlaks (Spektre Remix)


Website:   "http://www.dj-unique.com" www.dj-unique.com

Facebook:  "http://www.facebook.com/DjUnique" www.facebook.com/DjUnique

Myspace:   "http://www.myspace.com/unique10" www.myspace.com/unique10

Youtube:    "http://www.myspace.com/djunique10" www.myspace.com/djunique10

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.

UMEK / 2009037

01. Umek - Work This Data
02. Loco & Jam - 3am Curfew "Hedgehog"
03. Magitman - Cat Skin "Tribal Vision Records"
04. Danilo Tomic - CowGirl (Marko Nastic & Tomy DeClerque RMX) "Recon Light"
05. Andre Dazzo - Face To Face "ADS Records"
06. Alan Fitzpatrick - Amsterdam "8 Sided Dice"
07. Worakls - Shazam "Boeing Records"
08. Jason Tyler - Apache "MAR186"
09. Ndsa - Papercut "Attitude Recordings"
10. Anton X - Lowis (Da Fresh Remix 2009) "Booster"
11. John Karagiannis, PayLipServic - Surreal Scissors (Wehbba Remix) "TechHeadToolbox"
12. Aki Bergen - Alma De Dios "Noir Music"
13. Aneuria - One Foot Army "Sixteenofive"
14. Loco & Jam - Medusa "Rekluse"
15. Keithy B - Circa "Nighttrain Music"
16. Luis Nieva - Frecuency "Sino"
17. TG (Tim Green), Emerson Todd - Exercise "Cocoon Recordings"
18. John Baga - The Ultimate Fighter "Groovebox Recordings"
19. Mario Ochoa - Kalua "Avenue Recordings"
20. Hector Couto - Arabe (Milton Channels Remix) "Dataworx Digital "




Special Thanks to Marjan,Matthew, Iris & Uros

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




Alexander Madness

“Music is movement, variation, imagination
and eternity. In other words:
the future of sustainable energy. As a
DJ I try to transfer and receive that
form of energy from and to the people
on the dance floor - mixing minimal
techno tracks with electro house floor
fillers. For the rough cases I always
carry progressive and electro tracks
in my DJ bag.”

Alexander Madness (AM) discovered daylight in 1978 in Koper, Slovenia. Already his mother knew that music is going to be one of his main interests: As a kid he always liked to stand in front of roaring speakers. Before diving into the universe of electronic music,
Alexander was listening to rock, pop and all the other genres that are usually popular among the youth.

”I first got to feel the magic of electronic music in 1996, when sounds of fast hardcore hit my ears. Because that kind of music was rare at that time, I soon switched to slower rhythms of chemical progressive.”

In 1998, AM first stepped behind the decks and immediately felt the connection – and it’s still lasting. Like any other DJ he realized that the beginnings were not easy. His first gigs were played at local bars and private parties, but his technique evolved within years, as did his passion for the music.

In the past years he was switching from one e-genre to another until he really got into techno, which he still prefers. He plays mostly minimal/techno and electro/house but in his DJ case you’ll also find progressive and electro tracks.

He has been playing in all the major and recognized clubs, such as Ambasada Gavioli, Lipa, SubSub, K4,The Temple, Fun Academy, Oxygen, Netopir, The Club, The Cube, Playtime, Forest, Tivoli, Arcade, Culture club and many more. He participated also on Final Flash, Fetique-Boutique, Born to be Wild, The way of Freedom and Sound Of Summer events.

Throughout his eight year run and after AM’s guest appearances in numerous venues in Slovenia, Croatia and Italy, AM has also shared the spotlight with some of the industries best DJ’s. Some of his collaborations include artists such as Valentino Kanzyani, Andy Moor, The Filterheadz, Richard Bartz, Len Faki, Bryan Cox, Oxia, Joris Voorn, Matthew Dekay, Seamus Haji, Danilo Vigorito, dA frESh, Mashtronic, Electrixx, Ade Fanton, Virgin Helena, Paul Hazendonk, Petar Dundov, Jamie Bissmire and many more.


September MUM Session - Tracklist:

01. District One - Dubcrystal (original mix)
02. Andrew Technique - Walter (promo)
03. Davy Dee and Dany Rodriguez - Emotion 1 (Dimitri Andreas remix)
04. FM Radio Gods - I Am feat K Star (Lutzenkirchen Remix)
05. Moguai - I Dance You (main mix)
06. Dariush, DJ Da - Violin Land (train mix)
07. Stefano Noferini - Take
08. Markus Lange and Stereofunk - Funkturm (Da Fresh rmx)
09. FIisio Feelkhenson - Lifting (Maverickz remix)
10. Fever Ray - Triangle Walks - Spektre (Vocal mix)
11. Namito - Train to Tehran (original mix)
12. Saimon - Piranha (Virgil Enzinger remix)
13. Wehbba and Ryo Peres - La Taverna (original mix)
 




Artist contact
www.alexandermadness.com

Artist management & booking
FLOW:MNGMNT
www.flow-management.net
info@flow-management.org

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Stefano from Rimini got into music when he still only 12, by listening to italian dance music and a little bit of house: in the meanwhile it was born the love for making music.

He produces his first production in 1997, by making some dance tracks. In the year 2000 he felt a suddenly upside down, when he first listen to thecno music, thanks to the magic venue in the nearby, The Cocorico' Club, where everything seemed to be different than the other places: it all came to a massive energetic sound!!!!

So in the year 2003 he met my colleague Daniel, a.k.a. CantoDj with whom he started to plan seriously my producer career together. When 2 crazy minds join their forces together, it could only come out a strong and talented project in which his idea and my skills in making music work perfectly together. That's how TEAMTEK was born, a duo project founded by CantoDj and myself.

STEFANO FRISONI DJSET 12-08-09

1- Don Santos - Blorans (Sabb Remix)
2- &ME - +++
3- Deadmau5 - Lack Of A Better Name
4- Dyno - Graffio
5- Oliver Koletzki & Roland Clark - Yes We Can (Umek Remix)
6- Marco G, Amin Golestan - Dagobert (Spektre Remix)
7- Stefano Frisoni - Cocaine (Promo) (Eye Records)
8- Umek - You Might Hear Nothing
9- Stefano Frisoni - El C‡lido Verano (Promo) (Teggno Records)



www.myspace.com/stefanofrisoni

http://it-it.facebook.com/people/Stefano-Frisoni/1177253831

http://it-it.facebook.com/profile.php?id=1177253831

Malito : stefano_frisoni@alice.it

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

= = = = = = = = = = = = = = = = = = = = =

"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

Playlist

01. When I Woke Up (2000 And One Remix) / Monika Kruse, Gregor Tresher / Terminal M
02. Preem / Super Flu / Monaberry
03. My Time (Radio Slave's After The After Remix) / Dance Disorder / Eskimo
04. Shazam / Audiofly / Viva Music
05. Hold Home / Santos / Moon Harbour Recordings
06. Krakatoa (Joel Mull's Moodswing Remix) / Skylark / Saved Records
07. Koma Koma / Radio Slave / Rekids
08. Wayoming / Andrew Technique /    Promo
09. Spanglish / Matt Nordstrom, Orlando Villegas / Saved Records
10. Surdo / Worthy / Anabatic Records
11. Jackpot / Mark Broom / Saved Records
12. La Milonga (Chris Soul Remix) /Jenn / Suara
13. Below Radar (Mathias Kaden Remix) / Terrence Dixon / Children Of Tomorrow
14. Burn Myself / Edu Imbernon, Coyu / Great Stuff
15. Sleeper / Jimpster / Freerange Records

Special Thanks To Marjan,Alex & Andrew

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.





