Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

In late 2007, when Tara Danielle Brooks put her first needle on a record, she had neither idea nor expectation that her passion for music would soon become her life-long career. She learned on vinyl using her natural ear for music. Through this route, she escaped into the sounds that helped her discover a new meaning to life. Experiencing magical nights at parties & festivals in Southern California, Tara discovered the power to be moved & touched by electronic dance music, causing pure enlightenment. She’s a self-taught deejay who found her destiny: To express creativity through music. 

Tara's passion turned into an addiction, landing her gigs from all over So Cal, Las Vegas, Miami, New York, internationally, & more. Opening & closing for many of the biggest djs in the world, including Plastikman, Green Velvet, James Zabiela, Victor Calderone, Eric Prydz, Erick Morillo, Joseph Capriati, The Martinez Brothers, Sander Van Doorn etc. She plays for Insomniac, The Bpm festival, Wmc Space Miami, Drais LV, Marquee Day Club, & played 4 events during her first experience at Burning Man. She says "It was the most magical, phenomenal, twisted experience of my life, & i've never felt an energy so beautiful before." 

Her heart lies in techno, tech house, deep house, & older progressive, open minded & moved by a more underground sound & feeling. Influences include John Digweed, Victor Calderone, Lee Burridge, Joseph Capriati, Richie Hawtin, Art Department, Guy Gerber, Nicole Moudabour, Gaiser, Dixon, Hernan Cattaneo, & Audiofly. Known for powerful drops, driving rolling baselines, beautiful emotional melodies, & techno with a sexy but dark groove, she focuses on sounds that have the ability to touch her crowd.

Dedicated & addicted to production, she hopes to move you with her sounds, taking you on a unique & special journey, touching u so deeply.

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

Zeljko Vlajin a.k.a SOSKO is born in Ruma / SERBIA / on July 18. 1986. First intensive contact with house music made 2004. Work as a sound and musical associate producer of the radio stations "Fruska Gora and" and " Heart ".

Shortly thereafter performed in numerous clubs all over Serbia (Baltazar, Club Pazzia (Kikinda), In Contro (resident), Cactus, Latino, Buddha Bar (resident), Studio 54 (Apatin ) Bar Centrale (resident), Club R...oy...al (CG) (resident) ... During the summer and winter season appearances in the club of Montenegro.Works at SMOKE FEST 01,02 and other festivals ...

Sosko involved in production and processing of songs - a lot of great tracks and remxes released for a world famous record label in very short time, sound that is recognizable by the great rhythm and strong bassline quickly found its fan base.

One of the best track made in the corporation with Alen Milivojevic for InterTech Records.
Preferred Tech-house and Techno sound.

Currently resident at Buddha Bar ( Belgrade , Novi Sad )

Rod B. & Mareis bring you the Miami Sessions @ Miami Underground Movement

At 52 years old Dave “Big Daddy” Brown has been around since before the birth of dance music. Or for that matter, punk, reggae, new wave, hard rock, hip-hop, rap and metal. In fact, he came rushing headlong into this world in 1961, the same year Patsy Cline was topping the charts with Willie Nelson’s “Crazy”.

He was ten years old when he bought his first ever record, Led Zeppelin’s immortal classic, “Immigrant Song”, which remains one of his favourite songs of all time. The joy was short-lived though, his mum made him take it back to the record store as it wasn’t considered “appropriate”...but it was cheekily swapped for Deep Purple’s “Demon’s Eye” instead.

Variously falling in love with sounds like Led Zep, Deep Purple, Black Sabbath, The Ramones, Motorhead, Pantera and Tool, Big Daddy’s die seem cast in either the thrash of punk or the dark grooves of heavy metal. But dabbling in the early ‘90s rave scene in Sydney Australia he became exposed to early psy-trance and acid house.

But it wasn’t until a monumental set by the legendary Carl Cox at Bondi Beach Sydney on NYE 2000 that the die was cast. Within two days Dave had bought his first decks. Absorbing sounds from iconic techno and house DJs like Carl Cox, John Digweed, Green Velvet and Jeff Mills, he started the long and lonely journey of every true DJ, to find his own sound.


Dave’s live sets invariably involve a variety of styles with techno and tech-house as the basis but a preference for dark techno. Well regarded for his programming and immaculate blend mixing his sets are never planned whether live or recorded, believing in the true essence of a “live” performance.

Having played predominantly in Asia, he was offered residencies at the iconic Bed Supperclub and Glow in Bangkok where he successfully pushed a tech-house sound in an electro-house world many years before it before it became fashionable.

However Big Daddy is the antithesis of most DJs and doesn’t seek fame or fortune in any way, in fact he keeps out of the limelight and finds it completely ironic to even have had bio written for him.

He is legendary for turning down gigs to allow younger DJs to take the opportunities available. It’s through this modesty and generosity that he has cheekily become known as “Big Daddy “. Dave is vehement in his belief that music comes first and its future resides with the young.

Well known in the Brisbane (Australia) underground scene, Dave has played alongside some of the biggest names in international techno although he’d never mention names. He currently only plays certain events by invitation from people who know their music.

Knowing that the music will never die, Dave’s plans are to build his own beach-club in Asia in 2015 where he intends to see out his days sharing the music he loves so much without any distractions.

He truly does hope to leave this life in a DJ booth with his headphones still on!