Special Thanks to Marjan,Matthew, Iris & Uros







1 Pueblo - Wehbba Remix Sinisa Tamamovic       
2 dyno - amara 16 bit
3 Softie - Original Mix Reset Robot
4 The Cello Track (Namito Cello Kebab Remix)    Twotrups
5 Xylofrenic - Original Mix     Per Hammar
6 Payser - Uto Karem Remix      Alan Fitzpatrick
7 Bigger Is Better - Original Mi        Charles Gudagafva
8 This Summer - Original Mix    Gideon
9 Black Friday - Julian Jeweil M        Commuter
10 Guacamoli - D-Unity's White De       Olivier Giacomotto
11 Disconnect - Original Mix    Enton Mushi
12 Organised Kaos - Original Mix        Miniminds
13 Umek vs lukic test
14 Liftoff - Virgil Enzinger Remi       Brian Sanhaji  
15 Work It - Fergie Remix       Christian Smith, John Selway
16 Open Wide And Say - Original M       Blain Austin
17 Error - Original Mix Julian Jeweil
18 SVALB02B - A - SKYLARK - KRAKATOA_320
19 X Alarm - Original Mix       DJ Micky Da Funk, Costantino N
20 Take Control - Rpo Part 1 Mix        RPO
21 Stanger (To Stability) - Len F       Dustin Zahn

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement










DJ WEHBBA bio

Hailing from Brazil, Wehbba is one of the latest additions of Brazil's techno ambassadors.
Dentist graduate, licensed diver and purple belt Jiu Jitsu fighter for almost five years, he could
have just stuck to what he does. But DJing and music is what he really does best.
Rodolfo Wehba had it all: a practice dentistry office, working in two big clinics in Sao Paulo and
becoming a purple belt Jiu Jitsu fighter, but that was not enough, he actually crossed the pacific
ocean all the way to Sydney where he divided his time between teaching english and scuba diving,
participating in diving expeditions at the great barrier reef of northern Australia.
His involvement in the techno scence in Australia inspired him to continue his dream of becoming
a DJ. After returning to Brazil he started collecting wax and participating in events. As a producer,
his main aspiration led him to create his own sound in techno and its subgenres.
In 2004, Wehbba released his first national album titled "Revoltin'" with the support from one of
the most established labels in Brazil "URBR". The success of the album translated in the sales as
it sold out in the first three month of its release. That led Wehbba to perform on one of the biggest
festivals in Brazil: Skol Beats. Since then, his carrier advanced to a new level on a national scale.
In 2005, Wehbba reached the no.6 spot on Beatport for a month on a chart roaming with names
like Valentino Kanzyani, Marko Nastic and labels like Intec.
His other ventures got him to work with reputable names like Christian Fischer, owner of
Definition Records Germnay, DJ Link from Amigos Recordings Portugal, Stephane Signore from
Belgium, to name a few. Establishing his ground, Wehbba went on to release on labels such as
Global Underground, Great Stuff, Get Physical, Jesus Loved You, Primate, Craft Music, Yinyang,
Relic, Concept, Titanium, Amigos, among many others.
In 2006, Wehbba managed to sell out his second release, this time supported by the established
german label "Killa Beat Rec." titled "Flapin' my Pie Hole" including smashing minimal electro
remix by Kiddaz.fm's Dave Shokh. The release drew attention of the big players such as DJ Hell,
Felipe and many others. His constant evolving sound has drawn him a lot of attention from press
and public, as he scales his rythm up and down, with his groovy atmosphere as signature. In
addition, his DJ skills also surpass the realm of standards as his dynamic style allows him to flip
from all kind of techno music which carried him to perform globally on a busy schedule starting
from Europe in early 2007.
In 2009, Wehbba launched his label '82 Recordings' making it the beacon for his musical direction
and a breeding ground for honorary talented techno producers. His first release on his label has
generated thousands of sales and reached Beatport Top10 Techno chart while his contributions to
other labels like BluFin and Tronic are attracting more attention from the big players.


e-mail: info@djwehbba.com 
Website & music: www.djwehbba.com

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.





Special Thanks to Matthew, Iris & Uros

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

F.SONIK

 

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy!

 

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

 

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

 

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.


F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...F.SONIK

 

The name of F.Sonik continuously pops up on the wish lists of electronic music aficionados in the region. Launching career with the Ghettotek live-act, later joining SDJF initiative and Flow Management, he already established himself as an unique deejay who is not afraid of such challenges as combining Slovenia's landmark techno heritage with some progressive spices. He already transferred some of this who-dares-wins spirit in his own productions, Something New (ft. Tomy DeClerque) being the most successful so far. This track, which immediately gained support of Umek and was already played on BBC Radio 1, predicts the series of fresh releases in 2008. So you better watch out for this guy!

 

Aleš Furlan alias F.Sonik became involved in electronic dance culture on account of one very innocent occurrence in his youth. And it’s a sole fault of his brother that he ended taming the decks, mixers and effects night after night. “It all started when he brought home some studio mixer and Akai sampler,” remembers F.Sonik “Just a few days later I knew I wanted to produce electronic and become a deejay and I was hooked ever since. I started gathering information about the scene, artists, clubs, music and the whole electronic movement. Living on the Slovenian Riviera it was natural to be influenced by Ambasada Gavioli club as I started attending Valentino Kanzyani’s matinees and performances of leading electronic artists on the regular basis.”

 

It was his friend Alessio who helped him with the first steps: "He was caught by this bug well before me, so he already learned to mix and could thought me a thing or two. I still remember how I use to hang out at his parents house everyday struggling to beat-match the records. And after I started performing he even lent me his records." Shortly after that they teamed up for the live performances. "We've named ourselves Ghettotek. Alessio was mixing the records and I was in charge of putting in some effects. This way I got to perform in most of the hip Slovenian clubs even before my solo career really took off."

 

Thriving on a strong and globally accomplished techno heritage Slovenian electronic scene is still heavily directed by techno. But being influenced by the Global Underground music philosophy F.Sonik dared to go where only a few artists in the region dared before him – he decided he will combine the techno heritage with melodic progressive sounds: "Even Umek was there somewhere, but as he was pure techno deejay back then and I was more into progressive stuff, it were the likes of Sasha, Deep Dish and Steve Lawler that have inspired me the most," admits the young artist.

F.Sonik successfully transferred his unique vision of dance music, built on techno and blended with some emotionally rich proggy landscapes, into his own tunes. As a producer he gained the most attention with the track titled Something New, which he produced in collaboration with his musical guru Tomy DeClerque. “We’ve connected really good in the studio, so it was a really good feeling when Umek supported our first track including it in his Essential Mix even before it was officially released. That really inspired us and we already work on a bunch of new tracks,” announces F.Sonik...

F.SONIK - July promo track list

01 .Boris Werner - Feel Good  / Moon Harbour Recordings


02. Santos - Hold Home / Moon Harbour Recordings 


03. Leon - Negro / Viva Music


04. NDKj, Marcello Conciald - Siyahamba ( NDKj Mix ) / Circle Music 


05. NDKj - Main Course / Heatflow 


06. Mendo, Danny Serrano - Coconuts / Clarisse Records


07. Saeed Younan - Kumbalha / Younan Music 


08. Steve Lawler - Hocus Pocus / Viva Music 


09. Pierce, Jerl - Amourette / Get Digital Music 


10. Oliver Moldan - One Drunk Indian / Prawler Music 


11. Nick Curly - Pujante / Cocoon Recordings


12. Analog People In A Digital Worl - Rose Rouge / Hysterical


13. F.Sonik - Drums Are Talking / CDR 


14. Jenn - La Milonga / Suara

Special Thanks to Marian ,Alex & F.Sonik


Artist management and general contact:

 

FLOW:MNGMNT
Flow management (Slovenia)

www.flow-management.net

info@flow-management.org

+386 41 234552

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



He was born in 1983 in Milan. He has been fond of techno music since 1997 and in 1999 he started to go to rave parties,discovering the magic of live sessions, played by sequencers. He immediately bought a drum machine and started to create his first patterns, taking inspiration from French acid techno, Detroit, electro and minimal. At the end of 2003 he expanded his studio, learned to play decks and dedicated himself into productions .In 2004 he played in some clubs and in 2006 he frequented a course for sound engineering and worked together with the Napolitan producer Markantonio in the realisation of the track "Soma" released on Analytic Trail n13 That's what i like vol.2 EP whit Valentino Kanzyani and Joy Kitikonti. during high school he released "tabu ep" on Footlover music a digital label from joy kitikonti,in july 2007 he Graduated as Sound engineer at the "N.A.M." school in milan, later on he released "white ep"on loose records the label owned by rino cerrone with a rmx of markantonio.

Special Thanks to Simone Tavazzi

www.myspace.com/delysidtwentyfive 

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





Croatian-born Sunshine has always been an electronic music fan and has had great success ever since she started DJing in 1997.

In the beginning she worked on radio show "Clubhopping" (the first show of electronic music in this area) together with dj Loki Masa. Miss Sunshine's first residency was with the popular nightclub "Oxygene", in her home town Osijek, which started in 1999. And she was also a resident in the club "Vega" for 2 years where she played at the serial parties "Drumatica" with the biggest names of techno scene like Bone, Valentino Kanzyani, Jel Ford, Funk D´ Void, Gayle San etc.
Sunshine also appeared on Croatian annual music award, Crni Macak (Black Cat), as presenter for category of electronic music in 2000 together with Dj E-Base.
In April 2006. she joined Tuborg green DJ Academy in Osijek (Croatia) as teacher.


Some of Miss Sunshine's major accomplishments include working in almost all towns & clubs in Croatia, work in Czech Rep.(Fabric, Fleda), Austria (Dom in Berg, Arcadium), Germany (Douala), Slovakia (Radikal), Hungary (Highlander, Kazamata), Macedonia, Romania (Studio Martin, XS, Heat Club, Fashion, Space, Snatch, Zanzibar, Zambara...), Bosnia & Herzegovina (Mlin, Sloga, Hainekeen Inn), Slovenia (Lipa, Sinfonija, Spectrum...) and Serbia (Lifka, Aquarius...).
 
And off course work on some very important festivals like Valkana Beach festival 2002 - official after hour (Croatia), Valkana Beach festival 2003, Exit festival 2002 (Yugoslavia), Sunrise festival 2003 (Croatia), Electro funk festival 2006 (Croatia) and festival with only female djs LADY'S SOUND ATTACK 2003 in Germany.
 
In 2006 Sunshine meets Marko Moree and they are starting project based on techno, minimal and house sound.
They released their debut Ep "The Morning After" in 2007 on Decoded Mini records and remixed Mexican artist Isis Signum on Advanced Synergy rec. in the same year.
Soon they followed with the “Look Expensive Ep” on Irish label Aciitone Records and remix for Sinisa Lukic’s track “Dry & Wet” on Kaseta Music Records.
The remix made quite a big impact and was supported by many respectable dj’s.
As if that wasn't enough, Paul Hazendok requested it for the “Sound Shifting 2.0” studio dj mix that was released on Manual Music, the home of many famous producers like: Umek, Daso, Huggotron, Remute, Jeff Bennett, Tigerskin...
Soon after that they got a chance to do a remix for great Belgian dj and producer, Tom Hades and his “ Cinema Club“ track alongside with well-known Brazilian dj and producer Wehbba. The release was supported by world famous djs like Laurent Garnier, Joey Beltram, Chris Fortier...
More beautiful releases are about to come …

In 2009 she joined Queens of Minimal Techno, a music collaboration with Viktoria Rebeka and Alex Monster. Queens of Minimal Techno events stand for quality electronic music, they are an underground music experience presented across Europe!
Miss Sunshine has worked with some great names such as Richie Hawtin, Sven Vath, Billy Nasty, Jel Ford, Valentino Kanzyani, Umek, Oxia, Killians, Aril Brikha, Ken Ishii, Christian Smith, Steve Rachmand, La Di Da, Hi-Fi Princess, Lucca, Jean Marie Konne, Timo Maas, Miss Yetti, Mr. C, Slobodan, Corvin Dalek, Bone, Gayle San...

Releases:
Sunshine & Moree – Restraining Myself (Empro)
Tom Hades - Cinema Club (Sunshine & Moree Rmx) (Stolen Moments)
Sunshine & Moree – Look Expensive EP (Aciitone )
Sinisa Lukic – Dry & Wet (Sunshine & Moree rmx.) (Kaseta Music ),
Miss Sunshine & Marko Moree – The Morning After EP (Decoded Mini)
Isis Signum – Destroy the Wall (Sunshine & Moree rmx.) (Advanced Synergy)

Tracks appears on:
Sound Shifting 2.0 - Sinisa Lukic - Dry & Wet (Sunshine & Moree Rmx) (Manual Music)

Future Releases:
Andrew Technique - Twinhead (Sunshine & Moree Rmx) - Render Obedience

http://www.myspace.com/sunshinecroatia


Special Thanks to Marjan & Miss Sunshine


Web: www.flow-management.net
Space: www.myspace.com/flowmanagement
Youtube: www.youtube.com/flowmanagement

Rod B. & Alvaro Garfunk bring you the Miami Underground MovementDirect download:


Frank Chiarello is a NYC based producer and DJ who has held
residencies at several of NYC's premier underground nightclubs.
His inspired track selection can be heard at top NYC Clubs,
including LOVE, Pacha, Webster Hall, Sullivan Room, Rebel, and
more.  At those venues, Frank has shared the decks with Radio
Slave, Dave Seaman, Nic Fanciulli, Christian Smith, James Zabiela,
Paolo Mojo, and many more.  His productions have recently landed
on Teggno Records with strong suport from label head Lance Blaise
(Tattoo Detectives), crediting Frank with a "fresh sound of techno
with a progressive and minimal edge!".

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement


Marko Nastic’s Biography :


Welcome to the world of Marko Nastic, the leading South Eastern European DJ. In a troubled
Serbia of the 90’s, Marko and his buddies built one of the most vibrant club scenes in Eastern
Europe, the one that inspired writers of Mixmag, The Face, DJ and NME to write accolades many
moons ago. They resisted dark forces of political madness with electronic music and a
celebration of life.
DJing and music were always part of Marko Nastic’s background: even in his pre-teen years he
was fascinated with synthesizers, drum machines and other sound making gadgets. When
techno started filtering through to Serbia in the early 90’s, Marko eagerly entered the scene.
Soon word on a teenage techno prodigy started spreading around town and this energy
channeled into a young & aspiring DJ team called Teenage Techno Punks – all of whom were
under 18, but performing like they were born on the 1210s. Nastic was the leader of the pack;
soon to become the hottest talent of South Eastern Europe’s electronic scene. The queues to
enter clubs in the region on the nights they performed were longer than ever. The word soon
started to spread beyond the boundaries of Serbia.
Just as techno music was becoming popular in Serbia, the Balkan conflict escalated. Marko
admits that he was too young to fully realize the gravity of the situation, but it did have an
impact on his life. “Things were tense, but a lot of it luckily went over my head,” he admits. “It
also meant that buying records then was very difficult and the choice was poor”.
These circumstances shaped and strengthened Marko just like other kids there. The free parties
they threw during those times are still an urban legend in Belgrade.
After the war, the club scenes in neighboring countries became aware of Nastic’s unparalleled
DJing skills and his distinctive three-deck style. Marko has since matured into a DJ who cannot
be labeled as purely techno, house or minimal; he’s all of that, and more.
Marko was a member of the original Recycled Loops crew. After that label stopped, Marko
joined Valentino’s ‘Jesus Loved You’ and started three labels himself, Recon Warriors, which put
Marko on the charts, followed by Recon Light and Traffica.
Also Marko has loads of projects running. For example Space Explorers with Marko Milosaljevic,
Tango and Cash with Kobaya and don’t forget the projects with Dejan Milicevic.
Marko did his first non-European tour in 2002, which started in Brazil. Now he regularly plays
gigs all over the world. Since 2006 he is the author and host of the radio show “Music For Body
And Soul” on the leading Serbian radio station B92.
His authorial album is due to be released.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





What's your credo?

Where are not many dj's of this type - dj's who believed in techno from the first minute, dj's who have experienced techno from the very beginning, dj's who have made techno their own thing, dj's who have created their own unique styles or even more - who have developed one over the years and who's name's are synonymous with that specific sound. alex bau is one of those dj's. at the same time, however, there are some slight differences with this guy. why focus on just one style of music? why only minimal sounds? why only techno? why, if you could have a well orchestrated combination of both?

Is it related to the fact that for alex bau, there was once a time before techno? with thousands of records in a collection that spans through many different types, styles and genres of music, certainly there have been many individual records which have left their own, indelible marks. there's no doubt about that! for instance, alex still does depeche mode nights from time to time, just for fun. but his activities with techno don't suffer at all from that, not in the least! with his 5+ hour sets at his first resident club in his southeast bavarian home area, the "libella", where dj hell also started his career back in the 80's, he achieved the reputation as someone who was totally aware of what he was doing, totally dedicated to it, but also someone who was totally infatuated with it. he hosted his own radio show for over 2 years on a local radio station, still the only techno show in the area. however, after countless gigs at the local clubs the time was deemed to be right to prove that he was also able to play at other venues around the globe. while collaborating with his friend sven dedek, whose productions were mainly released under the moniker's "basic implant" or "electric envoy" on labels lsuch as "fine audio recordings" from chris liebing, their tracks hit the technofloors in a very impressive way. during that time he was also able to collect international experiences behind the decks as sven played live. releases like the "phase edit ep", a highly acclaimed and well sold rework of some nitzer ebb ebm classics, or their work for dave angel's "rotation", justin berkovi's "predicaments" or pascal feos' "pv-records" enabled them to reach a much larger audience. finally, after numerous releases for different labels beside his own "toneman", alex released his debut-album "connected" in late 2004. "connected" immediately drew the attention of many high class dj's such as chris liebing, pascal feos and good groove, just to name a few. the fact that these artists, all of whom were working with different styles, grabbed the tracks from "connected", shows that the name of the album couldn't have been chosen any better.

After starting his own label (toneman) back in 2000, alex also started to work on his solo productions for labels such as chris liebing's "clr" or the montreal based label, "default recordings". montreal can be seen as kind of a gauge of alex's dj activities! within 3 years he was booked in montreal four times and his set from the legendary night at aria from january 2006 was even released as a mix-cd, "live at aria / montreal" so that alex came back months later to perform for the release party, once again a night to remember for the montreal techno movement. at this point in time alex was already booked as the headliner and it was reported by numerous emails and guest book entries that it was hardly a mistake to do so

but it's not only montreal where alex is being booked again and again; there are many other places, which is a good indicator that he seems to be a guy who understands what to do when standing in front of a crowd, someone who is always trying to bring the party to the max. clubs like frankfurt's "u60311", munich's "electric delicate", würzburg's "airport", or the legendary "tresor" in berlin are not only the trademarks of german techno club-culture, they can also be found on alex's gig list. brazil, usa, canada, poland, croatia, serbia, holland or the closer austria and switzerland are some of the tour stops on alex's calender, and no matter where, all over the places people can hear and feel how interesting, versatile and powerful techno can be if you understand how to combine minimal and straight techno as a constant up and down. everything is completely under control while the party is going wild, and that is what alex always goes for.

The fact that alex has become an official artist on the highly acclaimed label "zenit", that he has been the platform for acts like marco carola, adam beyer, the advent, gaetano parisio and many more, is the logical consequence of years of dedicated, hard work in good, high quality techno. techno in its purest form, just as described above, is the goal for alex - whether or not it involves playing or producing. on his current album "credo", minimal tunes go together with peaktime slammers in a way that appears obvious and logical. techno can do a lot, if you let it do so. that's the credo - his credo!

Special Thanks to Alex Bau...

http://www.alex-bau.de/
http://www.myspace.com/alexbautechno

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.





Special Thanks to Matthew & Umek

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement


IAN F. 
(Jesus Loved You)

After a decade of successful sound blending Ian F. maintains the status of one of the most fresh-sounding deejays around. Being introduced to the art of music improvisation at an early age and heavily indulging on alternative art as a teenager, he continued to nurse this passion even more after becoming a deejay. Ian F is a member of the Jesus Loved You family, co-founder of Flow Management agency and a long time resident deejay of Ambasadi Gavioli, one of the hottest super clubs in the Mediterranean. He forefronts the new generation of promising young artists that are redefining famous Slovenian techno sound and are heavily supported by artists such as Umek and Valentino Kanzyani. Currently Ian F. spends most of the off-deck time producing music and developing his Flux:ology, which combines elements of different art expressions. After a series of releases and remixes on selected labels in Europe, Asia and USA (Jesus Loved You, Advanced, Pure Substance, Traffica, Mashtronic, Decoded, Vezotonik, Dig:Atel …), he’s dedicated to spread his eclectic art of noise even further in the forthcoming months.
His production was supported by artists such Umek, Valentino Kanzyani, James Zabiela, Anthony Pappa, Armin Van Buuren, D Ramirez, Misjah, Wally Lopez, Flash Brothers, Andy Moor, Andrea Ferlin, Nick Muir, Wehbba, Marko Nastic,  …

= = = = = = = = = =

CHALLENGES: Productions. Live Act. New expressions.
Being obsessed with searching for some fresh stuff all the time, the life of producer is a constant battle for Ian F: “Currently I spend most of the off-deck time developing my own sound under the guidance of my studio guru Tomy DeClerque." Ian F’s recent production Subconscious was picked up by local Apple distributor for a TV commercial and can be heard on the MTV. Some other releases on Tested/Agent Funk, Mashtronic rec., Jesus Loved You (Valentino Kanzyani) and Traffica (Marko Nastić) are scheduled and the preliminary arrangements with some UK and Germany based labels were already struck. “Another intriguing project is Flux, for which I am joining forces with Tomy DeClerque, KayKay and Dave Morgan. Flux is a unique live act, a mixture of live music performance and electronic live act with the addition of other art expressions. It’s very alive. The structure and expression of this project varies all the time as it is under constant development. We’ve already performed in Gavioli and at one open-air party, but a lot of work still has to be put into this project.”

Performing at the parties is just one side of Ian F as a musician. He indulges on combining his passion for music with other art expressions on regular basis. He's no stranger to performing at art and fashion exhibitions, poetry recitals, teaming up with pop artists and rock bands or developing soundtrack for an on-line art gallery. He even produced music and performed with a contemporary dance company at selected venues, including premiere at the 7th Annual Gala at the national theatre, which was broadcasted live on the Slovenian national television.


REFERENCES: Performances. Releases. Collaborations.
Ian F is established artist in the region, performing in Slovenia, Croatia, Italy, Hungary, Serbia and Bosnia & Herzegovina on the regular basis. His poison is techno & tech-house with expressive warm harmonies and little touches of other genres. As a long running resident of some of the top clubs and events in the north Adriatic region he already performed alongside most of the top techno artists as well as the biggest names in the industry such as Jeff Mills, Richie Hawtin, Sven Väth, Carl Cox, Laurent Garnier, Derrick May, Tiësto, Steve Lawler, Sasha, John Digweed if we name just a few. He's a resident deejay of Ambasada Gavioli, Fetch the Vibe events and official ambassador of Slovenian Haineken Music events.

Ian F's productions were so far spun and included on track lists and charts by Anthony Pappa, Armin Van Buuren, Flash Brothers, Andy Moor, Marko Nastić, Umek, Valentino Kanzyani and other established deejays. His artist production and remixes were released on Slovenian labels such as F-Recordings, Annunaki, Vezotonik and Vezotonik LTD, Malaysia based Pure Substance and Red Flux Music, Atel - DigAtel (USA), Mashtronic rec. from Germany, Advanced rec. (UK) and Croatian Decoded and Decoded Mini.

As a member of SDJF initiative Ian helps develop local club infrastructure and platforms to support young artists on their first steps. Another two promising young artists Andrew Technique and F.Sonik are members of Flow Management agency. Currently he’s also spending a lot of time in and out of the studio with a deejay & producer Aneuria.
IAN F. 
(Jesus Loved You)



After a decade of successful sound blending Ian F. maintains the status of one of the most fresh-sounding deejays around. Being introduced to the art of music improvisation at an early age and heavily indulging on alternative art as a teenager, he continued to nurse this passion even more after becoming a deejay. Ian F is a member of the Jesus Loved You family, co-founder of Flow Management agency and a long time resident deejay of Ambasadi Gavioli, one of the hottest super clubs in the Mediterranean. He forefronts the new generation of promising young artists that are redefining famous Slovenian techno sound and are heavily supported by artists such as Umek and Valentino Kanzyani. Currently Ian F. spends most of the off-deck time producing music and developing his Flux:ology, which combines elements of different art expressions. After a series of releases and remixes on selected labels in Europe, Asia and USA (Jesus Loved You, Advanced, Pure Substance, Traffica, Mashtronic, Decoded, Vezotonik, Dig:Atel …), he’s dedicated to spread his eclectic art of noise even further in the forthcoming months.
His production was supported by artists such Umek, Valentino Kanzyani, James Zabiela, Anthony Pappa, Armin Van Buuren, D Ramirez, Misjah, Wally Lopez, Flash Brothers, Andy Moor, Andrea Ferlin, Nick Muir, Wehbba, Marko Nastic,  …

= = = = = = = = = =

CHALLENGES: Productions. Live Act. New expressions.
Being obsessed with searching for some fresh stuff all the time, the life of producer is a constant battle for Ian F: “Currently I spend most of the off-deck time developing my own sound under the guidance of my studio guru Tomy DeClerque." Ian F’s recent production Subconscious was picked up by local Apple distributor for a TV commercial and can be heard on the MTV. Some other releases on Tested/Agent Funk, Mashtronic rec., Jesus Loved You (Valentino Kanzyani) and Traffica (Marko Nastić) are scheduled and the preliminary arrangements with some UK and Germany based labels were already struck. “Another intriguing project is Flux, for which I am joining forces with Tomy DeClerque, KayKay and Dave Morgan. Flux is a unique live act, a mixture of live music performance and electronic live act with the addition of other art expressions. It’s very alive. The structure and expression of this project varies all the time as it is under constant development. We’ve already performed in Gavioli and at one open-air party, but a lot of work still has to be put into this project.”

Performing at the parties is just one side of Ian F as a musician. He indulges on combining his passion for music with other art expressions on regular basis. He's no stranger to performing at art and fashion exhibitions, poetry recitals, teaming up with pop artists and rock bands or developing soundtrack for an on-line art gallery. He even produced music and performed with a contemporary dance company at selected venues, including premiere at the 7th Annual Gala at the national theatre, which was broadcasted live on the Slovenian national television.


REFERENCES: Performances. Releases. Collaborations.
Ian F is established artist in the region, performing in Slovenia, Croatia, Italy, Hungary, Serbia and Bosnia & Herzegovina on the regular basis. His poison is techno & tech-house with expressive warm harmonies and little touches of other genres. As a long running resident of some of the top clubs and events in the north Adriatic region he already performed alongside most of the top techno artists as well as the biggest names in the industry such as Jeff Mills, Richie Hawtin, Sven Väth, Carl Cox, Laurent Garnier, Derrick May, Tiësto, Steve Lawler, Sasha, John Digweed if we name just a few. He's a resident deejay of Ambasada Gavioli, Fetch the Vibe events and official ambassador of Slovenian Haineken Music events.

Ian F's productions were so far spun and included on track lists and charts by Anthony Pappa, Armin Van Buuren, Flash Brothers, Andy Moor, Marko Nastić, Umek, Valentino Kanzyani and other established deejays. His artist production and remixes were released on Slovenian labels such as F-Recordings, Annunaki, Vezotonik and Vezotonik LTD, Malaysia based Pure Substance and Red Flux Music, Atel - DigAtel (USA), Mashtronic rec. from Germany, Advanced rec. (UK) and Croatian Decoded and Decoded Mini.

As a member of SDJF initiative Ian helps develop local club infrastructure and platforms to support young artists on their first steps. Another two promising young artists Andrew Technique and F.Sonik are members of Flow Management agency. Currently he’s also spending a lot of time in and out of the studio with a deejay & producer Aneuria.



Artist management and general contact:

Tracklist:

1. Indian Cowboy (feat. Fire Tongue) - Masomenos - Welcome To Masomenos
2. Soul Digits (Nick Curly rmx) - Terry Lee Brown Junior - Plastic City
3. Show Time (Daniel Mehlhart rmx) - Emmanuel - Get Digital Music
4. Dubcrystal - District One - 100% Pure
5. 123 Yeah Yeah - Willie Graff & Tuccillo - Freerange Records
6. Upright Bass - Anthony Collins - mule electronic
7. Bau Bau - Livio & Roby & George G. - Cecille Numbers
8. Horny - Dop - Eklo
9. Marrakech (Martinez big-band-da-boom rmx) - Hermanez - Miconn
10. Ma Saucisse (feat. SIS) - Masomenos - Welcome To Masomenos
11. Para'Dizer - Reboot - Sei Es Drum
12. Damien's Joint - Julien Chaptal - RemoteArea


Management:
FLOW:MNGMNT
www.flow-management.net
info@flow-management.org

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement





While many people may claim to know Chris’ sound, with their focus on continually labeling him one thing or another, Chris is equally as focused on his efforts to push back the musical boundaries. It is testament to the man that he continues to develop his sound and musical direction, after all, as the man says himself “I just like to play good underground music, I don’t limit myself.”

It is artists such as Chris Fortier who are inextricably linked to the underground dance music scene that are the genuinely pushing the sound forward. Chris’ determination to continue to push the envelope can be seen in all aspects of his career. Proof of this can be found on his recent triple CD compilation Balance and his recent solo production under the 40oz moniker and his stellar debut artist album As Long As The Moment Exits.

The Balance CD genuinely offers something exciting and underground to the current stale compilation market. Boasting tracks from across the musical spectrum like David Gilmore Girls, Global Communication and Floppy Sounds through to Slam, Matthew Jonson, Rabbit in the Moon and Bent. It is little wonder the CD was name checked for compilation of the year by numerous international press publications.

Under his 40oz production guise Chris has released the several EPs that musically could fit comfortably on labels such as Cocoon, Kompakt or Get Physical. Further remixes of Alexi Delano, Joshua Collins, Lee Burridge, Freaky Chakra and John Selway show Chris’ genre defying sound at it’s underground best. Taking this a step further in 2007, his debut artist album was released to countless plaudits and impeccable praise. Not satisfied with status quo, look for the boundaries to continue to be pressed and pushed with each coming musical excursion.

With a DJ career spanning 15 plus years, he has continually been a crowd favourite, confirmed by his very first residency at the legendary “Aahz” in Orlando through to more recent residencies at The Cross in London and at Twilo in New York. Since a debut European tour in 1997, Chris has gone on to consistently tour the globe behind numerous singles, remixes and no less than 9 mix albums. You can catch him as easily in Tokyo as in Buenos Aires and all points in between on any given weekend.

To those that know Fortier’s history, they know to expect plenty more to come, for those that are just getting initiated, Welcome!


About Fade Records:

Fade Records was created out of necessity in 1993. At the helm is American DJ Chris Fortier. Chris and studio partner, Neil Kolo, needed an outlet to release the tracks they were producing together. With not many options in the States, it seemed obvious to start a label and create the opportunities themselves. The first release was in 1994 called "...For All the People". This track gave them a voice and platform for the future productions. The next three tracks, "All I Got", "Separation" and "So Good" were more highly praised and received heavy support from the biggest DJs out there, including Sasha, John Digweed and Dave Seaman. Equal support came from the USA from Kimball Collins, DJ Icey and John Debo as well as the brand new Mixmag USA (which eventually would be known as Mixer). This great support put the duo on the map and started every label in the UK demanding their talents for remix duties. After several years of building their profile through remixes and the odd single, Chris wanted to re-launch the label in the hopes to help discover and cultivate new talent from America. Steve Porter was the man for this job as Chris discovered him at age 17. With the productions of Steve Porter and others like Derek Howell, Royal Sapien, Funk Harmony Park & Tonepushers, the label is as strong as ever and having great success worldwide.

www.faderecords.com

Special Thanks to Mr Chris Fortier.

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement



DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.





Special Thanks to Matthew & Umek

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement


Patrick Zigon Bio (Cocoon rec.)


Patrick Zigon is hailing from Germany’s beautiful and inspiring city Konstanz at the Lake of Constance, which probably is one of the reasons why he drops such jaunty and fresh beats. Being active in the electronic music scene since 1996, Patrick since then eminently contributes to the establishment and development of electronic music in South Germany as a DJ, producer and promoter.

First own releases promptly showed up in the hard-to-get-in English House scene and in the boxes of international big names. Though Patrick never liked to be pigeonholed, which he perfectly underlines with his productions for labels such as Sven Väths’ Cocoon Recordings, Anthony Rothers’ Datapunk, Puzzle Traxx, Sounderground, Tanzbar, Turbo, Great Stuff, Trapez, Traum, Treibstoff, Kling Klong and Session Deluxe. Especially his remixes for artists such as Guy Gerber, Gregor Tresher, Chris Fortier, Gui Boratto, Martin Eyerer, Extrawelt etc. show his status in the current electronic music-scene.

2005 he created himself his own little Traumraum (the german word for Dreamroom), which is not only the name of his production studio, but also the name of his event series @ venues such as his long-term Stuttgart based resident club Climax Institutes. His current releases and remixes perfectly mirror, for what Patricks name stands nowadays – hypnotic Tech House with good portion of soul.

In September 2008 Patrick Zigon was honoured with the Bodensee Music Award (www.bma2008.de), in the category „Best Electronic DJ“.



Booking contact:
KAI FISCHER
kai@sensational-booking.com

www.patrickzigon.com

  Playlist:

  01.  Patrick Zigon – Jazzmin – Puzzle Traxx
  02. Chris Wood & Frank Leicher – I Feel The Night – Level Non Zero
  03. Discowboys – To The Mountain Top (Two Armadillos RMX) - Dessous
  04. Ali Kuru – Takism Dub - Kailash
  05. Martinez – Blue Lagoon – Moon Harbour
  06. Lauhaus – Ditched - Esperanza
  07. Someone Else – Funny Day Elswhere (Michal Ho RMX) - Foundsound
  08. Tom Ellis – The Factory – Highgrade Digital
  09. Adultnapper – Other People – Crosstown Digital Rebels
  10. Andre Crom & Danito – These Days – Get Digital
  11. Matthias Schaffhäuser & And.Id – Marathon - Ware
  12. Sei A - Solaris Heights – Missive
  13. Salvatore Freda & Michel Cleis – Sassicaia - Cadenza
  14. UES – Somebody Send Me Love - Resopal
  15. Kasper – Untitled One (Tadeo RMX) - Cyclical
  16. Skylark – Krakatoa (Joell Mull RMX) – Saved
  17. A Coyu & Edu Imbernon – El Baile Aleman – Liebe*Detail

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement\

Born in Stockholm, the DJ/producer has spent the last decade working relentlessly to bring his amalgamation of funky house and tribal techno to a global platform. Although Swedish by birth,

Christian spent much of his youth in Frankfurt, Germany,where his father was stationed as a pilot, and this turn fate played an unexpected role in determining his musical tastes.

It was the early eighties and the music at the time was early electro, soul, funk and late disco music. Groups like The SOS Band, Newcleus, funk bands like Cameo and tracks like Fade To Grey by Visage had a huge influence on Christian. Although his older brother and sister would bring home the dj mix tapes from the big clubs, with music from the pre house days. This is what Christian turned on to.

By the time Christian had turned fourteen, he looked old enough to get into the clubs himself and became, by his own admission, "a manic train spotter." Frequenting Sven Vaths Dorian Grey residency, this club had a big effect on Christian. He went to the clubs for the music and to check out the DJ's.
If Dorian Grey was Smiths introduction to the realms of electronic music, then it would be his experiences in another of dance music's capital cities that would help mould and solidify Christians deeply entrenched love for club music.

Moving to New York in 1989, Christian discovered that, running parallel to its high profile house community, the city that never sleeps also had a thriving techno scene. All the early techno clubs had started in New York, with Joey Beltram at The Limelight and soon afterwards Jeff Mills.

After finishing high school in 1992, Christian moved to Washington DC to study international business at university and, in his spare time started DJing. He never dreamt DJing would become his career. Smith nonetheless started playing at big raves in Washington and Baltimore, spinning to audiences of between 500 and 3,000 people. Lets not forget, this was the early nineties, and his choice of music was somewhat different to his trademark funky techno and house fusion, as it was the hard trance and techno days. He was playing tracks on labels like Harthouse, R&S and Music Man.

Unsurprisingly, given the nature of dance music's loosely defined early nineties status, Smiths first record Overdose as Neuromancer, came out on in 1992 on a label called Music Now, only for the imprint to release a follow up record by none other than BTs Embrace The Future. Back then Christian was already making house infused techno, probably less structured and not as well produced as nowadays.

Indeed, Christians earliest DJing experiences also played a definitive role in his future work, as he first met regular collaborator John Selway in 1993. Selway, who was playing the same rave circuit as Christian at this time was also working in New Yorks renowned Satellite Records store, the place where Smith, who was still based in Washington, would order his tunes from. John and Christian connected musically and therefore decided to hook up and make some tracks and the Smith and Selway sound was born.

In 1994, Christian set up the Tronic label, and, despite releasing three well-received records, put the label on hold until three years later, in 1997. Christian put the label on hold, as he was still a full time university student in Washington. By '97 he felt really inspired by DJing and the music that this prompted him to get working seriously with his label TRONIC. However, on completing his studies, Christian started to go to New York more frequently to collaborate with John Selway. Subsequently putting out collaborative EPs on Dave Angels Rotation label and Primate, Smiths own 1997 release, Goldrush the fourth release on Tronic also caused a serious reaction, this was the point everything took off. Tronic became a popular label and Goldrush got licensed all over the place. It was a really hard disco house tune that DJs like Sneak picked up on and it was also the first time a lot of people reacted to one of his releases. DJs like Carl Cox and Dave Angel, people who were my idols in the early days really supported it. It did so well that every month Christian had to press up more copies!

Back in Stockholm, Smith noticed that the demand for his tightly mixed, three decks DJing had increased and was booked to play all over Europe and beyond. In an interesting parallel development to Christians heightened profile, the latter part of the nineties saw Swedish producers like Adam Beyer, Joel Mull and Cari Lekebusch also attain an international following. From 1997 to 1999, the Swedish sound was really hyped. Christian comes from a different background, from a funk and soul background. A point Christian feels strongly about, and is quick to detach himself from any notions of purism. Adamant that he was listening to house before techno, he also points out that, way back in 1994, when he set up Tronic, he encountered some resistance from his distributors because he wanted to release material that was somewhere in between house and techno. The distributors advised to produce/release house or techno as it would sell better, but something in between wasn’t going to work," Christian feels that history has proved him right. As much as Christian dislikes the term, Tronic was one of the first tech-house labels, music that house and techno DJs could play; Christian calls his style housey techno!

Despite his newfound success, Christian didn't rest on his laurels, and, for rest of the nineties, he focused on DJing, producing and remixing as much as possible. Releasing more EPs on Tronic, Intec and Primevil, the Swedish DJ says that though one of his releases, Vanguard caught the attention and support of BBC Radio 1 DJ Pete Tong, he had to keep working as hard as ever. The really big crossover records like Move!, on Intec and the releases on labels like Rotation and Intec opened up his work to a lot of people.

While there's no doubt that Christians distinctive work injected a much-needed sense of funk back into techno, he made it accessible to a wider audience. His DJing is of an exceptionally high standard; Smiths willingness to travel to literally every country in the globe has been another determining factor in his ascendance.

Christian very much enjoys Asia and Eastern Europe as his favorite new places to play in. On a recent South East Asia tour, successful dates were achieved in South Korea, Kuala Lumpur and Ministry Of Sound in Bangkok. Japan is a place were Christian has a large following due to the rocking sets at Womb in Tokyo.

While Smiths releases ensured his bookings continued to soar, the Swedish DJ/producer identifies the release of his first major mix CD, Tronic Treatment as another turning point in his career. Weighing in at twenty eight tracks and recorded live in Australia on three decks, the smooth mix moves from funky house through to dubby, rolling tech-house, into pulsating techno. In fact, as things get faster, his selection becomes more varied, with the brooding electro of Umeks Zeta Reticula, the dark bass powered tones of Adam Beyers Remainings and Deetrons A1 before ending with the deep, Detroit stylings of James Ruskins mix of Metier. It’s one of the most compelling, hand raising, foot stamping interpretations of modern house and techno of recent years, and its no surprise that Christians profile was raised by the mix. His sense of diversity and unwillingness to adhere to one dimension is an ethic Christian believes is inherent in the worlds finest DJs. Christian was most inspired by Carl Cox and Laurent Garnier. Although both DJ’s are quite different what Christian saw in Carl was the ability to mix continuously between three turntables, and create that musical fusion.

Special Thanks to Hugo B & Christian Smith!!!!!!

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




ANDREW TECHNIQUE - biography

Be Ray Ya Book Hey, Can't Play the Piano, Luna Park and Fresh are just some productions which recently invested Andrew Technique as one of the hottest young electronic artists in the region. And it's not a small deal if we take in account he's determined to challenge the infamous Slovenian techno heritage and take it to the whole new level. When he's not abusing the decks and comps on his own, Andrew, a protégé of Flow Management and dedicated member of SDJF initiative, performs as a member of Foreplay!, Parallel Fusion (live) and R&A projects. Well, he sure came a long way so far. Especially if we bear in mind he grew up on metal guitar reefs.

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"It’s true. I'm an art junkie,” admits Andrew. “When I was a kid people thought I’d become a successful painter, actor, singer or whatever. But it was the music that attracted me the most for as long as I can remember. In business I believe in professionalism and dedication, but when it comes to producing and performing music I indulge in being lead by my feelings. And I’m very emotional. I can get goose bumps or even a tear in my eye listening to some great piece of music. I’m not ashamed to admit that. I do listen to the comments given by my friends and people that I personally believe they are credible critics. I respect good-intended critic, but I got where I am today mostly because I decided so and worked hard to reach some of my personal goals,” summarizes his career Andrej Šarkanj aka Andrew Technique.

Although as a master of his own destiny he almost abandoned his dream not so far ago. “Let’s just say I came to the major life-crossroad and had to decide what I wanted to do with life: I could have ended my music career right there and then or choose to channel all my free-time and energy into production and promotion of my own vision of dance music. It never was, and still isn’t, all roses. But now, that I finally get the positive feedback from the right people I’m happy I decided not to quit," explains Andrew with a tiny sparkle of satisfaction in his eyes. He made some big steps in 2007: he produced bunch of great fresh sounding tunes, his records are now being regularly played by the top deejays such as Umek and Valentino Kanzyani, some of his tracks were already broadcasted on BBC Radio 1 … But, regarding the strong competition, Andrew is aware that just a few of good releases will not bring him much.  So he doesn’t rest on early successes: "Dedication, sustain quality of releases and a bit of luck are key elements on which I build my future as an artist.”

It’s been more than a decade since he developed a passion for 4x4 beats. “I used to be into guitar music. I learned to play the piano, I joined the garage band as a teenager and I grew up on hard rock and metal,” smiles Andrew on not so distant memories. “During the high school period I came in touch with other genres, widened my musical spectrum and finally turned in totally different direction. I started listening to electronic stuff, learned how the music is selected, performed and produced and in a few years established myself as a tech-house deejay." Although some could label his sound more like unique mixture of minimal, electro and progressive elements. "We leave in a time of genre blending, so it’s hard to label one’s sound, anyway,” admits Andrew. "But those who follow my work do know I’ve always had a strong passion for organic African rhythms."

And how did he get his name? “Andrew was an obvious choice, just a translation of my civilian name. And I choose Technique since I was always very handy with stuff, I still work in a computer shop, MacGyver is a big hero of mine and the name also reflects what I do as an artist.” And the influences: "I listen to a lot of music and I got inspired by a lot of great artists along the way. I try to find something special in every piece of music and all musicians are mentors to me in a way. But the most important influence for me as an artist was and in a way still is our local super club Ambasada Gavioli. It was the place where I was introduced to electronic culture and where I experienced some great performances of leading global deejays.”

Andrew is also known as a “very friendly artist”. He's a member of SDJF initiative that is dedicated to constant development of the local electronic club scene and supporting young artists. And when he's not performing on his own, he abuses decks and comps as a member of Foreplay!, R&S and Parallel Fusion (live) projects: "There were also some others, but this things come and go and only the best stay. The basic idea behind collaborations is to get together with other artists, develop and share ideas or blend genres. And it's always more fun producing and performing music with other people than on your own."

As a producer he gets all the help he needs from his musical guru Tomy DeClerque. He established his name as part of Tomy or Zox combo on the house scene back in the 90's and is now successfully running his own studio that is second home to some of the hottest young producers in the region. Tomy and Andrew debuted on Kanzyani's Jesus Loved You label with the Obala EP in late 2007. Tomy also remixed Fresh which was included in Umek's Essential Mix and released on Circle Records: "Studio is my favorite place for spending free time. I go there most of the days and I try to channel my ideas, thoughts, wishes and feelings into the music." And since he's very passionate guy, there's a truckload of new records with Andrew's name on it planned for release in forthcoming months. "I'm already well established artist in the region, so now I'd like to spread my sound trough the rest of the Europe and elsewhere. There are many challenges I'd like to take, but the ultimate would be performing on another planet. I'm not kidding. I believe this is something I could achieve as an artist, so don't be surprised if you get a postcard from Mars or Venus someday."

Playlist:

1      Snice - Original Mix      Ray Okpara      Oslo

2     01 Analogic Love (Original Mix)     Ismael Rivas & Luis Damora     Suara

3     Who Cares! - Original Mix     Agnes     Eklo

4     Aloo Ma Auzi - Bearweasel's Linear Drum Edit     Dragosh     Viva Music

5     The Swarm - Original Mix     Dualton, Masuki     Elite Records

6     Amelie - Format:B Remix     Butch     Groove Attack

7     So Sexy - Alex Kenji & Sara Galli Mix     Combo     Starlight

8     Circles - Original Mix     Loko     Soulman Music

9     Kamikaze - Sinisa Lukic RMX     Unknown     Unknown

10     Who's Afraid of Detroit? (3 Channels Remix)     Claude VonStroke - 3 Channels remix     dirtybird

11     Vertigo (Ahmet Sendil rmx)     F.Sonik     Evolution

12     73 Tomtom Avenue - Original Mix     David K     Tsuba

13     Korea Tabs - Harry Axt Remix     Holgi Star, Holger Flinsch     Kiddaz.FM

14     Jo The Monster - Agaric Remix     Lemos     We Are Records

15     So Good - Original Mix     Daley Padley, Paul Cooper     Stealth Records

16     London - Original Mix     Adam Beyer     Drumcode

17     Emotion 1 - Dimitri Andreas Remix     Dany Rodriguez, Davy Dee     MB Elektronics

18     F16 - Original Mix     Marco Bailey, Tom Hades     Hedgehog

19     Maki - Original Mix     Anja Schneider     Mobilee Records


Booking contact:
FLOW:MNGMNT
www.flow-management.net
info@flow-management.org

Marian: +386 41 234552
Alex: +386 51 352111

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement






DJ UMEK

Uroš Umek is internationally acclaimed music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who’ve joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined “Slovenian techno sound and successfully invested it as an important driving force on the global club scene.

The year 2007 marked the beginning of new chapter in Umek’s music career. After spending enormous amount of time and artistic energy bringing his characteristics sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move for such an established artist as DJ Umek. But it was the only way for him to stay on top of the game. And it seems he picked up the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his productions are supported by some top dogs in the industry.

Umek recent productions include highly acclaimed club releases such as Overtake & Command, Ricochet Effect, Another Matter Entirely and Faithful Nights, but it were MTV supported hit singles Posing as Me and Carbon Occasions that stirred the most media attention and crossed over to the daily radio stations. Umek’s releases were lately included on the premiere club compilations mixed by artists such as Sander Kleinenberg, Judge Jules, Eddie Halliwell, John Digweed, M.I.K.E. or Carl Cox. He was amongst the headliners of esteemed summer music festivals such as Primavera, Monegros or Dance Valley and he conquered the South America on the joint tour with Valentino Kanzyani and Marko Nastić once more. And this was only the introduction in the Umek’s year 2008, when he plans to finally present long expected new artist album and his own live band.





Special Thanks to Matthew & Umek

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement




Richie Hawtin Biography 
 
Artist, DJ, conceptualist and ambassador, more than anyone else in modern electronic music, Richie
Hawtin has relentlessly proved himself to be a true innovator. The one-man mogul behind acclaimed
Techno imprints Plus 8 & Minus sends signals out all over the world from his HQ in an old fire station in
Windsor, Ontario – just across the border from Detroit Techno City. The signals are constantly evolving, his
Plastikman persona gave Techno a unique face with a series of four ruthlessly minimal albums of skeletal
beauty, while breathtaking festival live sets at Glastonbury and Tribal Gathering helped invent stadium
Techno. His “Decks, EFX & 909” album released on novamute in 1999 expanded the concept of a DJ
mix album beyond the imagination of most DJs. As a pioneering DJ and party promoter he was banned
from entering America for 18 months. Yet this jet-setting international futurist is as at home exhibiting
alongside acclaimed modern sculptor Anish Kapoor as he is headlining a bush rave with Josh Wink
somewhere in Western Australia.
 
More of a decade into his career, it’s no surprise that the every-youthful Hawtin is up to something new.
This time, he’s reconstructing the DJ mix album even further with “DE9: Closer To The Edit”, the
groundbreaking new album set for release on the novamute label in September 2001.
 
His first mix album, for the Mixmag Live series, saw him use extra effects and drum machines as long ago
as 1993, “Decks, EFX & 909” cut laser-style between tracks and now, “DE9: Closer To The Edit”, sees
Hawtin use his sampler to tear the skin and the flesh from the tracks until there’s just a skeleton left, which
he reassembles into a kind of Frankenstein’s robot. The result is a mix album like you’ve never heard
before.
Hawtin describes this unique process “I recorded, sampled, cut and spliced over 100 tracks down into
their most basic components. I ended up with over 300 loops, ranging in different lengths. I started to
recreate and reinterpret each track and then put the pieces back together, as if an audio jigsaw puzzle –
using effects and edits as the glue between each piece”.
 
A classic like Carl Craig’s ‘4 My Peepz’ (under his Paperclip People guise) breathes in and out in less
than a minute, like a lonely spirit lost on the hard drive.
 
“I don’t like mix CDs, everyone’s being lazy, so I gotta do something different,” says Hawtin. “Some people
think it’s about me using some extra equipment – a drum machine and some effects - but it’s a whole
philosophy really. ‘Let’s take it to the extreme, to somewhere that’s it never been before’ “
 
Hawtin believes the whole DJ thing is stuck in a groove. So beyond “DE9…” he is championing a new DJ
system developed in Holland called Final Scratch, with Plus 8 partner John Acquaviva. Dance and
Electronic music is the most technology-based genre of all, but to Hawtin’s frustration it’s still rooted in a
music delivery system developed in the 19th Century: the gramophone record. Even though more and
more DJs play tracks burnt onto CD, vinyl still rules because it’s easier and instinctive to control. Final
Scratch links up to the normal two-turntables-and-mixer set up, but lets you play tracks stored on a laptop
using a special piece of vinyl as a ‘mouse’, or controller. You can access literally thousands of tracks, and
scratch, cut, slow and mix them just like normal records using this special piece of vinyl. It’s nothing short
of revolutionary. As Hawtin enthuses: “It feels and acts like a regular record.” He’s already using Final
Scratch to play unreleased tracks by Josh Wink and Speedy J, and special re-edits of some of
Hawtin’s classics and personal faves.
 
 Born in Banbury, Oxfordshire, England, on June 4th 1970 Hawtin emigrated with his family when he was
nine to Windsor, Ontario, where his dad Mick still works as a robot technician in the General Motors car
factory (his mother, Brenda, is in real estate). Richie cheekily borrowed his dad’s persona for his house
alias Robotman. His brother Matthew, who shares the Windsor fire station studio complex with Richie, is a
visual artist. By 15 Richie was creeping out of the house to cross the border and go clubbing in Detroit. By
17 he was DJing at The Shelter, a dark basement club where he mixed House and Techno with
Industrial music by Nitzer Ebb and Front 242. He had his own show on Detroit’s 96.3FM – inspired by
a late ‘80s Detroit radio DJ called The Wizard, now better known as Jeff Mills.
 
As a teenager Hawtin, already into Breakdancing and Electro, was stirred by the radically beautiful machine
music being fashioned by Detroit Techno pioneers like Juan Atkins, Derrick May and Kevin
Saunderson. In 1989 he set up Plus 8 Records with John Acquaviva to release their own tracks and
push new artists. They started running parties in Detroit. But far from welcoming them, the tight-knit Detroit
Techno scene initially turned a cold shoulder on the two renegade Canadians.
 
“It pissed a lot of people off because there wasn’t anyone else in the city doing it – it took someone from
the outside to come in and say, ‘Look, wake up,’” Richie recalls. “These guys [May, Atkins and
Saunderson] have left. They’re doing their thing overseas.”
 
Plus 8 began to gather momentum with a richly varied catalogue of hard-nosed, cutting edge Techno
from artists like Speedy J, Dan Bell and Kenny Larkin. Along with the resurgence of Detroit’s
confrontational Underground Resistance, this marked the second wave of Detroit Techno. “We all put
the focus back on Detroit for a while, we didn’t want to make traditional Techno, we were inspired by
traditional Techno. Derick, Kevin and Juan had sent these waves all over the world and we were the first to
feel the rebounds of their ripples”. 
 
By 1993 Richie Hawtin’s Detroit parties had become legendary intense affairs as freaky dancing clubbers
lost themselves in strange, dark warehouses transformed into disorientating warrens by walls of black
plastic sheeting. Inspired by this, Hawtin elected to take Techno one stage further and develop his virtual
Plastikman alter ego: a red and black gremlin that is tattooed on his forearm. He didn’t want a collection
of tracks; he wanted to make an album that swallowed up the concentrated energy of those parties and
spit it back out as something new. An album, “Sheet One” was recorded in a rollercoaster 48 hour studio
session and released on novamute in early ‘93 and was soon followed by the brilliant ‘Spastik’, a single
recorded three weeks later after a long night dancing to Derrick May.
 
Hawtin was already shifting identities like a spy changing roles: his 1992 album “Dimension Intrusion”,
under his Fuse alias, had played a key part in the Warp label’s groundbreaking “Artificial Intelligence”
armchair-Techno series, but he wanted to reach further. He remembered the strange shapes that his
friends threw at those warehouse parties, the different creatures they almost became. “Like plasticine,” he
says. “That was the whole idea of Plastikman, it was all very viscous and pliable and moveable.”
Plastikman wasn’t just a clever alter ego – it was a role for you to try on too. The sound was rubbery and
sparse; its moments of melodic steel arriving unnervingly. The first album, “Sheet One”, played up Hawtin’s
reputation for LSD and was promoted with a free sheet of fake acid tabs.
Hawtin developed a Plastikman live show that still tours the world. Huge audiences at Glastonbury and
Tribal Gathering twitched to its twittering insect rhythms, lost in a soundtrack far freakier than anything else
those events had to offer. In 1994 the second album on novamute, “Musik”, let a little human warmth seep
onto the clattering Plastikman rhythms, but despite its closing robot lullaby ‘Lasttrak’, it was, if anything,
even more discomforting
Just as the little Plastikman gremlin was becoming an international phenomenon, American immigration
officials banned Hawtin from entering America for working illegally. He was barred from entering the States
for 18 months. It was a devastating experience.
 
“My girlfriend lived there and most of my experiences were in Detroit, my friends were there and all of my
musical inspiration was there – and suddenly it was like, ‘See that building over there? You can see your
inspiration, but you can’t go there.’” Now, typically, he believes the ban had its benefits. It was at this point
the Chemicals Brothers and Underworld began to break out of the dance world and into a wider
Rock arena. Hawtin now wonders whether he might have gone further down the stadium Techno route.
Instead, grounded in Windsor, he went back to the studio to reinvent. “When that happened it was the
worst day of my life,” he says now, “and it was one of the best things too.”
 
The next Plastikman project, ‘Klinik’, wouldn’t come together. “I had tried to follow those records up but
there were feelings of pressure at that point,” he says now. Stuck in the studio, depressed, Hawtin set
himself a new challenge and gave it a deadline. He pressurised himself back into action, releasing a series
of ‘Concept’ EPs based on the months of the year. Each release would feature two tracks recorded in one
month only using a set template of sounds. They would be released and then forgotten. The discipline of
producing 24 tracks in 12 months rewired the creative circuits. “It progressed me to a different audience, it
progressed me with effects which came into my sets and it progressed me into more of this spatial
environment I was trying to get to,” says Hawtin.
 
It was the starting point for his last Plastikman album “Consumed”, which replaced the angry black and red
gremlin with dark, abstract sleeve art and the tense rhythms with swathes of bass and melody. Released
on novamute in 1998, it was acclaimed in countries like France – where conceptual artists are traditionally
celebrated. “Consumed” elevated Hawtin to a new status, he was now not just an international Techno
star, but a contemporary artist. Asked to contribute to a French Millennium Exhibition celebrating
different ideas of beauty, Hawtin created a musical installation based around the clicks, hisses and pops of
vinyl – a beautiful sound, he argued, to his generation. The exhibition also featured the work of world
famous sculptor, Anish Kapoor, who Hawtin had long been a fan. In fact “Consumed”’s unique textures
had been inspired by Kapoor’s beguiling, futuristic, curved shapes and the cover art echoed the sculptor’s
famous obelisk. “I was walking around those sculptures and putting my head into some of them. They had
like a sonic quality like chambers of nothingness – and that’s exactly what I was trying to hear. Suddenly I
was able to walk around a physical version of what I wanted to do musically.” Hawtin was also moved by
the mournful purple washes of the late Mark Rothko, which now hang in London’s Tate Modern.
Rothko’s work, says Hawtin, “is very, very subtle, just washes of texture. It kind of gave me a visual
perspective of what I was trying to get out of my head, sonically. On a flat surface.”
 
This is where Hawtin is at now. Constantly touring all over the world and keeping fans updated on his
world wide DJ travels via his website diaries; taking his dad out to dinner with John Peel (a big deal for
his Peel–fan father especially now his son is a huge favourite of the radio DJ); pushing himself to his
creative boundaries and taking Techno with him. Not just to the middle of the dancefloor, but also above it.
 
“The good Techno musicians enjoy having a good time, but can see beyond it,” Hawtin notes. “It’s the
closest to a contemporary art form.” With Jeff Mills providing an installation to the recent Sonar event in
Barcelona, Germany’s Thomas Brinkmann moving from conceptual art into conceptual Techno, and
increasing connections between the two worlds.
 
As Techno and art move closer together Hawtin sees it as a logical part of his constant reinvention. “It’s
about setting a standard for yourself and progressing yourself. Showing people you can do something
interesting that’s more than just dance music.” 

CONTACT INFORMATION
Label/Sales:  Rudy Delgado | rd@m-nus.com  tel. +49 30 405040 345
Press Contact: Meike Nolte | mn@m-nus.com tel. +49 30 405040 355
Tour/Booking: Katrin Schlotfeldt | katrin@clonk.com tel. +49 30 40056892

Special Thanks To Mrs Meike Nolte,Rudy Delgado & Richie Hawtin

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement


Tomy De Clerque

A member of the new generation of Slovenian deejays, Tomy De Clerque grew up in an environment full of promising development in the sphere of electronic dance music. In front of his eyes the local scene has been turning into a globally acknowledged style of techno music in the hands of artists such as Umek and Valentino Kanzyani. A natural choice for a guy with talent and ambition was to jump the train – and Tommy DeClerque has road it ever since.
Performing as a deejay since he turned seventeen Tomy DeClerque soon realised that making his own production was essential if he wanted his carrier to really take off. He hooked up with his friend Zox to form the Tomy or Zox duo, and their hard work paid off as their My Desire single received some favourable feedback in Spain, Russia and Mexico. However, it was the Music Makes Me Happy hit single that caught the attention of top artists being remixed by the likes of Mainframe and ATCF, and released on several prestigious compilations, such as Ministry Of Sound, DJ Awards at Pacha Ibiza and Blanco Y Negro Mix. ‘The greatest satisfaction, though, – Tomy says – was when we got set as Essential new tune of the week on Pete Tong’s celebrated Essential selection radio show.’
After parting ways with Fox, Tomy felt that it was time to take a break from a demanding life of producer and performer, before he went on to start his solo career. Searching for genuine underground sound that could revive the authentic feeling of electronic dance music he experienced in his youth Tomy turned to Valentino Kanzyani’s Jesus Loved You label releasing a much praised I Don’t Know. Driven by his passion for teamwork, a lot of his studio work is done in collaboration with his friend F. Sonik. The duo’s first major success was winning VONYC remix competition with a remix of Valentino Kanzyani’s Nueva York, which is also a part of Carl Cox & friends at Space Ibiza 2008 compilation.
He started the 2009 with Umek's nomination as best producer of the 2008. But he is determined to accomplish even more. ‘You’ll hear a lot about me in the future,’ he promises.


Playlist:

1-Surrealistic Whale (Original Mix)
Edu Imbernon & Triumph
Suara

2-Mind Games (Tomy DeClerque RMX)
Jon Rundell
Teggno Records

3-Bounce Cherry (Alexx Iuliano RMX)
Mark Morris
Urbansound Records

4-Twister (Dandi & Ugo RMX)
Andrea Mattioli, Gabriel C
Stereo Seven Plus

5-Ho`z in this house (Tomy DeClerque RMX)
Ariel G
PROMO (Behold Recordings)

6-One 2.3 Four (Popof RMX)
Martin Solveig
Mixture

7-Unintended Maneuvre (Monica Kruse RMX)
Umek & Tomy DeClerque
PROMO (TerminalM)

8-Kung Fu Necktie
Lance Blaise & Rod B.
PROMO (Teggno Records)

9-Afrika (Tribal Mix)
D-Unity
Stereo Productions

10-Loky
Tomy DeClerque
PROMO (HellYeah)

11-Regenerations (Inside Out Remix)
Grunjah
PROMO (Vise Versa Music)

12-Pleasant noise (Original Mix)
Tomy DeClerque & F Sonik
Jesus Loved You

Special Thanks To Marian,Alex & Tomy